Girls’ Last Tour - Star Crossed Anime Blog : Star Crossed Anime Blog
Posted on 1 January 2018 with categories: Anime Reviews, Girls' Last Tour

Girls’ Last Tour falls within my favorite new trend that emerging the anime medium over the last decade: a dark moe anime. Set in a post-apocalyptic world where the human race has almost extinct, our two girls wandering around the world in their kettenkrad looking for food and shelter. If it sounds a bit bleak and minimalism, rest assured that Girls’ Last Tour is at its heart a slice-of-life show about those girls having relaxing time in that world. And did I mention that those girls are real moeblobs? Their faces can go rounder and squishy, but strangely they never feel out of sync with the more realistic industrial setting. The show could be entertaining and soothing enough with just those factors, but it has more tricks under its sleeves. More often than not, Girls’ Last Tour addresses some simple philosophical issues that provides another perspective since the girls have no idea how normal society works. Moreover, while I consider the source material an already solid manga, the anime adaptation enhances this show further with a consistent visual audio production and great attention to details. It’s a beautiful and solid production all around.

I always consider a certain show a great piece of art when they know how to fuse seamlessly between two seemingly contrasting or opposite factors, because then the show can produce some unique chemistry, while at the same time balancing these extremes out – just like how yin and yang work in general. Girls’ Last Tour certainly is amongst this group. Take how the cutey designs of the girls both contrast and complement to the vast wasteland on the verge of totally destroyed. Or how despite the low-key depression of hopelessness that linger to wherever the girls go, the main theme is about how our girls find their little joy and keep moving on. I also want to stress on the small number of the living beings in contrast to the huge remains of weapons and dysfunctional machines. This show is one of the most minimalistic cast I’ve seen in anime medium, with only our two girls Chi and Yuu command the screen most of the time, and the number of people and animals they encounter along the way can be counted in two hands. For other shows it’s a recipe for disaster but in Girls’ Last Tour the girls never stay out their welcome in spite of (and I could argue because of) the vast world of nothingness. The last episode when the stream of many people appear on screen before the destruction, as a result, bring a powerful, overwhelming emotion to the table. This mastery in controlling over the general tone makes this show so relatable, sharp and grounded, despite the show is at its core a moe girls show.

Chi and Yuu make a great pair with their contrasting (again!) personality. Their chemistry is natural and sometimes the show explores the different mindset between Chi-chan who is academic but timid and Yuu who just like eating but quick to adapt. In one sequence for an instance, when arguing about the signs that give them directions to the destination, Chi argues that who would ignore signs that would help them to the destination, in which Yuu responses that it’ll be boring that way. Their difference in the way they approach life complement each other and bring the best out of each of them. Their bond and fondness to each other, in addition, is highlight through the completely comfortable in their close physicality and in the last episode that bond is further developed into satisfying payoff.

The worldbuilding of this series is another highlight, too. We get a hint of how the world come into destruction several times before, but it never at once come into a forefront. The city is displayed as an industrial, vast with multiple layers that the higher the level, the more advance the technology. Ancient people in that world had an advance in technology that now become long lost. Our girls travel that world without a proper knowledge about the remaining technology, and to a greater degree have absolutely no knowledge about how society works and many several topics regarding society like religion, war, home and death. These philosophical questions often pop up randomly, but they all serve the purpose of seeking a bit deeper about our own existence, our purpose in life and even what lifeform is itself. Ultimately, the answer to these questions are just as simple: the best way to die is to keep on living and enjoy little happiness in life.

While comparing the manga to this anime adaptation, I noticed in the manga, the sense of hopelessness is more apparent, thus make it a fair bit darker than the anime version. That’s not a jab against the anime at all, as I consider the production of Girls’ Last Tour a nearly flawless work. The shots are greatly composed, they know when to use natural sounds and when to let the score kicks in. The background art is always appropriate and striking. The direction, the editing make the show as natural as possible, and believe me it’s a goddamn hard job to pull. Girls’ Last Tour is just down right cinematic most of its time. Moreover, the voice acting work for the two girls are exceptional. Bravo White Fox for this wonderful adaptation where I can feel their love and their passion run right through every minute of the run.

While Girls’ Last Tour might provide no definitive ending to the girls’ last tour and sometimes might feel like nothing is really at stakes, I am myself surprise the whole trip never feel boring or repetitive, and Chi and Yuu’s chemistry is strong enough to carry the show. Depressing and comforting at the same time, Girls’ Last Tour is a rare show that produce its unique charms and distinctive tones, while always maintain its feet firmly on the ground. It’s the best of its slice of life dark moe genre and I certainly miss those girls and their kettenrad.

Posted on 26 December 2017 with categories: Currently Watching:, Girls' Last Tour

I am glad that this little dark moe show that mostly flies under the radar in this Fall 2017 ended in a high note, and Girls’ Last Tour has been really consistently solid to begin with. This is a fitting ending for a slice of life show like this, further reconfirming many elements that make Girls’ Last Tour stand out in the first place: its intriguing world setting, the bond between our two girls Chi-chan and Yuu, and still manages to surprise us in many ways. The only element was missing in this last episode is, surprisingly, its laid-back slice of life theme. This finale takes a look back to the past where humanity was still dominant, then to the present with those no-leg white caterpillar turn mushroom creatures, while at the same time give those girls a push to realize the importance of each other in their lives.

This first half is easily my favorite chapter of Girls’ Last Tour. As the girls taking pictures of themselves, the camera’s automatically syncing with the big screens and all sort of pictures, and videos from the past come into play. The girls obviously don’t aware much about those old storages, so it’s a nice surprise for them to witness the old world, the traditions, the people that no longer exist in the world. It’s a whole world’s history that play in front of the them: a group of girls presenting their latest project, a newborn baby, a sport event, the ongoing war… and the toss and mix between the tones of those events that gather a grand and epic feeling to the girls, and to us the audiences as well. Here I must compliment the precise editing of Girls’ Last Tour. Those video segments from the past play out seemingly out of order, but they hold the emotions very well, even the music helps strengthen the feeling. Those videos play a nice contrast to this wasteland the girl’s living right now. Full of people, full of life with vibrant colors in contrast with this dull, grey world, but in essence the dull world is one part of the rainbow color that makes life so interesting and full of wonders.

The second part focuses on the new creatures that appear out of the blue, swallow whole Yuu. At that point of time Chi-chan has to experient the important of losing Yuu in her life. Those creatures turn out do not look for human flesh, but rather the energy left over after the human race destroyed itself. Their objective is to swallow and “clean up” all the remnants of warfare, and effectively put the world into an inactive state, and that will be the new state of the world (they need to destroy all the bads before resetting the world again), albeit at the cost of the human race, and our two girls in particular, who were deemed as the last human on Earth by their calculation.

Those creatures transform into a flying Mushroom is weird but pointed criticism towards the consequences of war (Mushroom smoke anyone?). They are, after all, the very product of the destruction the human race had left behind. Their companion Cut is gone way too soon too, and now, with nothing better to do except knowing full well that the world is going to be destroyed, the girls confirm their bond to each other and continue on with the journey to the highest level. I had never expected Girls’ Last Tour to be this consistently great so it was a nice surprise for me and I love every moment watching and blogging this under-the-radar show. Amidst the post-apocalyptic hopeless world, the girls prove once again that all you need to do to survive is enjoying the little things in life and keep moving on.

Posted on 19 December 2017 with categories: Currently Watching:, Girls' Last Tour

Despite its moeblob nature of our two girls, Girls’ Last Tour still keeps up its lowkey depression – such element that make this show so grounded in its world. In this episode, that stark, depressed nature of the world comes in full light with the focus on weapons and destruction. It starts small with a bullet and our weird animal friend “Cut” who can digest such bullet. Whimsical nature aside, it has its point on how that creature survives and evolves in this dead world. “Cut” is a product of this post-apocalyptic world, with shells of bullets and corpses of machine scattered all over the surface. In other to survive, what is the better source of meal than those bullets? (whether it’s nutritious is another story). Moreover, this episode we can see our animal friend having some basic communication with the girls (which is freaky when you think about it), and their hands can serve as a power supply and/or key to start up the systems. When it comes to the war stuffs, our adorable pet surprisingly knows its way around that it makes me feel it was their roles all along. Now, even Chi-chan notices the resemblances between the pet and the stone statue, which my guess for now is that they’re probably one. Despite its cute voice and its even cuter reactions, this pet is one of the freakiest animal that I’d be happy to stay away from.

Yeah, this week in Girls’ Last Tour starts small with a bullet, but then it progresses to something bigger, and much more destructive. The girls find themselves inside the machine that fire missiles. Yuu, in her normal curious state, presses another button, and the whole city is down in flame caused by the laser beam. That intensify of destruction is used fairly well in this episode, starts with some dysfunctional tanks, to the collapse of a machine, and then to the destruction of a whole city in mere seconds. That was a shock, and I imagine what happen if there were any life destroyed by that careless action. What if there were a person or a plant? Yuu quickly laughs it off because it’s fun, but then when the blame game begins she blames the machine first, then the old people who used that machine, then to herself. Sometimes mass destruction can be easily caused like this, powerful weapons in a hand of irresponsible people. Girls’ Last Tour goes even further though, as the girls’ next destination ends up being the forest of windmills (or are they antennas?) and the nuclear submarine that still functioning. It’s not a pretty sight at all: even when the world is destroyed, the weapon that could destroy the world all over again is still waiting for its chance to launch. That pretty much the reasons why Girls’ Last Tour is so balance. It blends smoothly between its moeblob, slice of life nature and its really dark, destructive settings. That balance makes the show still have its footing on the ground, while at the same time hopeful and light-hearted enough to remind us the beauty of keep on living and enjoy little moments of life. With only one episode left I really hope we have a finale that close this magnificent show in the most satisfying note.

Posted on 13 December 2017 with categories: Currently Watching:, Girls' Last Tour

Girls’ Last Tour examines the concept of time and space this week, as the girls riding on a lonely moving train. The train design fits right in with this world: a long metal box that functions all by itself and contains many now-dysfunctional robots – corpses of the machines. Since last week we learnt that they are capable of thinking on their owns and sharing the empathy with human, it’s a sad sight to witness that they are now basically a worthless junk. What even sadder is those that still remain: the train’s still functioning despite no one else need a ride, the clock’s still running despite it loses all its meaning. It’s a neat trick from Girls’ Last Tour to insert the robots’ perspective imaginary to remind us about its past lives, just like the graves the girls saw the other day. Yuu wonders if they actually go faster now that they’re on the moving train, in which Chi-chan snaps back that theoretically they don’t, since they are always on the moving Earth. Time goes pretty much the same way. Technically, they don’t go any faster, but since the concept of hours is long forgotten it doesn’t matter either way.

And then Girls’ Last Tour address something that transcend both time and space: the wavelengths, in the form of radio waves and in the form of light. Yuu picks up a noise in the radio that she took from the filing cabinets. That noise becomes clearer the more they get closer to the surface; and it turns out to be a melancholic tune. It feels like the memory of the old people still linger in there. Moreover, there is a reason why cinematography and photography regard sunset as the golden hour, as it produces a magical and dreamlike effect. Light is technically a wavelength, and for this particular moment, both the music from the radio and the red sunlight create something sad, something that still relevant and can’t be lost through thousands of years. That beautiful, quiet moment is also an acknowledgement to the transience of life – that the moment only last for a short period of time – it’s a true sense of Mono no Aware if I’ve ever seen one.

The last segment, however, ends this episode in a much lighter and opening note, as the girls encounter a strange creature, whose they thought was a cat. This mascot animal looks very similar to the stone statue. Long, thin, white and somehow can repeat the girls’ words through the radio. It’s nice to see the girls take something in for a change, instead of many one-offs they have encountered so far. Girls’ Last Tour still produces a pretty solid, albeit a bit lacking in weight this time. Now, the journey of two and a half girls, continues on.

Posted on 3 December 2017 with categories: Currently Watching:, Girls' Last Tour

Leave it to Girls’ Last Tour to not only address the meaning of life in their lifeless world, but also what does life itself even mean. “What is life?”, that question is asked several times during the episode, and the girls can only come up with the most direct, simplest answer to this grand question. We are the life form, robot sure isn’t. Even us, the viewers, in this age and day, don’t even consider robot as a lifeform, do we? Since life is organic, including the capacity for growth, reproduction, functional activity, something that a mere robot doesn’t have. Girls’ Last Tour challenges that notion, as the show follows our girls into the one of the remaining fishery. The place is still automated functioned by a giant robot, and further inside is another robot who takes care of the last remaining fish in this fishery (if you noticed we’ve seen a lot of “last” in this series: the last flying airplane, the last potato few episodes back). The girls argue robots don’t have consciousness, yet their coding POV pretty much suggests that they process a consciousness of their own. The girls argue they can’t think on their own, yet in this episode they manage to do just that: talking to the girls, managing to keep on going even though the human race is gone. The girls argue that they don’t have feeling, yet they share a level of empathy that eventually touch them. Don’t those make the robot, then, a fully animated being?

And in fact, the concept of life that the robot explains is far beyond the life-concept of human being. The living things, organic and non-organic being include, inside the world forms a wholly giant organism. That world used to be “alive”, but now all we see is the remains of this death world. One of the main takeaway from the girls about “life” at the end, is that “maybe “life” means something that has an end”. That takeaway again aligns so well with Girls’ Last Tour main theme’s and its outlook of life. Throughout this episode, Chi-chan experiences herself in a brink of death by nearly get drowned in the fish pool. The plot soon thickens as the big robot decides to demolish the building, meaning the little robot and the last living fish will be soon dying as well. As soon as the girls acknowledge that the robots have life, they have to end the life of the big robot in order to save other lives. Killing it so to speak. This sequence won’t be as affecting without the moment when the big robot looks back, right before the Chi-chan pulls the trigger. That moment is an acknowledgement about the life the big robot has, as well as the acceptance that eventually everything will have to die, so the best way to die is to live on and hang in there (to borrow the lines from Kino’s Journey few episodes back).

The sense of empathy is another theme Girls’ Last Tour successful raises this week. Just look at how Yuu changes her attitude towards the fish: at first, she just wanted to eat the goddamn fish, then she is allowed to feed the fish, later on when she knows the fish is in danger, she decides to step in to save it. Empathy also plays a significant role in small robot part, as it sounds and behaves the most humane out of anyone in the cast so far and to the big robot, as I can see the empathy level of the robot towards the girls: it knows Yuu tries to kill it yet it seems to understand the reason behind it and gives in. It’s when you are truly alive that you can feel empathy. Girls’ Last Tour, once again, says so much by showing so little, asks so much about the deeper meaning of life with its low-key yet sometimes ambiguous approach. Another real winner episode for me.

Posted on 26 November 2017 with categories: Currently Watching:, Girls' Last Tour

Girls’ Last Tour again addresses many things about the meaning of life through its very minimalist method. This week, the girls encounter massive filing cabinets that remind me a great deal to the terrific Terry Gilliam’s visual style. Most of them are secured, but in the only few that are opened, there are only useless items: a dysfunctional radio, a button, a piece of cloth, an empty shell. The girls have no idea what those objects even mean, until they encounter the stone statue that it hits them. These items serve as a remnant, a memory to those who passed away. Here, the idea of memories is discussed and admittedly the one that I am sometimes wondering myself: when we get to the end of our lives, isn’t our existence defined by the memories of people we meet in our lives, and those people will be soon gone as well? Memories can be easily fade away, with the faces and the even the names you no longer recall. Our mere existence is goddamn futile. In this episode, Yuu already has a difficult time remembering Kanazawa and Ishii, despite just met them few episodes ago (and in the world where they hardly meet another human being, it does strain some credulity here. But we’re talking about Yuu after all, so it could happen), but she does remember Kanazawa through his camera, an item he gave to the girls as a parting gift. As long as the camera is there, the girls will remember him, just like the various unusable objects in that filing cabinets.

Then our girls head their ways ascending to the upper level. The way the girls spiralling around and around is a great metaphor for their lives, and pretty much our lives, are structured in the same model. We keep doing our daily routines in circle, in an endless loop that finally lead up to the final destination – our death. Well, Girls’ Last Tour isn’t that kind of bleak, pessimistic show so we also have Chi-chan getting dizzy with her cute dizzying expression and they escape death by the touch of hair trying to get across the unstable track (and effectively destroyed their track as well, I feel sorry for the next guy who go upon this path). Once they reach the next level, the new ruined landscape looks more organized, and less tumbledown than previous lower levels, with the sight of full moon to boost. They discover a golden liquid named “Beeu”, drinking them and dancing under the moonlight. Drunken Chi-chan might be the best version of Chi-chan ever. Moreover, the girls always have that close physical relationship with each other, the way they feel utterly comfortable lingering beside each other, and that quality again shines brightly under the spell of the moonlight and alcohol. I love the way Chi-chan breaks her character, to be even more expressive and active than Yuu. Just look at the girls enjoying those little happy moments despite the vast emptiness of the world around, whatever the end of this last tour might be (I’m starting to think we might have a very sad, bleak ending here), I know that they won’t have much regrets whatsoever.

Posted on 19 November 2017 with categories: Currently Watching:, Girls' Last Tour

After one of the most plot-heavy episode last week, Girls’ Last Tour goes back to its minimalist root this time, with only the girls and two interior settings. This could be Girls’ Last Tour’s simplest episode, with the plot can be summed up as those girls go to the ration production facility, at first slightly get lost in the labyrinth of pipes until they find the clear path with arrow signs and once they reach the facility, they bake their own ration using the left ingredients from the place. That’s it. But by all mean, this is another solid episode of Girls’ Last Tour. This show truly can’t do no wrong in my eyes. This episode also furthers demonstrate the strengths of the voice acting of both Inori Minase (Chi-chan) and Yurika Kubo (Yuu) (they also sing the OP and ED, both gorgeous by the way). As it goes without saying they have to carry the show by their own voices – being the only voices in the show – and they do it magnificently. Chi-chan and Yuu have incredible chemistry together with their natural banters and well-timed comedy.

What also interesting is how different in the way they approach life that they somehow complement each other and bring out the best from each other. In this episode, Chi-chan feels comfortable with the idea of arrow signs “What kind of person would ignore signs that would help them get to their destination?”, but that very idea makes the trip boring in Yuu’s eyes. Or their banters about the need to eat food, Chi-chan feels it’d be much better if human doesn’t have to eat, in which Yuu responds that isn’t living at all. Once again, we see the ruthless Yuu who turns on the potato grinder machine while Chi-chan is still on the conveyor belt, TWICE (and whose idea was it that the red button is on, while the green one is off?? No wonder that world is extinct now). Look at Yuu’s face who has no sign of remorse at all, makes me really wonder how Chi-chan can survive living with Yuu for so long. All jokes aside, both the girls have grown a lot on me. And those happy moments in the end where the girls make their own ration from what they learnt baking bread before further display little joys those girls have in this ruined world.

There’s one point that I notice while comparing the manga version with the anime last week, and again it’s more apparent during the first half of this episode, it is the feeling of hopelessness is more visible in the manga version. In the manga, that hopelessness feeling plays as a centre tone whenever the girls place themselves in this dead, vast world; whereas the anime adaptation use that feeling of hopelessness as a backdrop to produce a calming, healing experience. It comes as no wonder when I learn that many of the mangaka’s arts are quite depressing in nature, makes me really question how she going to finish this show off. As of now, one version doesn’t necessary better than the other. I enjoy both versions of Girls’ Last Tour to be honest and it’s one of the rare case where the anime production really understand about the strength of the source and strengthen many aspects that makes this show stand out in the first place. Girls’ Last Tour is as consistent as ever.

Posted on 13 November 2017 with categories: Currently Watching:, Girls' Last Tour

Some might say futility is an essence of life. That we spend our life wasted away for complete nothingness. And some might argue that what their life worth is based on how much they contribute to the society. Not here in Girls’ Last Tour, the world where the concept of society is long vanished, ultimately what do the surviving people all live for? That question is more relevant here this week with the introduction of another additional character to this minimalist cast. Unlike Yuu and Chi-chan who survive for the sake of being survival, both Kanazawa from episode 3 and Ishii this week have their own missions. For Ishii, she determines to build an airplane based on old records so that she can fly to another city. For the reason she builds it, unlike Kanazawa who regards making map as his purpose of life, she does it to escape the hopelessness of this dying city (“you’ll just end up dying along with this city”).

And if you still haven’t caught on with what I just described, hopelessness is the main theme of this episode. We see in the world of Girls’ Last Tour, where food, fuel and electricity are all scarce, the human left in this ruin barely survive the day. Wherever they go, they will likely end up with more, and more wasteland. The very act of making an airplane, as a result, is as nonsense and hopeless as it can get. It’s the plane that she self-designs based on the scattered blueprints within the base (which mean there’s a huge risk), it takes her a large amount of time to finish, and eventually the next city over might have been worse than the one she lives in right now. Yet she does it because she doesn’t lose hope. True hopelessness, after all, is not having anywhere to go. Ishii also wants the girls to serve as witnesses for the actual take-off (“If someone is watching, then I’m sure it will become a history”).

Although I love the inclusion of Ishii as she’s a wonderful inclusion for Girls’ Last Tour, I feel the pacing is too rushed at times. We don’t spend that much time watching them making the airplane, for example. With this episode, we also get a hint of the overall world-building of Girls’ Last Tour. Apparently, the girls only travel in one big abandoned industrial city with multiple levels as of now, the more they go to an upper level, the more food (hopefully) and electricity they can receive. Will they ever make it to the next city? It remains to be seen.

As staying true to the down-to-earth nature of Girls’ Last Tour, Ishii’s plane flights steady, and then crashes and burns. It was all pipe dream in the end. But Ishii feels relieved, and smiles to her heart’s content. It’s not the destination, but the ride that worth spending time for, and I’m quite sure that she will survive wherever she falls. And when you did your best and still failed, all you can do is just accept it.

Posted on 6 November 2017 with categories: Currently Watching:, Girls' Last Tour

Although Girls’ Last Tour can be described as a dark moe, there’s no denying that the show is the most comforting, healing anime of this season. What Girls’ Last Tour achieve flawlessly so far is its appreciation for small happiness in life, for little magical moments in an otherwise bleak and empty world. Episode 5, even more so than previous episodes, depicts those magical moments on screen, something that they haven’t done before. Case in points, remember last week, the girls crashed into one of the stone statue (they are the only vehicle left in the world, I must add)? That moment played mostly for slapstick humor, but this episode when Yuu hits Chi-chan in the head (to see if her head is empty, my my), there’s colorful sparkling symbols out of her head. Or when the two sitting comfortably in the chair and imagine the furniture they want to fit in the room or most noticeably during Chi-chan’s dream sequence; these moments are brightly, almost too cartoony, something that contrast with the natural, wash-out world Girls’ Last Tour has established so far. Yet, those moments somehow never feel out of place. I suspect they get away with those moments because they never intend to be real. Those are happy thoughts, quirky dreams that again speak to the “enjoy the little happiness” theme without betraying the bleakness of its world.

Again, Girls’ Last Tour is succeeded on addressing the most mundane everyday questions, but because they live in the world where those concepts have lost its meaning; their topics, therefore, are simple but straight to its core. This week, the girls find themselves a “house”, a cozy room where people used to live in. A room with a view, with sofas, functional water, and most importantly, with a door and a roof. They imagine themselves living in the place; and fill in whatever they want into the room. A bookcase for Chi-chan, a pantry for Yuu, a bunk bed for both. That moment really drives it home for me because it what “house” really is: a place to return to, a place to settle down, where they can sit down and relax. But in this vast place of nothingness, the only mean to survive is keep on going, and the girls know it. The last section, music, plays out equally impressive. Music is always considered as an expression of emotions. As the music grows more complex and layer, sometimes we forget that it can come from some something so natural and simple: the sound of rain, the sound of random noise from bottles. It’s not the arranged set of sound, but rather it’s the music for those who have keen ear for natural sound, and the music is the music of their hearts. I’m ashamed to say this consider how much I love dense, complex and progressive music, but the sounds the girls manage to capture right there is music in its purist form.

I have to say that the manga by itself is a pretty formidable beast. After all, asking many deep, philosophical theme in a casual manner like this is a hard string to pull, and yet Tsukumizu (not sure about the gender of the mangaka, anyone here has any idea?) manages to pull it off. But the direction of this anime not only keep the right spirit of the source, they also enrich the manga with the advantage of visual and sound. This episode, once again, speak to that strengths that make this anime even more impressive compare to the manga. I read the manga chapters where this episode adapted from, and one thing I noticed is that with the lack of visual flare (like in “Nap” chapter) or sound (in “the Sound of Rain” segment), the manga can’t come off as alive as in the anime. That ED song in the end, for example, is a great addition to the source and it really captures the magic and ends the chapter in a literally high note. The colorful, playful visual in first and second chapters, in addition, strengthen the magical feel of the show. Girls’ Last Tour has received a top-notch adaptation from White Fox, who obviously love every moment of making this show into something so comforting, yet consistently great. I really have no complain whatsoever with Girls’ Last Tour at this moment.

Posted on 29 October 2017 with categories: Currently Watching:, Girls' Last Tour

We have another solid entry of Girls’ Last Tour as this weeks the show focuses back to the dynamic duo with some light philosophical touch. In Girls’ Last Tour, they run around the idea that civilization is a foreign concept. Those girls are stripped away the existing knowledge of the past era, our girls can only rely on Chi-chan’s limited knowledge to figure out the world around them, and at large the very core of our civilization’s sophistication loses its meaning. Usually, Girls’ Last Tour addresses the meaning of high-concept terms (like “war”, “God” this week) through the eyes of our main duo. Due to the fact that those girls have little to no understanding about the concept of tradition, society and civilization, they explain those concepts based on their practical and logical reasons. “War” for example, is just a glorified term of “Conflict”. “Gods” that were once worshiped, likewise, are nothing more than stone statues and in that sense, “What is Cheese” is equal to “What is God” since those girls don’t understand the context of it.

Yuu struggles to comprehend why people put so much efforts for a fake paradise, in which Chi-chan argues, Pascal’s Wager style, that the belief is based not on an appeal to evidence that God exists, but rather that it is in their interests to believe in God and it is therefore rational for them to do so. Like the way Yuu freaks out when she is left alone in the dark. When she has no one else she can rely on, she holds on to her gun (such good metaphors here) and realizes the importance of Chi-chan’s company. The same can be said with the worshipers. For the unknown and terrified afterlife, believing in God they will receive a good reward in the other side of the world. A heaven paradise.

This episode also features the stone statues quite prominently. I guess that the higher the level Chi-chan and Yuu explore, the more modern and complex civilization they encounter. In this level, religion was keep popping as they go along since those stone statues represent worshiped gods. If you haven’t noticed, all the stone statues’ look to the left, only the one “God” who looks to the opposite side. I love such tiny bit of details like that. Also another tiny detail that blink and you miss is that the camera that Kanazawa gave them last week signifies the year they might live in:  year 3230. Talking about the camera, the first half we have the girls playing with their new toy: taking pictures as they move along. The girls then make a pointed comparison about the food will be all used up one day, but the pictures are there forever. When the world breaks down and there will be no more living person left, those pictures are still there, preserved by the moment it was taken. Chi-chan then has an idea to preserve that very moment: the two of them together. The moment they move slowly closer to each other is pretty intimate. The girls still have a rock-solid chemistry together. To answer all the philosophical, deep questions these girls find themselves into, Yuu nails it the most:

“What is Cheese – food”

“What is God – not food”

“Why do people live – food”

CHANGE USERNAME
AidanAK47
Search box is up there ^^
Anonymous3433242
overlord
Anonymous3433242
overlord
SuperMario
Glad to here you have brand new one coming up Kaiser
Kaiser-Eoghan
New computer on its way now, 24 inch screen, wireless everything, 1000gb, got it for only 800 euro.
Kaiser-Eoghan
The current laptop I've got on loan I'm using is kind of a pain to use, makes doing anything including typing/posting/watching slow, its a ropey old windows millenium edition laptop that I'd stopped using years ago.
@Amagi: Also a sequel to legend of koizumi has been translated.
Amagi
@Kaiser: thanks for the links!
Amagi
Just bought the parts for a new gaming PC and assembled them. Love my old PC but modern shooters and HD rpgs are lagging too much as well as drawing programs. Welp.
Anonymous3430884
Get well soon, Kaiser’s CPU!
Kaiser-Eoghan
Dammit, my main computer crashed suddenly, see you all in a few days to a week maybe =< borrowing someone elses laptop.
Anonymous3429052
Dororo or Durarara. That is the question
Vonter
The cutscenes in that game kinda look a bit off, like with the Dragon Prince show they look a bit choppy.
Anonymous3425269
Personally, I'm really hoping that Orange did them so they can gain more recognition working on a big franchise.
Anonymous3425269
I'm guessing Orange, Polygon or GEMBA did the CG cutscenes for the new Fire Emblem. They look too different from Echoes' CG cutscenes to come from Khara.
Kaiser-Eoghan
It was always the second Zelda game I never played, that one is frowned upon.
Vonter
I see Majora's Mask and Ocarina of Time as two halves of a single whole. Ocarina had the standard story but expanded from what was set in A Link to the Past. Majora's Mask has more in common to Link's Awakening being more about the characters you meet, and even Link himself. I think one has what the other doesn't. Ocarina had better dungeons, but Majora had more involved and menaningful sidequest.
Kaiser-Eoghan
The remastered ocarina of time soundtrack is some of my favourite videogame music out there.
Kaiser-Eoghan
I also loved the freaky-ass whip arms final boss too.
Kaiser-Eoghan
It seemed darker too.
Kaiser-Eoghan
I hold the unpopular opinion of liking majoras mask more than Ocarina, it was a harder game and it felt bigger, there was more side quest stuff to do aswell.
Kaiser-Eoghan
@Vonter: Similarly, its be so very long since I played it, it was all the way back in 1993.
Vonter
I don't remember disliking it but I don't recall a lot of things. I mainly remember the ending, the animals and bit with a Goblin king that reminded me of The Hobbit.
Kaiser-Eoghan
I remember loving the end theme music too.
Kaiser-Eoghan
I know its not ranked among the best Zelda games, but links awakening was the first zelda game I played in the early 90s, I also remember they re-released a colour version of it too that allowed you to do extra stuff with the gameboy camera and printer.
Vonter
So Nintendo had a Direct. A sequel to Mario Maker, a remake to Link's Awakening, a Tetris Battle Royale game, a new game from Platinum games called Astral Chain, a school type Fire Emblem, etc.
Kaiser-Eoghan
@Amagi: Also new Putin isekai chapter is out.
Vonter
Apparently there's gonna be another iteration of Bem. With whole new character redesigns. I suppose at some point they felt they needed to update them, since 4 iterations looked very similar and may come off as too retro for today. https://www.animenewsnetwork.com/interest/2019-02-11/twitter-user-compares-latest-yokai-ningen-bem-designs-to-previous-installments/.143177
Lenlo
I just hope they actually do something with the leg. Its been used as a cliffhanger 1 to many times for me
Kaiser-Eoghan
@Anon: It was good seeing a more serious side to the twins and I think Haiji's leg issues will provide some good drama.
Anonymous3421320
lol I think it's more like an orthopedic check-up. That strain from the race must've gave him concern about if he's able to run the Ekiden or not under this condition.
Kaiser-Eoghan
*Ahem* excuse the gory joke =P
Kaiser-Eoghan
Oh my God! Imagine if it like got cut and amputated off or something like that scene in gone with the wind! It'd be like....GONE with the run with the wind.
Kaiser-Eoghan
Looks like we're getting more on Haiji's leg again.
Kaiser-Eoghan
I guess if I was asked why I did anything, including if it was some game/sport or if I was a runner I'd probably answer the question by saying I was in it for a laugh or for a genuine good time because it'd be something I'd be enjoying.
Lenlo
@Kaiser, Dororo was awesome. This was a great week and arc. Mio is best girl.
Lenlo
Look, if the ending can make it work, I will forgive the CGI runners. But you have to admit, they don't look good
Anonymous3419991
@Lenlo But for now, you'll just have to grin and bear it when the next preliminary races prior to the Ekiden use CG for the background runners.
Anonymous3419991
I heard from a novel reader that the book is 10 chapters long, and this is currently adapting chapter 8. Chapter 10 covering the Ekiden is the longest part of the novel and will probably be covered in 3 episodes. Hope IG is saving all their resources on this finale judging by the CG used in previous episodes.
Anonymous3419991
It's also great to see how far Kurahana has come since the start. Even when confronting Sakaki being arrogant and all.
Anonymous3419991
And so this episode of Kaze ga is a breather episode, but we do get some more character development with the twins. It's nice to see Fujioka again.
Kaiser-Eoghan
@Lenlo: I would happily have watched two more episodes of this arc in dororo.
Lenlo
Well alright
Fuurophausiyuder
Speaking of loving hell fonts, I notice that the review body text, and this text here are both sans-serif; which sort of princess of variable typefaces is not present for this readability bit to land?
Fuurophausiyuder
Dororo is awesome for just the hell fonts. I kind of expect on-brand gazebos (the temple to the 10 demons) to sell well this summer at Lowe's, Restoration Hardware, RH, wherever it is actually okay stuff derives, etc. I was kind of hoping the transitional story would lift all transitional boats, but that storyline has gone to soil microbes in the USA diaspora (though you know, stay classy PR.)
Fuurophausiyuder
Kemurikusa is like Kemeko DX if all the chemicals were fentanyl and the promise of a plot muted by lingering death were only ever expected to be a possibility. What had anyone watching ep. 3...5? Clinical use?
Kaiser-Eoghan
I'm also glad that tv anime like this is allowed to be so violent in this day and age.
Kaiser-Eoghan
To be honest it really is the only new show this season I currently especially care about.
Kaiser-Eoghan
I decided to read the whole Dororo manga and I think this weeks episode was every bit as moving as the manga was while building on it. I think if adapted correctly dororo (the character)'s backstory, the stuff with Daigo's son will be a highlight. I do think they could get rid of shounen shark guy though later on and not bother including him.
Anonymous3415569
The other thing, is how both this and She Ra have the same premise of the main character changing from the villain to the heroic side. I don't know if that's a good pattern but it's and interesting way to build a female character in which the relationship with their old friends is a way to add pathos.
Anonymous3415569
It felt like a new version of inspector Gadget could be do like this. Considering how it frames the criminal organization (for kids). And also maybe a crossover could work?
Anonymous3415569
I watched the Carmen SanDiego Netflix series. It was ok. I did like the simple visual style and Saturday morning vibe. It's clearly more for a younger audience, yet it wasn't that boring. Still all I could think about while watching it were 2 things:
SuperMario
Kaiser, make sure to check your inbox
Kaiser-Eoghan
@Bothanons: Issues on both sides of the spectrum.
@Wooper: Its the politest take you could get on that premise.
@Mario: I think the anime skipped some stuff from the after the rain manga, I should probably read the manga.
Anonymous3412482
Edgy 14 year olds everywhere
Anonymous3413183
moralfags everywhere
SuperWooper
I heard that show was about a teenage girl's crush on an older man. Sounds pretty problematic to me. I'm with the rest of the Internet on this one.
SuperMario
Apparantly the other side of anime fandom (the internet) doesn’t watch Koi wa Ameagari
Lenlo
The reddit anime awards are done! I did it! I was on stream! Oh joy. Can talk about this now.
Kaiser-Eoghan
@Niello: I have decided to adopt the same approach for the new True detective season also.
niello
@Eoghan: Exactly my thought three episodes in. I wish I realise it before I picked up the show, because I definitely need to watch those three episodes again.
Kaiser-Eoghan
I want to watch new boogiepop at some point, but I'm just hoping it ends so I can just marathon the show, it'd be too confusing to watch once a week, instead of straight through in one go.
Amagi
Oh I just realize it's the same team as HnK well that explains that.
Amagi
@Aidan: Unsure too about the trailer but it reminds me more of Houseki, qualitywise, and less of all the other bad CGI shows. I have hope. Same with Vinland. Trailer had some CGI and Thorkell's design feels a bit different but aside from that it was good.
Anonymous3402245
sangatsu
SuperMario
@Kaiser: The selection isn’t out until April. Heck, they haven’t annouced the head jury yet
Kaiser-Eoghan
I should really watch Shirobako one of these days and on the manga end, read Kurozuka as I remember the bit I did read was quite different from the anime (which I loved).
Kaiser-Eoghan
@Mario: I don't know if the film selection for Cannes this year is out yet. Though it'll be a while before I get to see them.
SuperWooper
Noice.
SuperMario
Is it OK to brag here? I’ve just got the acrreditation to Cannes Film Fest this year baby. Will look forward for that one
Kaiser-Eoghan
@Anon: I watched it years ago and thought even though the first half was poor it picked up in the second. Maybe if I rewatched it my thoughts would change.
Anonymous3400512
Majestic prince is really bad man
Anonymous3399383
kemurikusa
SuperMario
Damn, just looked at the teaser of Beastars and I’m hooked. I’m hyped for the show
Kaiser-Eoghan
@Niello: Beastars is a good choice for them yes, as was Houseki no kuni, Majestic prince which they co-made was really underated back when it aired.
niello
I like how Orange Studio seems to have good eyes for manga. And it looks as if they are trying to go for stories that lets them avoid animating normal humans. So, ones that are more compatible with their CG visual. It'd be nice if this lead to some manga adaptation that won't happen otherwise.
Vonter
I think people get too worked up on Shield Hero. While not a great show, I have found it entertaining. I suppose the underdog aspect also got meta. With that said, I think if instead of the heroine reapplying the slave contract they should have made a contract or something like that, that felt one-sided.
Kaiser-Eoghan
I actually have more confidence in the cgi if its done by the houseki team.
Kaiser-Eoghan
@Aidan: When I talked to amagi about Beastars I don't think I ever heard your views on it. Also from what I recall you haven't read Vinland?
AidanAK47
Yep, full CGI for Beastars. I am somewhat half and half on it as the clip isn;t bad but I am a bit too used to the style of the manga.
https://youtu.be/S6H1qskbEIg
Lenlo
I dont expect the CGI to be bad. WIT has experience because of AoT now, and the boat/open ocean can profit from it a lot more than character models.

For Beastars, if its the Houseki no Kuni team, I wouldn't worry until we see a PV
Vonter
Maybe CGI wouldn not be as distracting if characters aren't humans? I mean the Star Fox Zero short was very good looking and it was full CGI.
Kaiser-Eoghan
Full cgi I think for beastars adaptation, although done by the people who did houseki no kuni so there could be exceptions made.
Kaiser-Eoghan
@Lenlo: I didn't expect them to try and cover his post childhood. They will probably stop at the farm arc. There will be cg, I hope it won't be intrusive.
Lenlo
Ey Vinland pv is out! Looks good! I cant wait
Animosh
@Kaiser: I'm pretty sure Yuki's family issues will be addressed later on, this just wasn't the time for it. So far the show has always followed up on the character arcs it has introduced.
Kaiser-Eoghan
Something that feels very different about huge detailed art aswell on the other end more simpler styles, in comparison to alot of the generic moe style we mostly see now.
Kaiser-Eoghan
And while I am on different artstyles, I bloody love Ryoichi ikegami and Suehiro murao also.
Kaiser-Eoghan
Complete different art too, cartoony even.
Kaiser-Eoghan
Years ago I read almost of Yoshihiro's stuff, although I never got around to finishing a drifting life by him, I also read that Mizuki guy manga i mentioned.
Kaiser-Eoghan
I've been wondering about this for a bit, is anyone on here familiar with the Gekiga period/wave of manga from the 50s and 60s to very early 70s? Such as stuff the by Yoshihiro Tatsumi and also Shigeru Mizuki's Onward toward noble death?
Kaiser-Eoghan
@Anon: I was right in there with them waiting to hear the results.
Anonymous3391737
They took the words I was about to say right out of my mouth.
Anonymous3391737
Late to the party, but man this was a good episode, iffy CG runners aside (though I hope that'll be addressed in the BDs). I'm so glad they were able to qualify.
Lenlo
Hmmm I cant wait to watch it
Kaiser-Eoghan
This cast has grown on me. Also while I would appreciate followup on Yuki's family, I actually don't mind if the show didn't, because this series manages to say much by saying little.
Kaiser-Eoghan
I'm glad that even though it showed then in a top ten list, they weren't up the top of it. Its more believable that way. Also who'd of though a race would be so tense?
Animosh
Also happy to see that the twins will get some spotlight next week. Aside from Musa they've had the least development so far, so they can use the attention. I also like that someone's finally raising the question what the point of it all is. If you have no chance of winning, why compete? It's a valid question, and I'm looking forward to hearing Haiji's answer.
Animosh
Haiji's injury was less of an issue than I expected: he even finished as "best of the rest" (excluding the leading group). Looks like it'll keep simmering under the surface for now. The fact that it was highlighted again probably means it is going to play a big role in the story eventually though.
Animosh
Anyhow, you can't always get everything you want, so whatever. It's still a very good adaptation overall, with some of the most impressive animation out there, and with some luck the cuts were just a one time thing and the rest of the season will be consistently well-paced. And if not ... well, the Claw arc is less "deep" anyway, so cuts will be less of an issue there I think.
Animosh
And just to be clear, I also agree that the episode elevated the source material in many ways: the aspect ratio nonsense aside, the episode looked incredible, no question. But my complaint is not with the animation, but with the storytelling, which - although by no means awful - could have been a hell of a lot better.
Animosh
@Anon: I agree the two chapter rule isn't perfect, and when there's a lot of fighting a faster pace is often preferable. So maybe an additional episode would have been too much - again, I don't remember how much was cut exactly. And of course, in the end pacing is a matter of preference. I loved this arc in the manga, and I'm probably more negative about cuts than you guys just because of that.
Anonymous3390450
@animosh Ill always remember this episode and laud it for it was able to accomplish. There are so many things it did to elevate the source material. Everything it covered from the source material was elevated in animation; the only issue was that shit got cut, and it's a bit unfortunate because i think it could have been easily avoided. Like lenlo said: a part of our gripe comes from our manga exp
Anonymous3390450
@animosh as a product of the previous season and episodes leading up to this, but it would have been even better if we got to share the experience mob had in mogami's would. The dread and isolation mob was meant to feel was communicated artfully; but that third element; the experience; that was what was needed to complete the trifecta and cement this episode as THE perfect adaptation.
Anonymous3390450
@animosh influences mob, we are missing one more element that would have completely sealed the deal. By BONES cutting out what they did, they took away from the viewer the EXPERIENCE mob went through. Losing that aspect, watching mob's journey through mogami's illusion, slightly hampers the overall impact his breakdown and his use of his powers against people. Most of the impact is still there
Anonymous3390450
@animosh despite my criticisms, i thought this episode was fucking great. I think the directing captures the dread and haunting oppressiveness mogami's illusions were meant to have on mob quite well. The adaptation communicates well what mob went through and why it broke him. What my criticisms amount to is that while the direction communicates well how mogami's macabre thinking eventually
Anonymous3390450
@Animosh that 2-3 chapters pace is not really a reliable rule, because that standard is completely dependent on how much content is in a particular chapter. The second half of this Mob psycho episode adapted like 3 or 4 chapters without feeling rushed; why? because those chapters the second half of the episode adapted were all action scenes, which when animated, take up less runtime
Animosh
Maybe I've just been spoiled by that other big Bones adaptation, My Hero Academia, which not only has great pacing but even adds high-quality filler to improve on the source material. Compared to that ... this was rather disappointing. But as Lenlo said, the episode did still do a lot of things right, so I didn't hate it or anything. It's just that it could have been much better still.
Animosh
@Anon: maybe that would have been enough (it would certainly have been an improvement). It's been so long since I read the manga that I don't know how much was cut exactly. But in general 2-3 chapters per episode is the pace adaptations should aim for, but these two episodes covered a whopping 8 chapters. That's just too much, especially for an arc where build-up is so important.
Lenlo
I think a longer episode, cut the OP, squeeze out every minute, would be better than a whole nother full episode.

Thing is, I think we are only a bit disappointed because we were manga readers. For anime only, this probably still hit all the right notes. And really, the entire episode is just straight fire animation wise
Anonymous3390290
@Animosh Nah; i don't think giving it 1 more episode would have been the answer, all it would have done is drag things out. What this episode needed to tape into its full potential was to be an extended episode; a 27 min ep that cut both the op and ed. If mediocre shows like re:zero can get 26 min eps commissioned out the wazoo then why can't a great show like mob psycho get that shit?
Animosh
I did still enjoy the episode as a collection of well-animated action set-pieces, but as a story arc just one more episode could have made it so much better imo.
Animosh
To use your example: no, an episode filled with suffering wouldn't have been fun. But now we barely got a glimpse of what Mob went through. The boy went through hell, and he was stuck there for six (!) months. Even so, he decided to forgive Minori, and his positive emotions beat Mogami's negative ones. In the manga that felt like a triumph, here not so much.
Animosh
But as a viewer (and a manga reader who's a fan of this arc), I thought it was somewhat disappointing. Yes, without the cuts the episodes may have been a bit less engaging, but I think that would have been fine all things considered. Build-up episodes are always less fun than the dramatic highlights, but they're necessary to make them land.
Animosh
@Lenlo: I understand why Bones did it this way, and I agree it would have been harder to make each episode engaging, get them to end at good points etc otherwise. It's also very possible they were contracted for a certain number of episodes, and if they want to get to the end of the Claw arc in 12 episodes some short cuts were inevitable.
Lenlo
Theres more, but I need to sleep and save some of it for the post
Lenlo
Both of them sacrificed their bodies for others. Her to make money for the kids, but willingly. Hyakkimaru for his family and clans prosperity, but unwillingly.
Lenlo
I think it would have made a fine cliffhanger, but not as good as this. Because this is a fantastic parallel I am writing about for the Dororo post.
Kaiser-Eoghan
Would that have made for a good cliffhanger
Kaiser-Eoghan
@Lenlo: What would you think if the episode had ended with the shot of dororo's reaction and the scene with the girl and samurai was reserved for the start of next weeks episode?
Lenlo
Also, fun fact, the episode ending? The part involving Hyakkimaru? Anime original.
Lenlo
Great episode
Lenlo
She also covers herself up when Dororo mentions Hyakki can see the color of peoples souls. More foreshadowing. I loved it.
Kaiser-Eoghan
@Lenlo: A yes, re-winding and paying more attention to her expression at the episodes start after finishing the episode and then going back to it I see the foreshadowing.
Kaiser-Eoghan
@Lenlo: Ah what better eyes you have for things than I do =P
Kaiser-Eoghan
@Lenlo: Perhaps yes it did show everything openly but I think it did it in a bleak, grim, non-exploitative, non-minipulative, non -overdramatic way.
Kaiser-Eoghan
@Lenlo: Shows how shitty it was too for women back then too.
Kaiser-Eoghan
@Lenlo: But this is another great example of how gritty this can be and not holding back in terms of the setting.
Kaiser-Eoghan
@Lenlo: Also that we see it through the most innocent characters eyes. I wonder if the manga or old series had that in there.
Lenlo
Yeah. I suspected it from the start, seeing her washing herself in the river, but it was very... blatant. Nothing to the imagination
Kaiser-Eoghan
@Lenlo: I was rather surprised at the frankness of the final scene.
Lenlo
Dororo so sad this week ;_; I love it
Lenlo
@Animosh, I was pretty happy with this weeks Mob really. I understand the pacing concern, but I don't see how they could have adapted it without having a single episode full of just suffering. It works for a webcomic, but not for a weekly animation I dont think. I plan on rewatching it in a bit and will see if my feelings change, but I enjoyed it. Still mulling it over narratively though
AidanAK47
@Firechick, New Anime reviews are automatically added to the review index on the header.
Kaiser-Eoghan
@Animosh: The choice to draw the characters as animals makes for something different to, with the character designs.
Animosh
@Kaiser: that sounds pretty great! I'll be looking forward to the anime then. :)
Kaiser-Eoghan
I liked Dororo this week, that him getting his hearing back would actually be initially something he'd have to get used to.
Kaiser-Eoghan
@Animosh: I actually only very recently saw zootopia.
Kaiser-Eoghan
@Animosh: I initially mistook beastars as being a slice of life school series that had bits of comedy and that the animal thing would be just a gimmick. Ended up getting a gritty drama with well realized characters and world building and an addictive pace.
Animosh
The designs weren't as good as they could have been either (from the rather unimaginative ghost designs and sparkly eyes Mob to the dull background environment), and the action was a bit hard to follow at times (which wasn't the case in the manga). It was my favorite manga arc back when I read it, but it certainly won't be my favorite arc from the anime.
Animosh
Still not a fan of how Bones adapted this arc. The pacing was way too fast again, and the emotional climaxes didn't really land for me as a result. And although the animation was excellent as expected, I really didn't like the change in aspect ratio. The intention was probably to make the experience more cinematic, but the main result was that everything looked smaller, and therefore less intense.
Animosh
That's the manga series you and Amagi were talking about a while ago, right? Is it good? The plot description reminds me a bit of Zootopia.
Kaiser-Eoghan
I think a beastars anime just got announced.
Kaiser-Eoghan
Code geass doesn't really work very well on repeat viewings, it depended strongly on watching it by the week when it came out, the cliffhangers and shocks don't work second time round. Season 2 gets particularly messy later on.
Anonymous3383974
The issue perhaps comes from really wanting to recapture that Geass magic and going straight for shock value over having an engaging, nuanced story.
Anonymous3383974
Reading Lenlo's Planetes review makes me wonder if Taniguchi and Okouchi will make something as mature and sophisticated like this show again. After Code Geass, they rarely have it seems although Okouchi has a far better track record compared to his former partner.
Anonymous3383575
Yeah but is Johan dead or not?
Lenlo
Im glad you liked it, Monster is amazing.
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