Girls’ Last Tour - Star Crossed Anime Blog : Star Crossed Anime Blog
Posted on 1 January 2018 with categories: Anime Reviews, Girls' Last Tour

Girls’ Last Tour falls within my favorite new trend that emerging the anime medium over the last decade: a dark moe anime. Set in a post-apocalyptic world where the human race has almost extinct, our two girls wandering around the world in their kettenkrad looking for food and shelter. If it sounds a bit bleak and minimalism, rest assured that Girls’ Last Tour is at its heart a slice-of-life show about those girls having relaxing time in that world. And did I mention that those girls are real moeblobs? Their faces can go rounder and squishy, but strangely they never feel out of sync with the more realistic industrial setting. The show could be entertaining and soothing enough with just those factors, but it has more tricks under its sleeves. More often than not, Girls’ Last Tour addresses some simple philosophical issues that provides another perspective since the girls have no idea how normal society works. Moreover, while I consider the source material an already solid manga, the anime adaptation enhances this show further with a consistent visual audio production and great attention to details. It’s a beautiful and solid production all around.

I always consider a certain show a great piece of art when they know how to fuse seamlessly between two seemingly contrasting or opposite factors, because then the show can produce some unique chemistry, while at the same time balancing these extremes out – just like how yin and yang work in general. Girls’ Last Tour certainly is amongst this group. Take how the cutey designs of the girls both contrast and complement to the vast wasteland on the verge of totally destroyed. Or how despite the low-key depression of hopelessness that linger to wherever the girls go, the main theme is about how our girls find their little joy and keep moving on. I also want to stress on the small number of the living beings in contrast to the huge remains of weapons and dysfunctional machines. This show is one of the most minimalistic cast I’ve seen in anime medium, with only our two girls Chi and Yuu command the screen most of the time, and the number of people and animals they encounter along the way can be counted in two hands. For other shows it’s a recipe for disaster but in Girls’ Last Tour the girls never stay out their welcome in spite of (and I could argue because of) the vast world of nothingness. The last episode when the stream of many people appear on screen before the destruction, as a result, bring a powerful, overwhelming emotion to the table. This mastery in controlling over the general tone makes this show so relatable, sharp and grounded, despite the show is at its core a moe girls show.

Chi and Yuu make a great pair with their contrasting (again!) personality. Their chemistry is natural and sometimes the show explores the different mindset between Chi-chan who is academic but timid and Yuu who just like eating but quick to adapt. In one sequence for an instance, when arguing about the signs that give them directions to the destination, Chi argues that who would ignore signs that would help them to the destination, in which Yuu responses that it’ll be boring that way. Their difference in the way they approach life complement each other and bring the best out of each of them. Their bond and fondness to each other, in addition, is highlight through the completely comfortable in their close physicality and in the last episode that bond is further developed into satisfying payoff.

The worldbuilding of this series is another highlight, too. We get a hint of how the world come into destruction several times before, but it never at once come into a forefront. The city is displayed as an industrial, vast with multiple layers that the higher the level, the more advance the technology. Ancient people in that world had an advance in technology that now become long lost. Our girls travel that world without a proper knowledge about the remaining technology, and to a greater degree have absolutely no knowledge about how society works and many several topics regarding society like religion, war, home and death. These philosophical questions often pop up randomly, but they all serve the purpose of seeking a bit deeper about our own existence, our purpose in life and even what lifeform is itself. Ultimately, the answer to these questions are just as simple: the best way to die is to keep on living and enjoy little happiness in life.

While comparing the manga to this anime adaptation, I noticed in the manga, the sense of hopelessness is more apparent, thus make it a fair bit darker than the anime version. That’s not a jab against the anime at all, as I consider the production of Girls’ Last Tour a nearly flawless work. The shots are greatly composed, they know when to use natural sounds and when to let the score kicks in. The background art is always appropriate and striking. The direction, the editing make the show as natural as possible, and believe me it’s a goddamn hard job to pull. Girls’ Last Tour is just down right cinematic most of its time. Moreover, the voice acting work for the two girls are exceptional. Bravo White Fox for this wonderful adaptation where I can feel their love and their passion run right through every minute of the run.

While Girls’ Last Tour might provide no definitive ending to the girls’ last tour and sometimes might feel like nothing is really at stakes, I am myself surprise the whole trip never feel boring or repetitive, and Chi and Yuu’s chemistry is strong enough to carry the show. Depressing and comforting at the same time, Girls’ Last Tour is a rare show that produce its unique charms and distinctive tones, while always maintain its feet firmly on the ground. It’s the best of its slice of life dark moe genre and I certainly miss those girls and their kettenrad.

Posted on 26 December 2017 with categories: Currently Watching:, Girls' Last Tour

I am glad that this little dark moe show that mostly flies under the radar in this Fall 2017 ended in a high note, and Girls’ Last Tour has been really consistently solid to begin with. This is a fitting ending for a slice of life show like this, further reconfirming many elements that make Girls’ Last Tour stand out in the first place: its intriguing world setting, the bond between our two girls Chi-chan and Yuu, and still manages to surprise us in many ways. The only element was missing in this last episode is, surprisingly, its laid-back slice of life theme. This finale takes a look back to the past where humanity was still dominant, then to the present with those no-leg white caterpillar turn mushroom creatures, while at the same time give those girls a push to realize the importance of each other in their lives.

This first half is easily my favorite chapter of Girls’ Last Tour. As the girls taking pictures of themselves, the camera’s automatically syncing with the big screens and all sort of pictures, and videos from the past come into play. The girls obviously don’t aware much about those old storages, so it’s a nice surprise for them to witness the old world, the traditions, the people that no longer exist in the world. It’s a whole world’s history that play in front of the them: a group of girls presenting their latest project, a newborn baby, a sport event, the ongoing war… and the toss and mix between the tones of those events that gather a grand and epic feeling to the girls, and to us the audiences as well. Here I must compliment the precise editing of Girls’ Last Tour. Those video segments from the past play out seemingly out of order, but they hold the emotions very well, even the music helps strengthen the feeling. Those videos play a nice contrast to this wasteland the girl’s living right now. Full of people, full of life with vibrant colors in contrast with this dull, grey world, but in essence the dull world is one part of the rainbow color that makes life so interesting and full of wonders.

The second part focuses on the new creatures that appear out of the blue, swallow whole Yuu. At that point of time Chi-chan has to experient the important of losing Yuu in her life. Those creatures turn out do not look for human flesh, but rather the energy left over after the human race destroyed itself. Their objective is to swallow and “clean up” all the remnants of warfare, and effectively put the world into an inactive state, and that will be the new state of the world (they need to destroy all the bads before resetting the world again), albeit at the cost of the human race, and our two girls in particular, who were deemed as the last human on Earth by their calculation.

Those creatures transform into a flying Mushroom is weird but pointed criticism towards the consequences of war (Mushroom smoke anyone?). They are, after all, the very product of the destruction the human race had left behind. Their companion Cut is gone way too soon too, and now, with nothing better to do except knowing full well that the world is going to be destroyed, the girls confirm their bond to each other and continue on with the journey to the highest level. I had never expected Girls’ Last Tour to be this consistently great so it was a nice surprise for me and I love every moment watching and blogging this under-the-radar show. Amidst the post-apocalyptic hopeless world, the girls prove once again that all you need to do to survive is enjoying the little things in life and keep moving on.

Posted on 19 December 2017 with categories: Currently Watching:, Girls' Last Tour

Despite its moeblob nature of our two girls, Girls’ Last Tour still keeps up its lowkey depression – such element that make this show so grounded in its world. In this episode, that stark, depressed nature of the world comes in full light with the focus on weapons and destruction. It starts small with a bullet and our weird animal friend “Cut” who can digest such bullet. Whimsical nature aside, it has its point on how that creature survives and evolves in this dead world. “Cut” is a product of this post-apocalyptic world, with shells of bullets and corpses of machine scattered all over the surface. In other to survive, what is the better source of meal than those bullets? (whether it’s nutritious is another story). Moreover, this episode we can see our animal friend having some basic communication with the girls (which is freaky when you think about it), and their hands can serve as a power supply and/or key to start up the systems. When it comes to the war stuffs, our adorable pet surprisingly knows its way around that it makes me feel it was their roles all along. Now, even Chi-chan notices the resemblances between the pet and the stone statue, which my guess for now is that they’re probably one. Despite its cute voice and its even cuter reactions, this pet is one of the freakiest animal that I’d be happy to stay away from.

Yeah, this week in Girls’ Last Tour starts small with a bullet, but then it progresses to something bigger, and much more destructive. The girls find themselves inside the machine that fire missiles. Yuu, in her normal curious state, presses another button, and the whole city is down in flame caused by the laser beam. That intensify of destruction is used fairly well in this episode, starts with some dysfunctional tanks, to the collapse of a machine, and then to the destruction of a whole city in mere seconds. That was a shock, and I imagine what happen if there were any life destroyed by that careless action. What if there were a person or a plant? Yuu quickly laughs it off because it’s fun, but then when the blame game begins she blames the machine first, then the old people who used that machine, then to herself. Sometimes mass destruction can be easily caused like this, powerful weapons in a hand of irresponsible people. Girls’ Last Tour goes even further though, as the girls’ next destination ends up being the forest of windmills (or are they antennas?) and the nuclear submarine that still functioning. It’s not a pretty sight at all: even when the world is destroyed, the weapon that could destroy the world all over again is still waiting for its chance to launch. That pretty much the reasons why Girls’ Last Tour is so balance. It blends smoothly between its moeblob, slice of life nature and its really dark, destructive settings. That balance makes the show still have its footing on the ground, while at the same time hopeful and light-hearted enough to remind us the beauty of keep on living and enjoy little moments of life. With only one episode left I really hope we have a finale that close this magnificent show in the most satisfying note.

Posted on 13 December 2017 with categories: Currently Watching:, Girls' Last Tour

Girls’ Last Tour examines the concept of time and space this week, as the girls riding on a lonely moving train. The train design fits right in with this world: a long metal box that functions all by itself and contains many now-dysfunctional robots – corpses of the machines. Since last week we learnt that they are capable of thinking on their owns and sharing the empathy with human, it’s a sad sight to witness that they are now basically a worthless junk. What even sadder is those that still remain: the train’s still functioning despite no one else need a ride, the clock’s still running despite it loses all its meaning. It’s a neat trick from Girls’ Last Tour to insert the robots’ perspective imaginary to remind us about its past lives, just like the graves the girls saw the other day. Yuu wonders if they actually go faster now that they’re on the moving train, in which Chi-chan snaps back that theoretically they don’t, since they are always on the moving Earth. Time goes pretty much the same way. Technically, they don’t go any faster, but since the concept of hours is long forgotten it doesn’t matter either way.

And then Girls’ Last Tour address something that transcend both time and space: the wavelengths, in the form of radio waves and in the form of light. Yuu picks up a noise in the radio that she took from the filing cabinets. That noise becomes clearer the more they get closer to the surface; and it turns out to be a melancholic tune. It feels like the memory of the old people still linger in there. Moreover, there is a reason why cinematography and photography regard sunset as the golden hour, as it produces a magical and dreamlike effect. Light is technically a wavelength, and for this particular moment, both the music from the radio and the red sunlight create something sad, something that still relevant and can’t be lost through thousands of years. That beautiful, quiet moment is also an acknowledgement to the transience of life – that the moment only last for a short period of time – it’s a true sense of Mono no Aware if I’ve ever seen one.

The last segment, however, ends this episode in a much lighter and opening note, as the girls encounter a strange creature, whose they thought was a cat. This mascot animal looks very similar to the stone statue. Long, thin, white and somehow can repeat the girls’ words through the radio. It’s nice to see the girls take something in for a change, instead of many one-offs they have encountered so far. Girls’ Last Tour still produces a pretty solid, albeit a bit lacking in weight this time. Now, the journey of two and a half girls, continues on.

Posted on 3 December 2017 with categories: Currently Watching:, Girls' Last Tour

Leave it to Girls’ Last Tour to not only address the meaning of life in their lifeless world, but also what does life itself even mean. “What is life?”, that question is asked several times during the episode, and the girls can only come up with the most direct, simplest answer to this grand question. We are the life form, robot sure isn’t. Even us, the viewers, in this age and day, don’t even consider robot as a lifeform, do we? Since life is organic, including the capacity for growth, reproduction, functional activity, something that a mere robot doesn’t have. Girls’ Last Tour challenges that notion, as the show follows our girls into the one of the remaining fishery. The place is still automated functioned by a giant robot, and further inside is another robot who takes care of the last remaining fish in this fishery (if you noticed we’ve seen a lot of “last” in this series: the last flying airplane, the last potato few episodes back). The girls argue robots don’t have consciousness, yet their coding POV pretty much suggests that they process a consciousness of their own. The girls argue they can’t think on their own, yet in this episode they manage to do just that: talking to the girls, managing to keep on going even though the human race is gone. The girls argue that they don’t have feeling, yet they share a level of empathy that eventually touch them. Don’t those make the robot, then, a fully animated being?

And in fact, the concept of life that the robot explains is far beyond the life-concept of human being. The living things, organic and non-organic being include, inside the world forms a wholly giant organism. That world used to be “alive”, but now all we see is the remains of this death world. One of the main takeaway from the girls about “life” at the end, is that “maybe “life” means something that has an end”. That takeaway again aligns so well with Girls’ Last Tour main theme’s and its outlook of life. Throughout this episode, Chi-chan experiences herself in a brink of death by nearly get drowned in the fish pool. The plot soon thickens as the big robot decides to demolish the building, meaning the little robot and the last living fish will be soon dying as well. As soon as the girls acknowledge that the robots have life, they have to end the life of the big robot in order to save other lives. Killing it so to speak. This sequence won’t be as affecting without the moment when the big robot looks back, right before the Chi-chan pulls the trigger. That moment is an acknowledgement about the life the big robot has, as well as the acceptance that eventually everything will have to die, so the best way to die is to live on and hang in there (to borrow the lines from Kino’s Journey few episodes back).

The sense of empathy is another theme Girls’ Last Tour successful raises this week. Just look at how Yuu changes her attitude towards the fish: at first, she just wanted to eat the goddamn fish, then she is allowed to feed the fish, later on when she knows the fish is in danger, she decides to step in to save it. Empathy also plays a significant role in small robot part, as it sounds and behaves the most humane out of anyone in the cast so far and to the big robot, as I can see the empathy level of the robot towards the girls: it knows Yuu tries to kill it yet it seems to understand the reason behind it and gives in. It’s when you are truly alive that you can feel empathy. Girls’ Last Tour, once again, says so much by showing so little, asks so much about the deeper meaning of life with its low-key yet sometimes ambiguous approach. Another real winner episode for me.

Posted on 26 November 2017 with categories: Currently Watching:, Girls' Last Tour

Girls’ Last Tour again addresses many things about the meaning of life through its very minimalist method. This week, the girls encounter massive filing cabinets that remind me a great deal to the terrific Terry Gilliam’s visual style. Most of them are secured, but in the only few that are opened, there are only useless items: a dysfunctional radio, a button, a piece of cloth, an empty shell. The girls have no idea what those objects even mean, until they encounter the stone statue that it hits them. These items serve as a remnant, a memory to those who passed away. Here, the idea of memories is discussed and admittedly the one that I am sometimes wondering myself: when we get to the end of our lives, isn’t our existence defined by the memories of people we meet in our lives, and those people will be soon gone as well? Memories can be easily fade away, with the faces and the even the names you no longer recall. Our mere existence is goddamn futile. In this episode, Yuu already has a difficult time remembering Kanazawa and Ishii, despite just met them few episodes ago (and in the world where they hardly meet another human being, it does strain some credulity here. But we’re talking about Yuu after all, so it could happen), but she does remember Kanazawa through his camera, an item he gave to the girls as a parting gift. As long as the camera is there, the girls will remember him, just like the various unusable objects in that filing cabinets.

Then our girls head their ways ascending to the upper level. The way the girls spiralling around and around is a great metaphor for their lives, and pretty much our lives, are structured in the same model. We keep doing our daily routines in circle, in an endless loop that finally lead up to the final destination – our death. Well, Girls’ Last Tour isn’t that kind of bleak, pessimistic show so we also have Chi-chan getting dizzy with her cute dizzying expression and they escape death by the touch of hair trying to get across the unstable track (and effectively destroyed their track as well, I feel sorry for the next guy who go upon this path). Once they reach the next level, the new ruined landscape looks more organized, and less tumbledown than previous lower levels, with the sight of full moon to boost. They discover a golden liquid named “Beeu”, drinking them and dancing under the moonlight. Drunken Chi-chan might be the best version of Chi-chan ever. Moreover, the girls always have that close physical relationship with each other, the way they feel utterly comfortable lingering beside each other, and that quality again shines brightly under the spell of the moonlight and alcohol. I love the way Chi-chan breaks her character, to be even more expressive and active than Yuu. Just look at the girls enjoying those little happy moments despite the vast emptiness of the world around, whatever the end of this last tour might be (I’m starting to think we might have a very sad, bleak ending here), I know that they won’t have much regrets whatsoever.

Posted on 19 November 2017 with categories: Currently Watching:, Girls' Last Tour

After one of the most plot-heavy episode last week, Girls’ Last Tour goes back to its minimalist root this time, with only the girls and two interior settings. This could be Girls’ Last Tour’s simplest episode, with the plot can be summed up as those girls go to the ration production facility, at first slightly get lost in the labyrinth of pipes until they find the clear path with arrow signs and once they reach the facility, they bake their own ration using the left ingredients from the place. That’s it. But by all mean, this is another solid episode of Girls’ Last Tour. This show truly can’t do no wrong in my eyes. This episode also furthers demonstrate the strengths of the voice acting of both Inori Minase (Chi-chan) and Yurika Kubo (Yuu) (they also sing the OP and ED, both gorgeous by the way). As it goes without saying they have to carry the show by their own voices – being the only voices in the show – and they do it magnificently. Chi-chan and Yuu have incredible chemistry together with their natural banters and well-timed comedy.

What also interesting is how different in the way they approach life that they somehow complement each other and bring out the best from each other. In this episode, Chi-chan feels comfortable with the idea of arrow signs “What kind of person would ignore signs that would help them get to their destination?”, but that very idea makes the trip boring in Yuu’s eyes. Or their banters about the need to eat food, Chi-chan feels it’d be much better if human doesn’t have to eat, in which Yuu responds that isn’t living at all. Once again, we see the ruthless Yuu who turns on the potato grinder machine while Chi-chan is still on the conveyor belt, TWICE (and whose idea was it that the red button is on, while the green one is off?? No wonder that world is extinct now). Look at Yuu’s face who has no sign of remorse at all, makes me really wonder how Chi-chan can survive living with Yuu for so long. All jokes aside, both the girls have grown a lot on me. And those happy moments in the end where the girls make their own ration from what they learnt baking bread before further display little joys those girls have in this ruined world.

There’s one point that I notice while comparing the manga version with the anime last week, and again it’s more apparent during the first half of this episode, it is the feeling of hopelessness is more visible in the manga version. In the manga, that hopelessness feeling plays as a centre tone whenever the girls place themselves in this dead, vast world; whereas the anime adaptation use that feeling of hopelessness as a backdrop to produce a calming, healing experience. It comes as no wonder when I learn that many of the mangaka’s arts are quite depressing in nature, makes me really question how she going to finish this show off. As of now, one version doesn’t necessary better than the other. I enjoy both versions of Girls’ Last Tour to be honest and it’s one of the rare case where the anime production really understand about the strength of the source and strengthen many aspects that makes this show stand out in the first place. Girls’ Last Tour is as consistent as ever.

Posted on 13 November 2017 with categories: Currently Watching:, Girls' Last Tour

Some might say futility is an essence of life. That we spend our life wasted away for complete nothingness. And some might argue that what their life worth is based on how much they contribute to the society. Not here in Girls’ Last Tour, the world where the concept of society is long vanished, ultimately what do the surviving people all live for? That question is more relevant here this week with the introduction of another additional character to this minimalist cast. Unlike Yuu and Chi-chan who survive for the sake of being survival, both Kanazawa from episode 3 and Ishii this week have their own missions. For Ishii, she determines to build an airplane based on old records so that she can fly to another city. For the reason she builds it, unlike Kanazawa who regards making map as his purpose of life, she does it to escape the hopelessness of this dying city (“you’ll just end up dying along with this city”).

And if you still haven’t caught on with what I just described, hopelessness is the main theme of this episode. We see in the world of Girls’ Last Tour, where food, fuel and electricity are all scarce, the human left in this ruin barely survive the day. Wherever they go, they will likely end up with more, and more wasteland. The very act of making an airplane, as a result, is as nonsense and hopeless as it can get. It’s the plane that she self-designs based on the scattered blueprints within the base (which mean there’s a huge risk), it takes her a large amount of time to finish, and eventually the next city over might have been worse than the one she lives in right now. Yet she does it because she doesn’t lose hope. True hopelessness, after all, is not having anywhere to go. Ishii also wants the girls to serve as witnesses for the actual take-off (“If someone is watching, then I’m sure it will become a history”).

Although I love the inclusion of Ishii as she’s a wonderful inclusion for Girls’ Last Tour, I feel the pacing is too rushed at times. We don’t spend that much time watching them making the airplane, for example. With this episode, we also get a hint of the overall world-building of Girls’ Last Tour. Apparently, the girls only travel in one big abandoned industrial city with multiple levels as of now, the more they go to an upper level, the more food (hopefully) and electricity they can receive. Will they ever make it to the next city? It remains to be seen.

As staying true to the down-to-earth nature of Girls’ Last Tour, Ishii’s plane flights steady, and then crashes and burns. It was all pipe dream in the end. But Ishii feels relieved, and smiles to her heart’s content. It’s not the destination, but the ride that worth spending time for, and I’m quite sure that she will survive wherever she falls. And when you did your best and still failed, all you can do is just accept it.

Posted on 6 November 2017 with categories: Currently Watching:, Girls' Last Tour

Although Girls’ Last Tour can be described as a dark moe, there’s no denying that the show is the most comforting, healing anime of this season. What Girls’ Last Tour achieve flawlessly so far is its appreciation for small happiness in life, for little magical moments in an otherwise bleak and empty world. Episode 5, even more so than previous episodes, depicts those magical moments on screen, something that they haven’t done before. Case in points, remember last week, the girls crashed into one of the stone statue (they are the only vehicle left in the world, I must add)? That moment played mostly for slapstick humor, but this episode when Yuu hits Chi-chan in the head (to see if her head is empty, my my), there’s colorful sparkling symbols out of her head. Or when the two sitting comfortably in the chair and imagine the furniture they want to fit in the room or most noticeably during Chi-chan’s dream sequence; these moments are brightly, almost too cartoony, something that contrast with the natural, wash-out world Girls’ Last Tour has established so far. Yet, those moments somehow never feel out of place. I suspect they get away with those moments because they never intend to be real. Those are happy thoughts, quirky dreams that again speak to the “enjoy the little happiness” theme without betraying the bleakness of its world.

Again, Girls’ Last Tour is succeeded on addressing the most mundane everyday questions, but because they live in the world where those concepts have lost its meaning; their topics, therefore, are simple but straight to its core. This week, the girls find themselves a “house”, a cozy room where people used to live in. A room with a view, with sofas, functional water, and most importantly, with a door and a roof. They imagine themselves living in the place; and fill in whatever they want into the room. A bookcase for Chi-chan, a pantry for Yuu, a bunk bed for both. That moment really drives it home for me because it what “house” really is: a place to return to, a place to settle down, where they can sit down and relax. But in this vast place of nothingness, the only mean to survive is keep on going, and the girls know it. The last section, music, plays out equally impressive. Music is always considered as an expression of emotions. As the music grows more complex and layer, sometimes we forget that it can come from some something so natural and simple: the sound of rain, the sound of random noise from bottles. It’s not the arranged set of sound, but rather it’s the music for those who have keen ear for natural sound, and the music is the music of their hearts. I’m ashamed to say this consider how much I love dense, complex and progressive music, but the sounds the girls manage to capture right there is music in its purist form.

I have to say that the manga by itself is a pretty formidable beast. After all, asking many deep, philosophical theme in a casual manner like this is a hard string to pull, and yet Tsukumizu (not sure about the gender of the mangaka, anyone here has any idea?) manages to pull it off. But the direction of this anime not only keep the right spirit of the source, they also enrich the manga with the advantage of visual and sound. This episode, once again, speak to that strengths that make this anime even more impressive compare to the manga. I read the manga chapters where this episode adapted from, and one thing I noticed is that with the lack of visual flare (like in “Nap” chapter) or sound (in “the Sound of Rain” segment), the manga can’t come off as alive as in the anime. That ED song in the end, for example, is a great addition to the source and it really captures the magic and ends the chapter in a literally high note. The colorful, playful visual in first and second chapters, in addition, strengthen the magical feel of the show. Girls’ Last Tour has received a top-notch adaptation from White Fox, who obviously love every moment of making this show into something so comforting, yet consistently great. I really have no complain whatsoever with Girls’ Last Tour at this moment.

Posted on 29 October 2017 with categories: Currently Watching:, Girls' Last Tour

We have another solid entry of Girls’ Last Tour as this weeks the show focuses back to the dynamic duo with some light philosophical touch. In Girls’ Last Tour, they run around the idea that civilization is a foreign concept. Those girls are stripped away the existing knowledge of the past era, our girls can only rely on Chi-chan’s limited knowledge to figure out the world around them, and at large the very core of our civilization’s sophistication loses its meaning. Usually, Girls’ Last Tour addresses the meaning of high-concept terms (like “war”, “God” this week) through the eyes of our main duo. Due to the fact that those girls have little to no understanding about the concept of tradition, society and civilization, they explain those concepts based on their practical and logical reasons. “War” for example, is just a glorified term of “Conflict”. “Gods” that were once worshiped, likewise, are nothing more than stone statues and in that sense, “What is Cheese” is equal to “What is God” since those girls don’t understand the context of it.

Yuu struggles to comprehend why people put so much efforts for a fake paradise, in which Chi-chan argues, Pascal’s Wager style, that the belief is based not on an appeal to evidence that God exists, but rather that it is in their interests to believe in God and it is therefore rational for them to do so. Like the way Yuu freaks out when she is left alone in the dark. When she has no one else she can rely on, she holds on to her gun (such good metaphors here) and realizes the importance of Chi-chan’s company. The same can be said with the worshipers. For the unknown and terrified afterlife, believing in God they will receive a good reward in the other side of the world. A heaven paradise.

This episode also features the stone statues quite prominently. I guess that the higher the level Chi-chan and Yuu explore, the more modern and complex civilization they encounter. In this level, religion was keep popping as they go along since those stone statues represent worshiped gods. If you haven’t noticed, all the stone statues’ look to the left, only the one “God” who looks to the opposite side. I love such tiny bit of details like that. Also another tiny detail that blink and you miss is that the camera that Kanazawa gave them last week signifies the year they might live in:  year 3230. Talking about the camera, the first half we have the girls playing with their new toy: taking pictures as they move along. The girls then make a pointed comparison about the food will be all used up one day, but the pictures are there forever. When the world breaks down and there will be no more living person left, those pictures are still there, preserved by the moment it was taken. Chi-chan then has an idea to preserve that very moment: the two of them together. The moment they move slowly closer to each other is pretty intimate. The girls still have a rock-solid chemistry together. To answer all the philosophical, deep questions these girls find themselves into, Yuu nails it the most:

“What is Cheese – food”

“What is God – not food”

“Why do people live – food”

CHANGE USERNAME
Kaiser-Eoghan
https://manganelo.com/manga/baikoku_kikan I haven't read this yet, but its written by the guy who did Youjo senkai.
Amagi
*exists
Amagi
People also forget that We (Мы) exist. It basically was 1984 before 1984 was written. It's from 1920 or something.
Amagi
Same here. Political dystopias are the best and eastern europe is especially good with creating them.
Kaiser-Eoghan
Golden Kamuy got me all excited about Russo-Japanese war stuff, went off and watched Hill 203 and found an obscure Akira Kurosawa film (which he wrote) called Advance patrol.
Kaiser-Eoghan
@Anon: Might be to my interest, I love political/conspiracy stuff, especially East European.
Anonymous3209354
love how alternate history is getting more attention from mainstream television lately
Anonymous3209354
anyone watch 1983 episode 1 yet?
Kaiser-Eoghan
*about it
Kaiser-Eoghan
I'm actually in the mood right now for adventure stuff like this, there is a manga called It's my life. Also about a guy and a kid going from town to town.
Kaiser-Eoghan
@Aidan: I read five volumes of a manga called Somali yo mori no kami sama and noticed you made a post about it. I generally agree with what you said about. The parts with the witch girl, the chapters with the harpy girl and the bit with the golem actually getting violently angry were my favourite parts.
Kaiser-Eoghan
I have this itch now to watch the original again.
Kaiser-Eoghan
I just want all of the new boogipop phantom to air right now, I genuinely can't wait for it.
SuperMario
@Kaiser: That makes it Promised Mob Psycho Neverland
Kaiser-Eoghan
Promised neverland and Mob are tied in the poll.
Anonymous3208080
@Kaiser-Eoghan - Ok. I just didn't felt like it had much closure in the final scenes. Though I suppose "that scene" was sort of like the climax of the movie.
Kaiser-Eoghan
I remember a lesbian themed comedy film based on a play where an old woman busts her friend out of a care home and they go on a road trip to Canada to get married, picking up some young guy along the way.
SuperMario
@Vonter: I watched 3 recent latin films, each of them rocks in their own ways. Roma is the most critical-darling amongst the bunch. Then I also watcjed Birds of Passage, about the rise (and eventually fall) of an extended family selling weeds in Colombia. The third one, The Heiresses is a favorite of mine. It’s rare to have the leads as 60 something lesbian couple, and the entire cast are women
Kaiser-Eoghan
@Vonter: If you scroll down far enough myself and Mario talked about that film.
Animosh
Overall I still think this season is lacking focus compared to the first season though. It just drifts in all these different directions without really trying to tie them together in any way. And I'm getting a bit fed up with all these near-deaths. How many times has a character been saved (or spared) at the last moment now? It's lazy writing.
Animosh
I love how Urobuchi keeps subverting expectations with his characters. You think the Hunting Fox will be furious over his loss of status? Nope, he just shrugs it off and pisses off Lin as a result. You think the Monk is being controlled by his sword? Nope, he fell in love with her of his own will (I think?), and now he's firmly in control, acting like an obsessive boyfriend and everything.
Vonter
The director is the same as Gravity and the third Harry Potter movie (Azkaban).
Vonter
@Lenlo - Try watching mexican films most of them are very downbeat and tragic. Latest one I watched was Roma. About a neighborhood in Mexico City during the 70s. And the story of the maid of a middle class family.
Lenlo
Thats fine. Endings can largely be personal preference. Im just a bad man enjoy tragedies. <3
Kaiser-Eoghan
Regarding tragic endings, I prefer them to happy ones, largely because, even if the character has had a miserable existence, giving them a crueller ending prevents them being given the storytelling equivalent of a handout.
Kaiser-Eoghan
Actually, this was a season of surprises for me, I expected nothing of bunny-senpai, as far as I was concerned enjoying gridman would be impossible for me and I initially avoid run with the wind cause I know so little about sports. All three ended up being my favourites this season and this site was able to convince me to watch them.
Anonymous3205580
Not only did they simplify the FRANXX's plot, but they even disregarded themes they were exploring, plot threads that were considered, characterizations that were supposed to be more nuanced, in favor of giving us an obviously evil villain who are aliens, no one dies expect for side characters who were rewritten to be antagonized, and an unconditionally happy ending.
Kaiser-Eoghan
Its a miracle I really liked gridman, especially the latest episodes and since the second half started.
Anonymous3205521
Meanwhile, with Gridman, we basically have a subversion of tokusatsu tropes written by an actual toku writer and pulls it off in fact, while being an affectionate homage to the genre at the same time.
Anonymous3205521
It seemed like CloverWorks ended up taking over production late in the game and decided to greatly simplify the plot, disregarding most of the worldbuilding that Trigger previously contributed.
Anonymous3205521
I will say though that Trigger seems to have trouble working with others due to the clashes they had with CloverWorks during FranXX's production. That must've contributed a lot to the huge story problems and inconsistencies later on.
Anonymous3205521
I find it interesting that we got both the best and worst of Trigger in one year. What they're really good at, and what they're really limited at, and the bad habits they can't seem to quit doing, although it's clearly more apparent in the Trigger show that aired earlier compared to the show that aired later.
Kaiser-Eoghan
@Amagi: Back in the day where I was more open to watching everything, H20 tricked me with its first couple of episodes, the ending was insulting as was that middle joke episode.
Kaiser-Eoghan
I feel Natsuyuki sort of takes away the attention from the authors other work, Sekine-kun no koi.
Amagi
@SuperMario: Natsuyuki was kinda good I agree. Josei tend to be pretty good in general since they are often kinda down to earth even while dealing with supernatural elements. Shoujos on the other hand are usually bad and most of them feel like the same series.
SuperMario
We will have to disagree here, Amagi. It’a the drama of the 2nd season that raises the show several notches. For me, every single drama hits and it hots hard
Amagi
Yahari was another one of those weird shows. I enjoyed the first season. Kinda. But the second made me mad. I didn't even get what happened, it felt like the author was suddently trying create drama while knowing absolutely nothing about drama. I think it was one of the worst cases of forced drama I've witnessed and I usually hate using these buzzwords.
SuperMario
... mature romance show. A bit drags in the middle but it has well-developed cast
SuperMario
Also, I finished Natsuyuki Rendezvous the other day. It’s a solid,
Amagi
I think the worst shows I have ever seen were all adaptions of horrible harem VNs or LNs. If someone is masochistic they should give H2O or Myself;Yourself and the likes a try.
SuperMario
But I absolutely agree. In fact, watching Haganai I have more appreciation to Yahari
SuperMario
Apprently Yahari copied the concept of Haganai thou, from what I heard
Kaiser-Eoghan
@Amagi: We can get onto the topic o punishment endings in romance series or especially yuri ones.
Kaiser-Eoghan
@Mario: There's not much point in watching haganai when Yahari exists, haganai grew stale to where I never bothered checking the second season, it ran its course after a couple of episodes.
Amagi
Agree, I like yuri as a concept, but most shows bore me, especially if it's those weird mixes between fanservice, sudden drama and comedy. I actually like Bloom into You because it knows exactly what it wants and the characters don't suffer from the tropes most yuri shows annoy me with.
SuperMario
It’s a rubbish I guiltily enjoy watching haha
SuperMario
Atm I’m doing a little anime marathon of watching shows from early 2010s. Currently watching Haganai. Boy that show is crap
Amagi
@Kaiser: It's always better to drop. If you don't enjoy it, drop it. I even dropped shows that were, IMO, objectively good. But doesn't help if I can't feel it. I rather use the time watching a movie I actually care about
Kaiser-Eoghan
Bloom into you has made me want to go on a binge/bender of reading/watching yuri/shoujo-ai series.
Kaiser-Eoghan
When something isn't even allowed to be good or bad.
SuperMario
Do watch Bloom into You though. I think it’s one of the better yuri shows in recent years
Kaiser-Eoghan
Series with ambition and potential that end up not working on any level are definately some of the worst failings. Though personally its the things I can't say anything about that are often worse.
SuperMario
It has some neat ideas when you get into it. I like the story behind the hireman and his daughter. I like the backstory of Donna the assassin. But most of the time it’s the way the show displays these themes. It’s incoherent and it tries too hard and it’s clunky and stupid
Kaiser-Eoghan
I used to finish out shows I didn't like, well up to 2011, but not anymore, don't have the strength nor care to have the ability to, especially if its something popular I don't like.
Amagi
In the end I think it's one of those many many series that wanted too much and couldn't even get one of their plot themes right.
Amagi
Same, dropped it near the end when I was sure nothing great would happen anymore. I usually dislike dropping series unless it's after/during episode one. The crazy thing is that ReRideD has a lot of elements I am a fan of, elements that look good on paper, which is why I had hope.
SuperMario
Yeah, don’t bother watching it unless you’re a junkie like I am. I was watching it and kept hoping that it could become better later on. It never did
Amagi
@SuperMario: Someone here linked a review of ReRideD a few weeks ago, I read it back then and it perfectly summarized why it is so bad. I actually think that long review didn't mention a single positive thing, he.
SuperMario
Actually, its best moment is the one segment where it has nothing to do with the main plot or Derrida the main character. It’s the beginning of episode 10 where it tackles about identity and the dangerous in advanced technology in the lesser-Kon approach. Of course it’s pale comparing to Kon but at least it has moments of genuine spark there
SuperMario
Ahh Redrided, I finished it yesterday, I absolutely don’t see any good points about it. It’s just so bad in every level
SuperMario
@anon: I haven’t seen the one this week (ep12), will watch that tonight. Ep11 was a game-changer though, but I’m not too sure if it can close up neatly
Anonymous3204976
I honestly think DD could've been better off as just a series of stand-alone episodes with some continuity nods instead of trying to create a connected narrative that goes nowhere fast (and is likely going off the rails). These characters are great honestly but they deserve a better story (or stories).
Amagi
@SuperMario: thanks. Kinda sad it's nowhere as good as Tiger and Bunny it seems. But the problem is that spin offs never work because they take away what made the main series special in most cases. Like with TaB not only the Super Heroes but the sponsors and that whole corruption subplot in the media and entertainment morals.
Anonymous3204976
Did you see the latest episode of DD?
SuperMario
@Amagi: while I didn’t really enjoy the 1st season of Golden Kamuy, the second one is a step up for me. It gets much more goofier but it’s so damn sure of itself. Double Decker you can pretty much take it or leave it. Couple solid episodes here and there but as a whole DD doesn’t leave much impact
SuperMario
Also, apprently they have a staff role just for making those boob-bouncing looks real and all
SuperMario
Regarding ImoImo, yeah the staff using pseudonym because they don’t want their names associated with the horrible animation of the show, but I also heard that thwy haven’t been paid properly either
Anonymous3204976
This probably looks like the case of animators who wanted nothing to do with it, but were required to do it anyways or else they don't get their meager pay. Hence, they end up half-assing their efforts just to get it over with. They don't care if they get laid off as long as they get it done.
Anonymous3204976
Like holy crap, that Imouto show actually has animators who seem to be revolting, or at least acknowledge that they're basically going to be laid off after this finishes airing. One guy even chose not to credit his name, and went by a psudonym that said "Honestly, I'm Screwed".
Amagi
I always forget Doubledecker and Golden Kamui II exist despite liking the first episode/season. Maybe I will pick them up next week, I wasted two hours of my life watching the first episodes of Akanesasu, ReRideD and Slime so could risk watching them instead, they can't be as bad or boring as those.
Kaiser-Eoghan
There is potential to parody dub it I think.
Amagi
Judging by these ranking numbers it seems like it will sell 500 at max but that would be too good.
Amagi
It's some screenshot of mine from /a/. I guess it will maybe sell 1800? Maybe more due to fans who buy everything as long as it has incest so maybe 2400 or so but not more.
Amagi
Take these with a grain of salt since there are quite some fans who only order during the day of release or buy it in shops but I don't think that will change much: https://media.trillian.im/media/?m=aW1hZ2UvanBlZyw4NzQsNTkzLLFrQMLyxCHA9iR8WB5zaoimBGJ4v0LuhUwFALlizLt+
Amagi
I think it's getting the cheap harem treatment in which the produceres themselves barely care and only shit out some garbage to boost the novel sales. It doesn't seem to do well.
Kaiser-Eoghan
It makes me wonder what the sales for it are like or what it outsells so I can despair at the Japanese fanbase.
Amagi
I only see the horrible QUALITY it has, people post screenshots on /a/ to make fun of it.
Kaiser-Eoghan
I know no oe cares/no-one watches it nor should they, but hell Ore ga Suki nano wa Imouto dakedo Imouto ja Nai is a special special kind of absolute failure.
KTravlos
Looking forward to the new Youjo Senki film.
Lenlo
My comments didnt go down, but I am looking forward to this season. Dororo and Mob Psycho are my two big ones, but I think im going to keep up with at least 6
Amagi
It's not just fear that there might be open questions (that usually doesn't happen as long as the series is original) but that you need to SHOW stuff to make it work, not tell. And there is usually not much time to show everything anymore judging by the pacing most anime tend to have.
Amagi
You know I really hate it when directors love to destroy any kind of climax by shoving in some unnecessary episodes near the end of a series and cram all the plot, development and backstories into the last 15 minutes (-5 because series also have an epilogue)
Kaiser-Eoghan
Well yes I suppose I can at least watch dororo because its by Tezuka alongside boogiepop. And run with the wind has its second cour.
Amagi
If I am lucky there are five series that interest me next season. Granted, this one was weak too and the only mentionworthy series were Run with the Wind and Gridman for me.
Amagi
Wow another anime PV, thanks Aidan. Seems like this is coming out bi-monthly now, I bet I will be 90 years old in two (subjective) years from now without noticing. AND I totally forgot Date a Lif/ve was even a thing.
Amagi
Well fug, seems like I was right regarding some specific thing.
Lenlo
Post dooooone. Now I can read the preview! Yaaay
Kaiser-Eoghan
@Mario: I can vote in the poll without issue.
Kaiser-Eoghan
@Mario: I'd like him to do more Spanish language films.
Kaiser-Eoghan
@Aidan: Jesus fuck I hated Magical girl ops so damn much.
Kaiser-Eoghan
Actually every shot in Roma manages to standout.
Kaiser-Eoghan
@Mario : Although it was raunch and smut, nonetheless I liked y tu mama tambien more than other people.
SuperMario
And Cuaron said in the interview that the single image that represents the film is the last shot of her walking up the metal staircase
Kaiser-Eoghan
@Mario: Just like in alien where Ridley Scott didn't tell the cast in THAT scene!
Kaiser-Eoghan
@Mario: Oh, I certainly liked the warmth and naturalism that was kind of there. Handled the class thing decently well too.
SuperMario
For example, the hospital scene was played out without the lead actor knowledge. She didn't know about that *twist*, she just got swept to the moments beyond her and we sense that as well
SuperMario
@Kaiser:I didn't really connect to the film either, but I guess we're the minority here. I do learn that Cuaron keeps most of the script away from the actors, especially the maid. So in many scenes what the character acts on screen are genuine
Kaiser-Eoghan
@Aidan: Did you read the doro manga for the preview or the old anime? Watching an anime episode in black and white must have been odd. Also, when I watched boogipop for the first time years ago I was confused by it initially but didn't reject it, trippy atmosphere and stuff.
Kaiser-Eoghan
I want my youjo senki and bunny-girl senpai movies and I want them now wah, wah.
Kaiser-Eoghan
@Mario: and that later scene with her in the hospital actually did kind of get me even though I knew it was coming. It also never felt un-earnest or manipulative.
Also noticed callbacks to his other films in it sort of.
Thought it was pretty watchable man.
Kaiser-Eoghan
@Mario: I didn’t really emotionally connect with it and probably because I’ve seen so many of these dramas I can predict the whole thing, but it did maintain my interest and I liked how he captured the flavour of the time (such as the riots/political rally/douchebag male characters/talk about people having their land taken off them)
Kaiser-Eoghan
@Mario: I decided to watch Roma by Alfonso Curon, on a visual level this is definitely a beautifully rendered film and the photography is especially impressive just before and during the forest fire scene. I watched it in the highest possible quality and it really does benefit this.
Kaiser-Eoghan
@Mario: Damn democracy =<
SuperMario
I hope that's just me but I can't vote on the poll thing
Anonymous3199261
Uchuu Senkan Tiramisu was definitely my favorite short this year. I found it incredibly amusing since it's basically a typical mecha series if the main character and his arch-enemy (and plot twist brother) were both insecure, self-centered narcissists.
Kaiser-Eoghan
Boogiepop is the show I'll end up watching.
Kaiser-Eoghan
Neverland I fell behind on when they got to the part in the village where the monsters hunt people.
Kaiser-Eoghan
See heres my thing with Kaguya, I never thought I'd find it funny and certainly I doubt I like it as much as others do, but even though after 50 or so chapters of laughing at it, like most comedy manga that are long, I never feel pushed to read every chapter.
Amagi
I just learned to accept Zombieland Saga again after the fuckup since episode three since some of the following episodes were pretty good despite the idol stuff and being rather formularic, both the last two killed my hopes yet again and not hoping for too much considering the problem of the latest episode isn't fully solved yet.
Amagi
I dropped Uma Musume after five minutes
Animosh
@Kaiser: Shoko's arc will apparently be covered in the upcoming movie. The remaining episodes will only focus on Kaede.
Anonymous3197172
Unlike Uma though, Zombieland doesn't have Granblue codes in the BDs this time, so it might not reach those same sales heights. Makes you wonder if Uma did well in Japan solely because of the codes.
Anonymous3197172
Granted, like Zombieland Saga, I didn't hate it. But unlike Zombieland where it became what it purported to parody, this was exactly what I was expecting it to be. Safe and really dull.
Anonymous3197172
And to top it off, they included SSR codes for Granblue with the BDs of the series as a form of cross-promotion. That managed to maximize sales for the series. Not even Zombieland Saga was this obviously safe.
Anonymous3197172
Let's see, it's a sports anime complete with the stereotypes you'd expect, a CGDCT show, a moe anthropomorphism series where the horses are girls, and an idol series with most of the trademarks of that genre (yuri undertones, banal songs, creepy fanservice, etc.) and it's a mobile game adaptation to boot.
Anonymous3197172
Of all the shows I watched this year, Uma Musume was probably the safest, most conservative show that I've ever seen this year which took the least risks, and threw in everything they could in the hopes of maximizing blu-ray sales. It's saving grace is P.A. Works' animation, but that's to be expected with even their worst shows.
SuperMario
I haven’t watched the latest one yet but isn’t it a bit too... quick?
SuperMario
What the hell? Only one episode and BF already wiped out 3 bad men?
Kaiser-Eoghan
Unrelated, but I wish more ecchi/hentai genuinely tried to mix in emotions and sensuality even into the more fetishist stuff. I like everything to be y'know sad and stuff.
Kaiser-Eoghan
Seeing that bastard get it in banana fish is so satisfying.
Kaiser-Eoghan
I still wish this show had 24 episodes.
Kaiser-Eoghan
I don't think there's enough time for Shoko's arc though and this episode was rushed.
Kaiser-Eoghan
*in bunny-senpai
Kaiser-Eoghan
Oh my God I wanna save the sister bunny-sepai =<
Anonymous3196773
All 3 of BF devil trio are out :) Now we have to deal with Foxx as final boss though? Not sure about that
Kaiser-Eoghan
@Vonter: I enjoyed what I read of gunsmith cats but I've only read parts of it, not the whole thing, I also saw its prototype riding bean which was schlocky fun.
Kaiser-Eoghan
@Vonter: I'm honestly not sure. But I'll say this, wasn't there some campaign to get a new gunsmith cats anime out?
Animosh
I wonder where they're going with Yut Lung though. I expected Ash to kill him in a mad fury over what happened to Eiji, but his conversation with Blanca (about finding love instead of being ruled by anger and hatred) suggests that some kind of redemption may lie in store for him.
Vonter
@Kaiser-Eoghan How is it compared to Gunsmith Cats?
Animosh
I knew Banana Fish wouldn't go through with Eiji's death. But hey, at least it looks like Golzine is finally dead! Although I really wish someone with more of a history with him had done the deed. Or you know, someone with some actual personality. Foxx is such a lame blend of villain tropes I wish he would die already. If he really ends up as the final boss of the series I'd be pretty disappointed
Kaiser-Eoghan
@Vonter: Its possibly because its so old. As for myself I've only seen the first series and read a few volumes of the manga, what I followed was largely episodic.
Vonter
@Kaiser-Eoghan - It isn't as heavily marketed, I wasn't aware there were that many. It's this a niche series?
Kaiser-Eoghan
@Vonter: There are several films live action and animated and three anime series based on it.
Vonter
The new City Hunter movie looks great. It seems to have buddy cop vibe. Were there only OVAs or did this manga ever got a TV series? https://www.youtube.com/watch?v=CRFrmaZa1OY
Animosh
Oh right, that makes sense. Heh.
Lenlo
Ha, you merged his names.
Kaiser-Eoghan
Ah, that is the curse of watching an episode a week, forgetting things like that, can't believe I couldn't remember that.
Animosh
Eh, Kurahara. Where did I even get that name from.
Animosh
@Lenlo: he's a reporter. He's one of the people interviewing Fujioka in episode 7 (or more precisely, he's watching him being interviewed). He also seems to notice Kakeharu then.
Kaiser-Eoghan
@Lenlo: Or maybe a washed up former runner from years ago?
Lenlo
Im sad Kaze Fui has a 3 week break, but cant wait for January now. As for the guy at the end, I want to say he is probably a reporter of some kind? Kurahara was a good runner in highschool and seemingly quit, yet is now running for a no-name team. Thats a scoop
Kaiser-Eoghan
It was pretty tense actually.
Kaiser-Eoghan
I didn't cry during that scene in made in abyss, you know the one where riko freaks out, the arm scene. But it was somewhat stressful.
Kaiser-Eoghan
I haven't come across ojisama to neko. Perhaps I'll read a few chapters of it.
Amagi
Hope they will do a first season of it by turning it into a 5 minute anime now. I mean it has an old man who tries to be the best father for his pet and it has a CAT, what else does a series need to be successful in the age of the internet?
Amagi
I didn't know Ojisama to Neko was a hit. The series is so cute that every harmless piece of seriousness makes you feel like crying, it's pretty good but didn't expect it to be popular. Seems like it sells around 350k copies.
Amagi
There are so many movies or anime that kill tons of characters and throw in even more tons of cry scene and I am still unable to feel anything.
Amagi
MIA showed that it is always about how you depict a death scene and not so much about what's actually happening. I usually want to be sad whenever I am supposed to feel sad but it doesn't work. I had to cry during the MiA scene though even though it was "just" about some kind of pet, because that character lost her humanity long ago and suffered, so death was actually a good thing here. But still.
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Thunderbolt Fantasy 2 – 12 [The Hunting Fox]

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Thunderbolt Fantasy 2 – 11 [The Dignity of Evil]

This week we see something that rarely happens: Gui Niao is in a fault mood. As it turns out, this little war between Enigmatic Gale and Dirty Cop is more about the Vape Wiz’s ego rather than the Glassed Boy. The usually collected-Gui Niao shows off a whole range of emotions this episode: from being […]

Banana Fish – 22 [As I Lay Dying]

Welcome to what is, to me, a very contentious episode of Banana Fish. This time Blanca gets sentimental, Ash learns Japanese, and Eiji sets Ash on a Warpath through no fault of his own. Let’s dive in! Overall, this was a good episode. It flipped everything on its head and, assuming Banana Fish doesn’t backpedal […]

Irozuku Sekai no Ashita kara – 10 [Monochromatic Crayon]

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Watching Mirai, there are two observations that spring right up to my mind: Mirai is Hosoda’s most grounded, personal film and it plays out completely different from what I expected based from the promotional materials. My feeling is confirmed when I later learned that Hosoda based the concept from watching his own children’s react, and […]

Fate/Extra Last Encore Anime Review – 40/100

To many the Fate series is daunting with its numerous incarnations and spinoffs and here in the year of many a Fate adaption we get another one by Studio Shaft which was first thought to adapt the story of the PSP game Fate/Extra. Fate/Extra could basically be considered Fate with a sci-fi twist as this […]

Darling in the Franxx Anime Review – 57/100

In following anime seasons it can be quite an experience to follow a show as it airs as the hype and rollercoaster of reactions can be entertainment in its own right. In that regard Darling in the Franxx was a hell of a ride as week by week peoples feelings for it ran hot and […]