Nagi no Asukara - Star Crossed Anime Blog : Star Crossed Anime Blog
Posted on 22 November 2013 with categories: Nagi no Asukara

Well, so I thought that I’d check out what Nagi no Asukara was up to lately, so I set down to watch this. And boy, it actually took a long while for me to actually start the thing. Today I finally managed to finish the latest three episodes because otherwise I’d never be able to move on, but it did make me ask a question: why am I still watching this?

It’s episode seven, so at this point we have a pretty good idea of the nature of this show. For the past few weeks I really started looking at anime in a different way, and I asked the above question for a lot of other series. Is it really worth it to watch so many series that contain such lazy writing that contains so many glaring flaws, just for a few things they do well? The key again is balance. Does Nagi no Asukara have that? I’m afraid not.

The thing with drama is: you take a few ingredients, juggle them together and let them culminate into a powerful climax, with some mid-climaxees inbetween. What Nagi no Asukara does is having way too many of these ingredients, overcomplicating the dish. Every episode it finds some contrived reason to create as much drama as possible, ranging from a love polygon that’s triggered way too easily to people behaving like arrogant pricks who can’t use their head for one second. A bit of this is fine and all, but this just kept on coming with the drama, there was hardly any variation to what went on. It’s all just teenaged drama.

Especially now that Hikaru has developed, things should have been more bearable, since he isn’t annoying anymore and he actually tries to take care of his loved ones, and he actually can shut up at once, but… meh. It’s all just so gloomy. Episode seven with those fishermen for example. That came out of nowhere, but these guys acted just as bigoted as he did a few episodes ago. These three episodes consistently bored me because they had nothing going on here. Only episode seven had something noteworthy when Hikaru and his sister actually left their home. That was something different, but getting less and less sure whether it’s worth it.

I think Mari Okada overshot herself with this series. In this series, and with Sakurasou too by the way, she focuses too much on one-sided drama that is in most cases really quite stupid. Compare that to three series of her that did work: Hana-Saku Iroha, True Tears and Ano Hana. Hana-Saku Iroha knew how to spice things up. It might have been a bit boring around this point, but at least it used this time to show what everyday life is for the cast, so it could use that for some very effective climaxes. The sm-episode came out of nowhere, but it took guts and stood out. True Tears also had lots of drama, but it was calculated: slow paced and it knew exactly what to do to remain interesting, again with great characterization. Ano Hana also had tons of drama at a fast pace, but it also delivered many twists that really got the best out of the characters. The cast was well balanced and every character was different, and the drama kept moving forward. It had strange twists, but these twists went together with the characters. It didn’t throw in stuff for the sake of throwing in stuff like what Nagi no Asukara is doing.

The animation in anime is consistently improving: people are really innovating there to create graphics that are really gorgeous, and you see this more and more. That’s good. Now transfer that mentality over to the writing departments. Force them to think logically about what they’re doing. We need more people like Gen Urobuchi, who are celebrated for their writing talents. There doesn’t seem to be any glamour to the writing business and to be honest, the whole scene seems quite a bit closed off. Because of this you have one group of writers who gets picked over and over to write and adapt these series, and there hardly seems any incentive to attract new talent or cultivate it. That really needs to change, because as I see it, it’s the biggest thing holding anime in general back right now.
Rating: 3/8 (Mediocre)

Posted on 30 October 2013 with categories: Nagi no Asukara

Okay, so everyone aside from Hikari: I really like them. Dramatic, perhaps, but they work really well together, and this series has a knack of writing compelling drama for all of them, and this episode continued that trend. This was some really good character buiding here: no character here is completely onedimensional and even the typical high school bullies have a point and purpose, rather than just being the same streetpunks who are inserted for cheap drama, like what you usually see.

And yeah… Hikari. This guy is complicated. Last week he got completely on my nerves, but this time it changed. I still cringed when he zerged those classmates of his whenever he saw the first possible reason to do so, but the thing is that his sensible side is starting to shine through more. Whenever he didn’t go into “angry bear”-mode he too was an interesting member to the cast who plays off very well with the others. He can sympathize with others when he wants to. The whole apology scene was weird, but definitely a step in the right direciton.
Rating: 5/8 (Great)

Posted on 21 October 2013 with categories: Nagi no Asukara

Holy crap, that main character! This episode really was great! I really liked how this episode elaborated on the cultural differences between the fish people and regular humans, and all of the trouble that comes with trying to hook up with someone of the other side. The star crossed lovers here are done really well because of how this episode explored all of the implications it had, and how it involved the perspectives of a lot of different people here: elder, teenagers, adults, students. They showed many sides of the same coin.

But dear god, this kid acts like this angry bear in the way he constantly lashes out at everyone. I mean on paper he’s not a bad character and the point of his character makes sense, but his aggression is just waay overdone. He constantly screams, he constantly acts like he owns everyone, he constantly thrusts his nose into other people’s business. This guy really tries his hardest to be unlikable.

Character-development. The creators are definitely going for that, and I know from experience that Mari Okada can turn annoying characters around. But even then this guy is currently just stomping all over a perfectly fine show and his flaws are just caricatures. On top of that they just hurt the show by turning everyone off of it.

So yeah, unfortunately the creators here have done better. Mari Okada’s script for Ano Hana was much better, because it actually balanced the characters together. The same goes for the first three episodes of Hana-Saku Iroha (despite its really weird third episode), True Tears, The director, Toshiya Shinohara, is a guy guy who seems to need plot twists: that’s where he really knows how to deliver, as shown with Bantorra and Kuroshitsuji II. Nagi no Asukara unfortunately is at the moment too much of a standard series, and while you can see that the creators really try to throw in some good plot twists, the way in which the kids stand in this spotlight only ends up hurting this series.
Rating: 4,5/8 (Good)

Posted on 12 October 2013 with categories: Nagi no Asukara

So, Nagi no Asukara (apologies, I keep spelling the title of this series wrong) had an interesting second episode. The main character in particular was really unlikable and for a short while I thought of just switching this episode off, however he did somehow work as the episode went along.

Flawed characters are really difficult to write: it’s all too easy to make them too annoying to watch, however you NEED flaws for good storytelling, otherwise things will be too perfect and just boring. It’s often a case of balancing things out, and the way most series do it is by giving characters a simple innocent flaw that doesn’t stand out too much, or things like naivety or something. Mr Sparkly Eyes (I really forgot his name) yells, moans, acts like a spoilt child throughout this entire episode.

Somehow this was balanced out by the rest of the cast who keep pulling this guy back to the surface. The bit around his sister worked really well, and by showing how the adults in the underwater community are even more bigoted than he is when they found out really helped by showing him things from a different perspective. He feels like he owns that girl, and these episodes are really trying to break away from that. The second half of this episode also cleverly juggled the drama of the rest of the characters together, and that actually made quite an impression on me. If the creators can keep this up things will get interesting.
Rating: 4,5/8 (Good)

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Kaiser-Eoghan
https://manganelo.com/manga/baikoku_kikan I haven't read this yet, but its written by the guy who did Youjo senkai.
Amagi
*exists
Amagi
People also forget that We (Мы) exist. It basically was 1984 before 1984 was written. It's from 1920 or something.
Amagi
Same here. Political dystopias are the best and eastern europe is especially good with creating them.
Kaiser-Eoghan
Golden Kamuy got me all excited about Russo-Japanese war stuff, went off and watched Hill 203 and found an obscure Akira Kurosawa film (which he wrote) called Advance patrol.
Kaiser-Eoghan
@Anon: Might be to my interest, I love political/conspiracy stuff, especially East European.
Anonymous3209354
love how alternate history is getting more attention from mainstream television lately
Anonymous3209354
anyone watch 1983 episode 1 yet?
Kaiser-Eoghan
*about it
Kaiser-Eoghan
I'm actually in the mood right now for adventure stuff like this, there is a manga called It's my life. Also about a guy and a kid going from town to town.
Kaiser-Eoghan
@Aidan: I read five volumes of a manga called Somali yo mori no kami sama and noticed you made a post about it. I generally agree with what you said about. The parts with the witch girl, the chapters with the harpy girl and the bit with the golem actually getting violently angry were my favourite parts.
Kaiser-Eoghan
I have this itch now to watch the original again.
Kaiser-Eoghan
I just want all of the new boogipop phantom to air right now, I genuinely can't wait for it.
SuperMario
@Kaiser: That makes it Promised Mob Psycho Neverland
Kaiser-Eoghan
Promised neverland and Mob are tied in the poll.
Anonymous3208080
@Kaiser-Eoghan - Ok. I just didn't felt like it had much closure in the final scenes. Though I suppose "that scene" was sort of like the climax of the movie.
Kaiser-Eoghan
I remember a lesbian themed comedy film based on a play where an old woman busts her friend out of a care home and they go on a road trip to Canada to get married, picking up some young guy along the way.
SuperMario
@Vonter: I watched 3 recent latin films, each of them rocks in their own ways. Roma is the most critical-darling amongst the bunch. Then I also watcjed Birds of Passage, about the rise (and eventually fall) of an extended family selling weeds in Colombia. The third one, The Heiresses is a favorite of mine. It’s rare to have the leads as 60 something lesbian couple, and the entire cast are women
Kaiser-Eoghan
@Vonter: If you scroll down far enough myself and Mario talked about that film.
Animosh
Overall I still think this season is lacking focus compared to the first season though. It just drifts in all these different directions without really trying to tie them together in any way. And I'm getting a bit fed up with all these near-deaths. How many times has a character been saved (or spared) at the last moment now? It's lazy writing.
Animosh
I love how Urobuchi keeps subverting expectations with his characters. You think the Hunting Fox will be furious over his loss of status? Nope, he just shrugs it off and pisses off Lin as a result. You think the Monk is being controlled by his sword? Nope, he fell in love with her of his own will (I think?), and now he's firmly in control, acting like an obsessive boyfriend and everything.
Vonter
The director is the same as Gravity and the third Harry Potter movie (Azkaban).
Vonter
@Lenlo - Try watching mexican films most of them are very downbeat and tragic. Latest one I watched was Roma. About a neighborhood in Mexico City during the 70s. And the story of the maid of a middle class family.
Lenlo
Thats fine. Endings can largely be personal preference. Im just a bad man enjoy tragedies. <3
Kaiser-Eoghan
Regarding tragic endings, I prefer them to happy ones, largely because, even if the character has had a miserable existence, giving them a crueller ending prevents them being given the storytelling equivalent of a handout.
Kaiser-Eoghan
Actually, this was a season of surprises for me, I expected nothing of bunny-senpai, as far as I was concerned enjoying gridman would be impossible for me and I initially avoid run with the wind cause I know so little about sports. All three ended up being my favourites this season and this site was able to convince me to watch them.
Anonymous3205580
Not only did they simplify the FRANXX's plot, but they even disregarded themes they were exploring, plot threads that were considered, characterizations that were supposed to be more nuanced, in favor of giving us an obviously evil villain who are aliens, no one dies expect for side characters who were rewritten to be antagonized, and an unconditionally happy ending.
Kaiser-Eoghan
Its a miracle I really liked gridman, especially the latest episodes and since the second half started.
Anonymous3205521
Meanwhile, with Gridman, we basically have a subversion of tokusatsu tropes written by an actual toku writer and pulls it off in fact, while being an affectionate homage to the genre at the same time.
Anonymous3205521
It seemed like CloverWorks ended up taking over production late in the game and decided to greatly simplify the plot, disregarding most of the worldbuilding that Trigger previously contributed.
Anonymous3205521
I will say though that Trigger seems to have trouble working with others due to the clashes they had with CloverWorks during FranXX's production. That must've contributed a lot to the huge story problems and inconsistencies later on.
Anonymous3205521
I find it interesting that we got both the best and worst of Trigger in one year. What they're really good at, and what they're really limited at, and the bad habits they can't seem to quit doing, although it's clearly more apparent in the Trigger show that aired earlier compared to the show that aired later.
Kaiser-Eoghan
@Amagi: Back in the day where I was more open to watching everything, H20 tricked me with its first couple of episodes, the ending was insulting as was that middle joke episode.
Kaiser-Eoghan
I feel Natsuyuki sort of takes away the attention from the authors other work, Sekine-kun no koi.
Amagi
@SuperMario: Natsuyuki was kinda good I agree. Josei tend to be pretty good in general since they are often kinda down to earth even while dealing with supernatural elements. Shoujos on the other hand are usually bad and most of them feel like the same series.
SuperMario
We will have to disagree here, Amagi. It’a the drama of the 2nd season that raises the show several notches. For me, every single drama hits and it hots hard
Amagi
Yahari was another one of those weird shows. I enjoyed the first season. Kinda. But the second made me mad. I didn't even get what happened, it felt like the author was suddently trying create drama while knowing absolutely nothing about drama. I think it was one of the worst cases of forced drama I've witnessed and I usually hate using these buzzwords.
SuperMario
... mature romance show. A bit drags in the middle but it has well-developed cast
SuperMario
Also, I finished Natsuyuki Rendezvous the other day. It’s a solid,
Amagi
I think the worst shows I have ever seen were all adaptions of horrible harem VNs or LNs. If someone is masochistic they should give H2O or Myself;Yourself and the likes a try.
SuperMario
But I absolutely agree. In fact, watching Haganai I have more appreciation to Yahari
SuperMario
Apprently Yahari copied the concept of Haganai thou, from what I heard
Kaiser-Eoghan
@Amagi: We can get onto the topic o punishment endings in romance series or especially yuri ones.
Kaiser-Eoghan
@Mario: There's not much point in watching haganai when Yahari exists, haganai grew stale to where I never bothered checking the second season, it ran its course after a couple of episodes.
Amagi
Agree, I like yuri as a concept, but most shows bore me, especially if it's those weird mixes between fanservice, sudden drama and comedy. I actually like Bloom into You because it knows exactly what it wants and the characters don't suffer from the tropes most yuri shows annoy me with.
SuperMario
It’s a rubbish I guiltily enjoy watching haha
SuperMario
Atm I’m doing a little anime marathon of watching shows from early 2010s. Currently watching Haganai. Boy that show is crap
Amagi
@Kaiser: It's always better to drop. If you don't enjoy it, drop it. I even dropped shows that were, IMO, objectively good. But doesn't help if I can't feel it. I rather use the time watching a movie I actually care about
Kaiser-Eoghan
Bloom into you has made me want to go on a binge/bender of reading/watching yuri/shoujo-ai series.
Kaiser-Eoghan
When something isn't even allowed to be good or bad.
SuperMario
Do watch Bloom into You though. I think it’s one of the better yuri shows in recent years
Kaiser-Eoghan
Series with ambition and potential that end up not working on any level are definately some of the worst failings. Though personally its the things I can't say anything about that are often worse.
SuperMario
It has some neat ideas when you get into it. I like the story behind the hireman and his daughter. I like the backstory of Donna the assassin. But most of the time it’s the way the show displays these themes. It’s incoherent and it tries too hard and it’s clunky and stupid
Kaiser-Eoghan
I used to finish out shows I didn't like, well up to 2011, but not anymore, don't have the strength nor care to have the ability to, especially if its something popular I don't like.
Amagi
In the end I think it's one of those many many series that wanted too much and couldn't even get one of their plot themes right.
Amagi
Same, dropped it near the end when I was sure nothing great would happen anymore. I usually dislike dropping series unless it's after/during episode one. The crazy thing is that ReRideD has a lot of elements I am a fan of, elements that look good on paper, which is why I had hope.
SuperMario
Yeah, don’t bother watching it unless you’re a junkie like I am. I was watching it and kept hoping that it could become better later on. It never did
Amagi
@SuperMario: Someone here linked a review of ReRideD a few weeks ago, I read it back then and it perfectly summarized why it is so bad. I actually think that long review didn't mention a single positive thing, he.
SuperMario
Actually, its best moment is the one segment where it has nothing to do with the main plot or Derrida the main character. It’s the beginning of episode 10 where it tackles about identity and the dangerous in advanced technology in the lesser-Kon approach. Of course it’s pale comparing to Kon but at least it has moments of genuine spark there
SuperMario
Ahh Redrided, I finished it yesterday, I absolutely don’t see any good points about it. It’s just so bad in every level
SuperMario
@anon: I haven’t seen the one this week (ep12), will watch that tonight. Ep11 was a game-changer though, but I’m not too sure if it can close up neatly
Anonymous3204976
I honestly think DD could've been better off as just a series of stand-alone episodes with some continuity nods instead of trying to create a connected narrative that goes nowhere fast (and is likely going off the rails). These characters are great honestly but they deserve a better story (or stories).
Amagi
@SuperMario: thanks. Kinda sad it's nowhere as good as Tiger and Bunny it seems. But the problem is that spin offs never work because they take away what made the main series special in most cases. Like with TaB not only the Super Heroes but the sponsors and that whole corruption subplot in the media and entertainment morals.
Anonymous3204976
Did you see the latest episode of DD?
SuperMario
@Amagi: while I didn’t really enjoy the 1st season of Golden Kamuy, the second one is a step up for me. It gets much more goofier but it’s so damn sure of itself. Double Decker you can pretty much take it or leave it. Couple solid episodes here and there but as a whole DD doesn’t leave much impact
SuperMario
Also, apprently they have a staff role just for making those boob-bouncing looks real and all
SuperMario
Regarding ImoImo, yeah the staff using pseudonym because they don’t want their names associated with the horrible animation of the show, but I also heard that thwy haven’t been paid properly either
Anonymous3204976
This probably looks like the case of animators who wanted nothing to do with it, but were required to do it anyways or else they don't get their meager pay. Hence, they end up half-assing their efforts just to get it over with. They don't care if they get laid off as long as they get it done.
Anonymous3204976
Like holy crap, that Imouto show actually has animators who seem to be revolting, or at least acknowledge that they're basically going to be laid off after this finishes airing. One guy even chose not to credit his name, and went by a psudonym that said "Honestly, I'm Screwed".
Amagi
I always forget Doubledecker and Golden Kamui II exist despite liking the first episode/season. Maybe I will pick them up next week, I wasted two hours of my life watching the first episodes of Akanesasu, ReRideD and Slime so could risk watching them instead, they can't be as bad or boring as those.
Kaiser-Eoghan
There is potential to parody dub it I think.
Amagi
Judging by these ranking numbers it seems like it will sell 500 at max but that would be too good.
Amagi
It's some screenshot of mine from /a/. I guess it will maybe sell 1800? Maybe more due to fans who buy everything as long as it has incest so maybe 2400 or so but not more.
Amagi
Take these with a grain of salt since there are quite some fans who only order during the day of release or buy it in shops but I don't think that will change much: https://media.trillian.im/media/?m=aW1hZ2UvanBlZyw4NzQsNTkzLLFrQMLyxCHA9iR8WB5zaoimBGJ4v0LuhUwFALlizLt+
Amagi
I think it's getting the cheap harem treatment in which the produceres themselves barely care and only shit out some garbage to boost the novel sales. It doesn't seem to do well.
Kaiser-Eoghan
It makes me wonder what the sales for it are like or what it outsells so I can despair at the Japanese fanbase.
Amagi
I only see the horrible QUALITY it has, people post screenshots on /a/ to make fun of it.
Kaiser-Eoghan
I know no oe cares/no-one watches it nor should they, but hell Ore ga Suki nano wa Imouto dakedo Imouto ja Nai is a special special kind of absolute failure.
KTravlos
Looking forward to the new Youjo Senki film.
Lenlo
My comments didnt go down, but I am looking forward to this season. Dororo and Mob Psycho are my two big ones, but I think im going to keep up with at least 6
Amagi
It's not just fear that there might be open questions (that usually doesn't happen as long as the series is original) but that you need to SHOW stuff to make it work, not tell. And there is usually not much time to show everything anymore judging by the pacing most anime tend to have.
Amagi
You know I really hate it when directors love to destroy any kind of climax by shoving in some unnecessary episodes near the end of a series and cram all the plot, development and backstories into the last 15 minutes (-5 because series also have an epilogue)
Kaiser-Eoghan
Well yes I suppose I can at least watch dororo because its by Tezuka alongside boogiepop. And run with the wind has its second cour.
Amagi
If I am lucky there are five series that interest me next season. Granted, this one was weak too and the only mentionworthy series were Run with the Wind and Gridman for me.
Amagi
Wow another anime PV, thanks Aidan. Seems like this is coming out bi-monthly now, I bet I will be 90 years old in two (subjective) years from now without noticing. AND I totally forgot Date a Lif/ve was even a thing.
Amagi
Well fug, seems like I was right regarding some specific thing.
Lenlo
Post dooooone. Now I can read the preview! Yaaay
Kaiser-Eoghan
@Mario: I can vote in the poll without issue.
Kaiser-Eoghan
@Mario: I'd like him to do more Spanish language films.
Kaiser-Eoghan
@Aidan: Jesus fuck I hated Magical girl ops so damn much.
Kaiser-Eoghan
Actually every shot in Roma manages to standout.
Kaiser-Eoghan
@Mario : Although it was raunch and smut, nonetheless I liked y tu mama tambien more than other people.
SuperMario
And Cuaron said in the interview that the single image that represents the film is the last shot of her walking up the metal staircase
Kaiser-Eoghan
@Mario: Just like in alien where Ridley Scott didn't tell the cast in THAT scene!
Kaiser-Eoghan
@Mario: Oh, I certainly liked the warmth and naturalism that was kind of there. Handled the class thing decently well too.
SuperMario
For example, the hospital scene was played out without the lead actor knowledge. She didn't know about that *twist*, she just got swept to the moments beyond her and we sense that as well
SuperMario
@Kaiser:I didn't really connect to the film either, but I guess we're the minority here. I do learn that Cuaron keeps most of the script away from the actors, especially the maid. So in many scenes what the character acts on screen are genuine
Kaiser-Eoghan
@Aidan: Did you read the doro manga for the preview or the old anime? Watching an anime episode in black and white must have been odd. Also, when I watched boogipop for the first time years ago I was confused by it initially but didn't reject it, trippy atmosphere and stuff.
Kaiser-Eoghan
I want my youjo senki and bunny-girl senpai movies and I want them now wah, wah.
Kaiser-Eoghan
@Mario: and that later scene with her in the hospital actually did kind of get me even though I knew it was coming. It also never felt un-earnest or manipulative.
Also noticed callbacks to his other films in it sort of.
Thought it was pretty watchable man.
Kaiser-Eoghan
@Mario: I didn’t really emotionally connect with it and probably because I’ve seen so many of these dramas I can predict the whole thing, but it did maintain my interest and I liked how he captured the flavour of the time (such as the riots/political rally/douchebag male characters/talk about people having their land taken off them)
Kaiser-Eoghan
@Mario: I decided to watch Roma by Alfonso Curon, on a visual level this is definitely a beautifully rendered film and the photography is especially impressive just before and during the forest fire scene. I watched it in the highest possible quality and it really does benefit this.
Kaiser-Eoghan
@Mario: Damn democracy =<
SuperMario
I hope that's just me but I can't vote on the poll thing
Anonymous3199261
Uchuu Senkan Tiramisu was definitely my favorite short this year. I found it incredibly amusing since it's basically a typical mecha series if the main character and his arch-enemy (and plot twist brother) were both insecure, self-centered narcissists.
Kaiser-Eoghan
Boogiepop is the show I'll end up watching.
Kaiser-Eoghan
Neverland I fell behind on when they got to the part in the village where the monsters hunt people.
Kaiser-Eoghan
See heres my thing with Kaguya, I never thought I'd find it funny and certainly I doubt I like it as much as others do, but even though after 50 or so chapters of laughing at it, like most comedy manga that are long, I never feel pushed to read every chapter.
Amagi
I just learned to accept Zombieland Saga again after the fuckup since episode three since some of the following episodes were pretty good despite the idol stuff and being rather formularic, both the last two killed my hopes yet again and not hoping for too much considering the problem of the latest episode isn't fully solved yet.
Amagi
I dropped Uma Musume after five minutes
Animosh
@Kaiser: Shoko's arc will apparently be covered in the upcoming movie. The remaining episodes will only focus on Kaede.
Anonymous3197172
Unlike Uma though, Zombieland doesn't have Granblue codes in the BDs this time, so it might not reach those same sales heights. Makes you wonder if Uma did well in Japan solely because of the codes.
Anonymous3197172
Granted, like Zombieland Saga, I didn't hate it. But unlike Zombieland where it became what it purported to parody, this was exactly what I was expecting it to be. Safe and really dull.
Anonymous3197172
And to top it off, they included SSR codes for Granblue with the BDs of the series as a form of cross-promotion. That managed to maximize sales for the series. Not even Zombieland Saga was this obviously safe.
Anonymous3197172
Let's see, it's a sports anime complete with the stereotypes you'd expect, a CGDCT show, a moe anthropomorphism series where the horses are girls, and an idol series with most of the trademarks of that genre (yuri undertones, banal songs, creepy fanservice, etc.) and it's a mobile game adaptation to boot.
Anonymous3197172
Of all the shows I watched this year, Uma Musume was probably the safest, most conservative show that I've ever seen this year which took the least risks, and threw in everything they could in the hopes of maximizing blu-ray sales. It's saving grace is P.A. Works' animation, but that's to be expected with even their worst shows.
SuperMario
I haven’t watched the latest one yet but isn’t it a bit too... quick?
SuperMario
What the hell? Only one episode and BF already wiped out 3 bad men?
Kaiser-Eoghan
Unrelated, but I wish more ecchi/hentai genuinely tried to mix in emotions and sensuality even into the more fetishist stuff. I like everything to be y'know sad and stuff.
Kaiser-Eoghan
Seeing that bastard get it in banana fish is so satisfying.
Kaiser-Eoghan
I still wish this show had 24 episodes.
Kaiser-Eoghan
I don't think there's enough time for Shoko's arc though and this episode was rushed.
Kaiser-Eoghan
*in bunny-senpai
Kaiser-Eoghan
Oh my God I wanna save the sister bunny-sepai =<
Anonymous3196773
All 3 of BF devil trio are out :) Now we have to deal with Foxx as final boss though? Not sure about that
Kaiser-Eoghan
@Vonter: I enjoyed what I read of gunsmith cats but I've only read parts of it, not the whole thing, I also saw its prototype riding bean which was schlocky fun.
Kaiser-Eoghan
@Vonter: I'm honestly not sure. But I'll say this, wasn't there some campaign to get a new gunsmith cats anime out?
Animosh
I wonder where they're going with Yut Lung though. I expected Ash to kill him in a mad fury over what happened to Eiji, but his conversation with Blanca (about finding love instead of being ruled by anger and hatred) suggests that some kind of redemption may lie in store for him.
Vonter
@Kaiser-Eoghan How is it compared to Gunsmith Cats?
Animosh
I knew Banana Fish wouldn't go through with Eiji's death. But hey, at least it looks like Golzine is finally dead! Although I really wish someone with more of a history with him had done the deed. Or you know, someone with some actual personality. Foxx is such a lame blend of villain tropes I wish he would die already. If he really ends up as the final boss of the series I'd be pretty disappointed
Kaiser-Eoghan
@Vonter: Its possibly because its so old. As for myself I've only seen the first series and read a few volumes of the manga, what I followed was largely episodic.
Vonter
@Kaiser-Eoghan - It isn't as heavily marketed, I wasn't aware there were that many. It's this a niche series?
Kaiser-Eoghan
@Vonter: There are several films live action and animated and three anime series based on it.
Vonter
The new City Hunter movie looks great. It seems to have buddy cop vibe. Were there only OVAs or did this manga ever got a TV series? https://www.youtube.com/watch?v=CRFrmaZa1OY
Animosh
Oh right, that makes sense. Heh.
Lenlo
Ha, you merged his names.
Kaiser-Eoghan
Ah, that is the curse of watching an episode a week, forgetting things like that, can't believe I couldn't remember that.
Animosh
Eh, Kurahara. Where did I even get that name from.
Animosh
@Lenlo: he's a reporter. He's one of the people interviewing Fujioka in episode 7 (or more precisely, he's watching him being interviewed). He also seems to notice Kakeharu then.
Kaiser-Eoghan
@Lenlo: Or maybe a washed up former runner from years ago?
Lenlo
Im sad Kaze Fui has a 3 week break, but cant wait for January now. As for the guy at the end, I want to say he is probably a reporter of some kind? Kurahara was a good runner in highschool and seemingly quit, yet is now running for a no-name team. Thats a scoop
Kaiser-Eoghan
It was pretty tense actually.
Kaiser-Eoghan
I didn't cry during that scene in made in abyss, you know the one where riko freaks out, the arm scene. But it was somewhat stressful.
Kaiser-Eoghan
I haven't come across ojisama to neko. Perhaps I'll read a few chapters of it.
Amagi
Hope they will do a first season of it by turning it into a 5 minute anime now. I mean it has an old man who tries to be the best father for his pet and it has a CAT, what else does a series need to be successful in the age of the internet?
Amagi
I didn't know Ojisama to Neko was a hit. The series is so cute that every harmless piece of seriousness makes you feel like crying, it's pretty good but didn't expect it to be popular. Seems like it sells around 350k copies.
Amagi
There are so many movies or anime that kill tons of characters and throw in even more tons of cry scene and I am still unable to feel anything.
Amagi
MIA showed that it is always about how you depict a death scene and not so much about what's actually happening. I usually want to be sad whenever I am supposed to feel sad but it doesn't work. I had to cry during the MiA scene though even though it was "just" about some kind of pet, because that character lost her humanity long ago and suffered, so death was actually a good thing here. But still.
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Thunderbolt Fantasy 2 – 12 [The Hunting Fox]

Boy, it sure feels great to see the biggest douchebag gets punched repeatedly to the face by his own dirty tricks. It also feels good when the femme fatale Seven Blashphemous Deaths Sword feels threatened towards Monk’s declaration of love. If there’s one thing that I still enjoy in Thunderbolt, it’s that the cast keeps […]

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SSSS.GRIDMAN – 11 [Decisive Battle]

I have a sense that GRIDMAN regresses considerably since its magnificent episode 9. Well, major events are still happening. Last week, Anti transformed into GridKinight and this week, it’s revealed that Yuuta is indeed Gridman, hence the reason the boy doesn’t remember anything before waking up is simply because he has no memory to speak […]

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Welcome one and all penultimate episode of Banana Fish! This week we lose 2 antagonists, Blanca gets a history and Ash asks for help for the first time. Lets go! Opening, I have to say, a lot happened this week and Banana Fish just nailed it. No part of it felt particularly rushed or cut. […]

Planetes – 17 & 18 [His Reasons/Debris Sections Last Day]

Hello and welcome to another week of Throwback Thursday, with Planetes! This time Planetes drops it’s greater themes for some character drama, but brings it back with one big hurrah for our team. Lets jump in! In general, I wasn’t particularly impressed by this week. Every week I am waiting for something definitive to happen. […]

Kaze ga Tsuyoku Fuiteiru – 11 [Overflowing Drops]

Hello and welcome to the last week of Kaze Fui for 2018! This time Shindo gets dumped, the team rallies behind him and Kurahara catches an older mans eye. Lets jump in! First off, lets get the elephant out of the room. That’s right folks, no Kaze Fui until January 8th. Looks like they are […]

Thunderbolt Fantasy 2 – 11 [The Dignity of Evil]

This week we see something that rarely happens: Gui Niao is in a fault mood. As it turns out, this little war between Enigmatic Gale and Dirty Cop is more about the Vape Wiz’s ego rather than the Glassed Boy. The usually collected-Gui Niao shows off a whole range of emotions this episode: from being […]

Banana Fish – 22 [As I Lay Dying]

Welcome to what is, to me, a very contentious episode of Banana Fish. This time Blanca gets sentimental, Ash learns Japanese, and Eiji sets Ash on a Warpath through no fault of his own. Let’s dive in! Overall, this was a good episode. It flipped everything on its head and, assuming Banana Fish doesn’t backpedal […]

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Irozuku, as meandering as it always is, has some stunning sequences this episode. It furthers proves the fact that 1) the magical sequence is where Irozuku really takes off and 2) its strength always come from its visual department, not in the storytelling. Take the sequence where Aoi steps into Hitomi’s dream, for example. He […]

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