Robotics;Notes - Star Crossed Anime Blog : Star Crossed Anime Blog
Posted on 25 March 2013 with categories: Anime Reviews, Robotics;Notes



After the complete disaster that was Guilty Crown last year, Production IG had to make up for something. They did so with Psycho Pass, that really was one hell of a ride. As for their other 2-cour Noitamina-series this half year, Robotics;Notes… it’s a bit more difficult. And don’t get me wrong: this is in no way as bad as Guilty Crown. It’s much better, but also very difficult to judge. This series is really ambitious… it just doesn’t work.

I actually liked Robotics;Notes in its first half. It had this ambition, yet at the same time it spent a lot of time fleshing out its characters and focusing on believability. It might sound weird to see this from a series that has a large robot on its promotional material, but that’s the point: one of the subplots in this series offers a bit of a deconstruction of Giant Robot building as it takes a look some of the issues of teenagers piloting these things that most other series tend to ignore.

Then there is a subplot about solar storms, a subplot about miniature robot fighting, a subplot about an evil conspiracy, and that list goes on and on. This is what I mean by the ambition: in the first half this show balances all of these subplots together that at first sight don’t seem to have anything to do with each other. This build-up for me was the best part of this series, and it’s always a question of what this show will focus on next… in its first half.

And then its second half comes, and it’s supposed to weave all of these subplots together… and it kinda fails. A lot. In many ways. There are some things that you’d think are related to each other, which actually totally aren’t, and the ones that are related to each other are brought together in such a shoehorned way that it breaks all suspense of disbelief that it has previously built up.

The show basically tries to run through a checklist of all stories that it needs to wrap up, without any care of making them flow into each other. Because of this entire subplots are conveniently forgotten until they are relevant again without much reason. But granted, the stories that it try to tell have some good concepts and ideas behind them. the character-development also works well enough and it has still enough to make it worth watching. And then the finale comes. I have no idea what happened, but things totally go wrong. All of the build-up just gets thrown out of the window and the show turns into a cheesy mess of plot devices. Talk about a let-down.

So yeah, solid show. Bad ending. That makes it really hard for me to recommend this series, because this series doesn’t just have a bad ending, it’s got a bad ending that invalidates much of the earlier build-up. Watch this if you want a different take on Super Robots. But then again, there are enough shows that also do that.
One-Sentence Review: Robotics;Notes is a very ambitious series that juggles around all sorts of stuff, which works well in terms of build-up, but not in terms of pay-off.
Suggestions:
Bokura no
Birdy the Mighty Decode
Dennou Coil

Posted on 24 March 2013 with categories: Robotics;Notes

Well, there you have it. The ending of Robotics;Notes. Did they seriously just do that?

I really dislike these types of endings. I was hoping that they would at least put the focus on the robot battles and all, but that just came second place. No, at the first place in this episodes were the attempts to talk the big evil monster to death. This is exactly why I dislike brainwashing: you take away all free will, and it’s just vague enough to conveniently stop working at right the exact moment. After all that build-up, this sure was a big let-down.

What did the creators really want to show with this series? What was all of the build-up with the realistic looking robots good for? Why did Kimishima Kou really want to wipe out the entire earth and what kind of point would that have made for the story? I think that airing this series aside Psycho Pass was also a bad idea, because of how well that series wrapped itself up. Here we have a solid build-up that eventually just ignores everything and goes to end with a cheesy robot battle… yeah. I did not like this at all.

Judging this one is going to be hard, because by far the worst part of this series is its finale. But yeah, I keep saying that endings are really important for a reason. Perhaps not in the sense of storytelling, but they are the last thing you remember when you think back to a series. Now, when I think back to Robotics;Notes, I will think back to that cheesy ending more than the other parts. It hurts even more that in the end, it never really used its best parts to their full potential (the mecha deconstruction and all).
Rating: 2.5/8 (Lacking)

Posted on 21 March 2013 with categories: Robotics;Notes

Robotics;Notes’ penultimate episode. Its main point was a romantic confession. Why?

I think that that symbolizes my big problem with this series. And don’t get me wrong, I like its ambition. You can really see that this series set out with a mission. It wanted to do so many things, and for that, I give it credit. It just didn’t really work out. I personally really like series in which everything comes together. The more ambitious the better. Robotics;Notes started out with a ton of different side plots and topics. But I see no link between most of them. They all just feel hacked together without much glue, as if they’re about to fall apart at any minute. The confession in this episode: what was the point? Why did it have to take up such an important part right near the end? It established nothing for the rest of the series. The main characters are a couple now, but how much did that change, really?

Also, with this it’s established that the final episode will be a big robot battle. It’s here where some subplots do come together, but if I have to be honest… it does feel rather flimsy here. Like, the creators tried way too hard to set everything up like that. Everything is build up and all, but it feels like some things were done only to get to this particular conclusion. The problem is that it’s not really an interesting one: it just screams been there done that. Was it really worth that build-up? Compare this to Steins;Gate, which meticulously set up ever single one of its plot twists as it went along.

That’s the key of storytelling: balance. There is not one formula to determine what works. You can do things right and wrong, but in the end it all depends on the harmony between all its different elements, and the soft spot is different for everyone. Robotics;Notes got a lot of points for its ambition and realism, but really lost a lot of them in the plot of its second half.
Rating: 3.5/8 (Mediocre)

Posted on 14 March 2013 with categories: Robotics;Notes

So, Robotics;Notes. I really appreciated it when you claimed to try and be as realistic as possible. The fruits of that were really visible in this episode’s best parts. However… don’t pull stupid stuff like what you did in other parts of this episode. Those parts didn’t really work.

The worst one was where the life of a young child was saved by… a parrot. Seriously, I could buy the robots perfectly. It’s part of your setting. But don’t randomly introduce superbirds. That just… makes no sense whatsoever without build-up. Beyond that, there were a few plot twists that didn’t sit right with me. This more has to do with personal taste, though:

– First of all, why did Kimijima Kou find it necessary to tell everyone about his evil plans? What point does it make? He could just kill everyone and have things over with. But then again, nobody could anticipate that damned bird…
– Second of all, brainwashing. I do not like the usage of this as a plot device for having characters do things they wouldn’t do on their own. It takes away all of their free will. It’s like saying “screw our differences, I was just brainwashed and I totally agree with you!”
– Third of all: why did you have to wreck a plane for that?
– Fourth of all, why the robot? The villain here is a bit of data. The focus should be on Frau and Kaito as they use some sort of Killballad H4x0rz to get rid of him or something. Why are the robots useful?
Rating: 4.5/8 (Good)

Posted on 5 March 2013 with categories: Robotics;Notes

Whoa, plot twists! With this episode the creators managed to turn the entire plot around. So did it work?

It did, but for some reason I did expect something more out of this series if I have to be really honest. I still can’t really grasp why, but Misa as the main villain still feels flimsy. We know hardly anything about her and why she changed, so when this episode revealed that she was the main villain along with Kimijima Kou… it just felt like something was missing. Just as how Kai blindly accepted what that guy who was obviously the villain was saying.

Still, it’s great to see everything tied together. However, I do have to wonder: why is Subaru in this series? And why is Junna in this series? And most importantly: why did they get so much airtime? When you compare their stories with the rest of the series, they feel… out of place, to the point where the main players here did not get the time they deserved to get fleshed out.
Rating: 4,5/8 (Good)

Posted on 25 February 2013 with categories: Robotics;Notes

And with this we have turned to the final arc of this series, in which we finally take a look at Aki and her sister. It brought in a sudden hint of romance as well now that Aki is in the main picture again (again, this could have been better balanced to take out the harem element because I don’t think it really contributes to much here apart from making Kai a less interesting character. That’s the downside of having a series with so many different plot threads, yet still wanting the main character to poke his nose in everything.

Still, Misa’s part in this episode is something I really liked. Kai really feels shocked by what happened to Mizuka and the creators used that well, only to move over to Misa herself, who seems to have betrayed her job or something…? The answer to that is probably something we’ll get in the next episodes. I really liked the cliff-hanger of this episode and how this showed the tension between Aki and her sister.

Lots of drama seems to have been created around Gunvarrel. This part did not work as well for me today, probably because it’s a part that has been a bit abandoned: how regular people think of Gunvarrel. It just felt too one-sided and forced at this point. I know that it has been stated before that Gunvarrel has had negative publicity, but for me it was a bit too much when everyone just walked away or when people started throwing with cans…
Rating: 4.5/8 (Good)

Posted on 20 February 2013 with categories: Robotics;Notes

At the end of the previous episode, there was a bit of speculation about Subaru. I mean, there is the golden rule of anime: a character isn’t dead unless this is confirmed. It looked like this was another one of those cases. What happened in the end was even better, though: consequences.

Usually when a character gets hurt majorly, he takes a bit to heal up and within no time at all he’s completely fine again, as if nothing happened. Subaru indeed survives, but it’s at the cost of him losing the ability in his legs. He will feel this for the rest of his life. I keep hoping for characters to die in anime, not for the sake of them dying, but for the sake of consequences: taking risks is risky, yet characters get away with them surprisingly easy. Having risks like these built up well does amazing things for the suspense of disbelief. In any case it does for me.

This episode was a really good aftermath. The show suddenly got really dark after the previous episode, and this episode really let this sink in, and shows how easy it can be to screw up if you’re thoughtless. The characters all have their own ways of dealing with that and I really liked that. I mean, those warnings at the beginning of the episode, about the realism and stuff. They might seem superficial, but in the long run they do add up to the believability of this series.

Now, let’s talk about Noitamina for a bit. By far the biggest disappointment of the upcoming Spring Season is what will be used to fill the timeslot that has for years stood for showcasing anime to an older audience. In case you haven’t heard it yet: it’s going to have a re-run of Katanagatari. I guess that that was the price that had to be paid for having two two-cours series at the same time. But with this, I now have a much better idea of the strengths of the timeslot. Let’s have a bit of a re-cap:

– 2005 saw the start of the timeslot, and it defined itself as a mature programming block with Honey and Clover and Paradise Kiss, two series about college students.
– 2006 saw it continuing this trend, along with it branching out to other genres, most particularly horror with Ayakashi – Japanese Classic Horror.
– 2007 saw the timeslot continue to grow and establish itself as a force to be reckoned with with Nodame Cantabile, Mononoke and Moyashimon, three really strong series that really pushed boundaries all around.
– 2008 was the height of Noitamina in terms of TV-ratings, with Hakaba Kitarou and Nodame Cantabile’s second season racking up massive ratings. The formula here still was very typical for the timeslot: there was a college series, a series about working life, an adventure seris and an avant-garde series with bizarre visuals.
– 2009 saw the results of two fantastic years, and the producers were able to experiment much more, leading to some of the most unique series out there that really stand on their own. In terms of originality it was a fantastic year, but especially Eden of the East and Tokyo Magnitude stand out here. Both really well produced and transforming the timeslot into a showcase for producers to deliver things with ambition without regard for the mainstream.
– 2010 was the best year for Noitamina ever. This influence of 2009 was really noticeable here as the series got the most freedom that they’ve ever had, even allowing it to expand to two series at the same time. Sarai-ya Goyou, Yojou-han and Shiki: all three were just fantastic and would not have been possible so close within each other without it.
– Then 2011 came, and it showed that such quality could not be kept up. Fractale and Guilty Crown were… disappointing. However, what was so interesting about the timeslot is that it had a whopping eight different series. The fun there was keeping track of all of them: awaiting what series they would come up with, and how they’d fare. Sure, it didn’t always go well, but it was definitely interesting beyond belief.
– 2012 saw more experimentation after that year, making this even more exciting. It returned to its roots again with Natsuyuki Rendezvous and Moyashimon, it tried out 2 full-cour series and it even went with something as Thermae Romae to fill up an empty month. It’s because of this excitement of keeping up with everything that I managed to finish nearly every Noitamina-series to date (the only exception being Nodame Cantabile’s final season).

Based on this, I think I now have a good idea of what would be the ideal format for the timeslot: mostly easy to produce yet ambitious 11-episode series, combined with your occasional 2-cour series here and there. This keeps the timeslot fresh with every season something new to look forward to, plus it’s good for variety. The past two seasons were great in showing that the timeslot can deliver two really good two-cour series at the same time, but its price: not being able to look forward to a new noitamina-series for two seasons long, it does hurt. And I think that the tactic of using reruns, will make it lose some viewers. Silver Spoon to the rescue!
Rating: 5.5/8 (Excellent)

Posted on 10 February 2013 with categories: Robotics;Notes

And with this, the focus on the robot building suddenly returns. This is what I meant by the previous episodes feeling a bit like acheckist, because I nearly forgot that that was also going on, even though it wsa the main focus of the series. They could have shown a bit more about the progress of the construction while they were doing the stories of the other characters.

Having said that though, the supercandy robot launch really was worth the wait and I really liked the moment in which the thing actually moved properly. And either way, the atmosphere of this episode was really, realyl good. Probably the best this show has been so far. The sense of impending doom worked really well for the largest part of this episode. And then “it” happened…

Just holy crap. I did not see that coming. Both of it. I did not expect this series to be such a deconstruction that it would actually tackle what would happen if such a giant robot would fall over. It also did not come to my mind that the robots going out of control also would mean that Kai’s legs would start to act funny. The ending of this episode was just amazing.

That’s the power of the build-up of this show’s first half, in which it tried to be realistic and believable without much of the drama. Because of that we now know the characters, which makes it all the more disturbing what happened. And to make things even worse there was that point in which Kai’s legs actually forced her to stand up again, hurting her spine in the process. I did not expect such a detail whatsoever in a show that so far had no blood or gore whatsoever. The impact of that single thing was much larger than, say, a show that consistently has people hurting each other.

Robotics;Notes, I applaud you.
Rating: 6/8 (Awesome)

Posted on 7 February 2013 with categories: Robotics;Notes

Last episode: Frau. This episode: Airi. It’s quite surprising what this episode all showed us, because from out of nowhere it delviers Airi’s entire backstory. Or at least the parts that don’t involve the deeper mysteries behind Kimishima Kou. We did get to see his face, though.

It wasn’t a big surprise that Airi existed in the real world. She was just too real for that. The really interesting part is why Kimishima Kou did what he did. Did he freeze Airi just because he felt sorry for her, or was there some deeper reason behind it? Also, why two Airis? What was the reason behind that? And why did Airi malfunction the way that she did here?

I do have a bit of a complaint about the past three episodes standalone, and that is that they feel a bit too much like a checklist: “okay, we’ve got one girl, now the next one’s up, and after that the next one”. It feels a bit too… scripted, for a series that aims to be so believable. But it’s not like the creators didn’t try to mix this up. I really appreciated how every episode also showed hints and answers for the other lingering plot threads in this series. When put next to each other these three episodes are a bit cheesy but they work as build-up really well.
Rating: 5/8 (Great)

Posted on 29 January 2013 with categories: Robotics;Notes

With this episode, it’s time to address the premise of this series: gamers saving the world. With gamers for some strange reason becoming more and more celebrities, it had it coming that there would be more series that would cater to them, resulting in creators finding more and more alaborate ways to somehow put these people in the spotlights. It’s not as bad as the typical loser, but yeah… you probably get what I mean.

Attempts so far failed for me. Kirito from Sword Art Online was just giant wish fulfillment. Accel World, from what I watched of it, looked the same. Btooom was better, but still gave the male lead way too much plot armour. With this, Robotics;Notes has given me the first gamer male lead that I actually like, and I feel is done well.

Either way this was so much better than the examples mentioned above. For one, the entire series doesn’t just revolve around Killballad, but the game is just a small part of the whole conspiracy that’s going on in this series. That means that the series doesn’t automatically revolve around the male lead, but it has to offer more than just him being good at this game. Second of all, it allowed the creators tocreate this weird mish-mash of subplots that somehow managed to link a robots, solar flares, an evil organization, an anime and brainwashing together, and actually get away with it pretty nicely. Sakurasou also has this variety of not just being based on one thing, which really helps for the diversity.

This episode had a climax for the gaming subplot. The robots can only be stopped if you manage to beat a game. It’s a completely crazy security system, but if you take into account that it was made by someone who was mentally screwed while also brainwashed… it’s still silly. And yet they pulled it off by using Kaito’s time slowing powers, which were previously established to be really intense. On top of that, some very convincing romance between him and Frau.

I usually hate love triangles for being pointless, so please: Akiho. Move on. Just… get over your crush. I know that this is unheard of in anime and all, but people can get over love. This series has intelligent writing, so make use of that.
Rating: 5.5/8 (Excellent)

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Kaiser-Eoghan
I suppose now that its near the end of this season I should rank what I've been watching: 1. Run with the wind 2. Boogiepop 3. dororo 4. go-toubon.
Kaiser-Eoghan
@Vonter: And there thats the other thing, out of it so long there's a massive buildup of games , increasingly difficult to catch up and get back into.
Vonter
At the moment I'm playing Guacamelee 2. Which I had my doubts since the first game got a bit frustrating do to the backtracking. This one gives me a Super Paper Mario vibe in the villains departament.
Vonter
@AidanAK47 I'm not even mad anymore, but still disappointed Western Games can't give closure to their over 10 million dollar games. I think you can have a self contained story and maybe tease the story is open to more adventures or something.
Vonter
I suppose if I'm curious for the story I'll watch an edited Let's Play.
Vonter
Yeah, I agree, it does feel like indie developers and Nintendo make the games I like. I don't know maybe I'm just getting old to catch up with the recent trends most ambitious projects tend to follow. Also how most of these games take a lot of time to get going and I don't have that much free time to spare waiting for the game to let me play it.
Kaiser-Eoghan
@Vonter: I got into watching letsplays for a while some years back, it was a decent way to re-live an old game without playing it.
Kaiser-Eoghan
Whoring out sequels is pretty much the bane of most things, just continually dilutes the original and in some cases can even ruin the original for you.
Kaiser-Eoghan
But I can still remember that very moment when I first played a 3D game and how unreal that felt .
Kaiser-Eoghan
And there isn't time to give to absolutely every medium.
Kaiser-Eoghan
Unfortunately I think I've been so long out of the habit of gaming that I've gotten used to and familiar with not being part of that scene , to where I kind of simply just don't pick up a controller anymore.
AidanAK47
Not to mention that they are gonna milk it to death. They already got about 5 sequels planned and put in a thing showing how they could milk it. To me GOW 2018 is an incomplete game, a part 1 of a needlessly long franchise. Whereas the old games had stories which felt complete.
AidanAK47
@Vonter, I would say it's more that despite the fantastical settings both Hoizon and GOW 2018 make use of tired sandbox game mechanics. GOW especially annoyed me as I feel they stripped out everything that made those games there own things and replaced them with game mechanics stolen from other games. GOW lost it's very essence.
Kaiser-Eoghan
*Futaro
Kaiser-Eoghan
Fuataro is best girl.
Kaiser-Eoghan
@Vonter: I just read that the new Orphan anime is a prequel.
Kaiser-Eoghan
@Vonter: Back when I played/watched people play videogames, it was moreso Jrpgs and old Nintendo and sega genesis games.
Vonter
IMO making something more complicated than it should ends making something less enjoyable to play.
Vonter
Why not just watch a Let's Play. I suppose is an overreaction, but I felt very mixed how God of War 2018 was a good Father and Son story, but really annoying to play. Constant walking and climbing sequences, combat that I think it's less involved than the ones from the other games, and constant looting that lost it's charm by the 30th chest.
Vonter
I don't know why but I've been feeling that I'm enjoying more playing on the Switch than the PS4. While I enjoyed RE2 and will likely replay it, other high tech games like God of War, Horizon and the like don't do much for me. Most of this realistic games have very slow starts, make the playstation fans sound like it's struggling, and if the best part of these games is the dialogue and cinematics.
Kaiser-Eoghan
Genuinely a very good sign when a 20 minute episode feels much shorter than it is and its rewarding to see an anime series possess such a degree of confidence in its direction.
Lenlo
Just finished it. Seriously, Kaze Fui has nailed this segment of episodes. Just homerun after homerun. Its ridiculous. I love it. Kurahara tapping into the freakin speed force
Animosh
Now only Haiji is left. When there were five episodes remaining I was wondering whether there'd be enough content to fill them all, now I'm wondering how the show is going resolve everything in one episode. But the show has barely made any missteps so far, so I'm sure it'll nail the ending too.
Animosh
Kurahara's segment was also good. He's fallen in love with running, and now that he's pursuing running for its own sake he runs faster than ever. It also helps that he's crazy talented, of course.
Lenlo
I want to be excited for OPM 2... but JC Staff

Also I cant wait to watch Kaze Fui when I get off work. Sounds like it was good
Animosh
Yeah, King's segment was better than expected. Pretty relatable. His issues did come a bit out of nowhere though. His segment could have been even better if there had been some hints that he has been struggling with this earlier. It's also a bit strange that there wasn't any development with his job hunt, since that what basically his defining trait throughout the series.
Anonymous3563660
The developments from the first cour are absolutely paying off big time and it's amazing to see how far this cast has come since the first episode. And now it's time for Haiji's segment next episode. I can't take waiting another week for this!
Anonymous3563660
Well. Bravo Kaze ga. That was an amazing display that Kakeru showed. I loved his segment. King's backstory really hit me close to home as someone who recently graduated.
Kaiser-Eoghan
Now on Boogiepop phantom episode 16....a discount Godzilla!
Kaiser-Eoghan
@Anon: I liked Densetsu no yusha even though no one did and Record of Lodoss war, always wished there had been more of both.
Animosh
Yeah, that trailer ... does not look promising.
Anonymous3563292
Just as MP100 s2 takes its bow, there's going to be a lot of people expecting OPM to be as amazing as that or s1. Oh boy.
Anonymous3563292
A reminder to temper your expectations for OPM s2.
Anonymous3563001
After a messy start, that Prince of Smiles show has largely settled for okay. Not terrible, not amazing, but largely above-average and rather forgettable. I'd compare it to that Record of Grancrest War show from last year.
Anonymous3563001
This apparently isn't like that other Doga Kobo show where the pedo bait was persistent throughout.
Anonymous3563001
So uh, has anyone tried to go back to Wataten and see if the pedo bait has subsided since the first episode? Because it seems like it has for the time being.
Animosh
@Anon: no, I mean a continuation of the main story. I read about it on the anime subreddit: https://www.reddit.com/r/anime/comments/b26yj1/shaft_producer_mitsutoshi_kubota_confirming_that/
Lenlo
@Anon, I love Mob Psycho, but the series does have some iffy stills. Thats not an issue though, because this is an animated medium. Its meant to be viewed in motion and holy shit, does it look good in motion
AidanAK47
However my main issue at the moment is the feeling of them dragging things out for the sake of having that be the finale. Right now episodes just don't have much content and I feel it's too dragged out for it's own good.
AidanAK47
@Anon, Nervous isn't really the word I would use. As far as adaption is concerned I feel the series has done quite well for the most part with the only big misstep being the shows reluctance to have any inner monologue whatsoever which has lead to questionable choices to alternatively present information that was usually spoken in mind. I say the end of the arc will be done well.
Anonymous3560732
@Aidan As a manga reader, are you nervous about how they'll adapt the end of the arc in Neverland?
Anonymous3560839
mob psycho was amazeballs this week. It's the show that just keeps on giving. On a side note, I've seen some comments floating around about how the show has terrible still shots and I'm going to dispel that erroneous assessment in this week's discussion
SuperWooper
Search bar is in the upper right hand corner, in case you're still searching.
Anonymous3560732
@Animosh You referring to that Madoka mobile game tie-in?
Anonymous3560739
That’s not the search bar
Anonymous3560739
Mob psycho
Kaiser-Eoghan
They decided to adapt mushoku tensei apparently. I might aswell see what all the fuss about it is as being one of the "better" isekai.
Kaiser-Eoghan
I can't imagine how the polar bear isekai or vending machine one would handle the harem aspect.
Animosh
As for Slime getting another season, I personally don't mind. It's obviously not a masterpiece, but I don't watch isekai for enlightenment. If they can offer me some relaxation after a day's work, that's enough for me.
Animosh
Some nice announcements in the past few days: Oregairu is getting a third (and final) season, and Madoka is rumored to get a sequel too (maybe focusing on Sayaka?).
Anonymous3560293
Cross Ange is not trash tho, way better than those others
Kaiser-Eoghan
I'm wiser nowto certain types of story telling, making an overly long show that keeps throwing endless gotchas at you, eventually you get tired of the show trying to play with you instead of actually moving things forward.
Kaiser-Eoghan
@Anon: I've enjoyed many a trashy show/film in my time, but guilty crown, cross ange and Valvrave I couldn't finish, there are certain cases where the brain begins hurting/aching.
Anonymous3560221
While different in settings and genres, they obviously have Okouchi's writing full of shock value and swerves.
Anonymous3560221
Guilty Crown and Valvrave are like his most explicit attempts to recreate Geass, and look how those two fared. Kabaneri also falls into the same traps as those too.
Anonymous3560221
But even he ends up letting his worst tendencies slip in with examples like Princess Principal, particularly the last episode.
Anonymous3560221
Which ironic that the best shows that he's written are the ones that are not trying to recreate those Geass days like Lupin the 3rd Part V or that Devilman Netflix show.
Anonymous3560221
It's amusing to see that Okouchi's worst enemy is essentially himself. Trying to recreate that Code Geass magic with ass pulls, shocking swerves, and shock value without realizing that it's never as shocking the second time around. And that has basically ruined almost every work he's attached to.
Amagi
I always find it funny how almost everyone agrees that it was Biba who ruined Kabaneri. I liked that show so much before he appeared, damn. Will watch the movie but my hype is killed and I fear the movie will just be about another random human antagonist instead of the actual Kabaneri problem.
Anonymous3558784
mongatari
Kaiser-Eoghan
@Lenlo@Wooper: At least we have the Tanya movie to look forward to.
Kaiser-Eoghan
*Even though I know its going for something fun.
Kaiser-Eoghan
Oh COME on Japan, just give me by communist isekai mecha show so we can be lovers again.
Kaiser-Eoghan
@Anon: Biba fucker ruined the show and it stopped allowing me to enjoy Kabeneri as a shitty ova throwback.
Kaiser-Eoghan
@Aidan: Couldn't even make good on a stupid re-incarnation premise on the ones you mentioned.
Kaiser-Eoghan
Or better yet, find some old proto-isekai and adapt it.
Kaiser-Eoghan
"Could be worse" I suppose I win by default by bringing up Parallel paradise and ruining everyones fun by reminding them of its existence.
Kaiser-Eoghan
I think my brother in laws reason for liking trashy isekai is because he sees them as an anime equivalent to exploitation films, I should just tell him to watch old ovas.
Kaiser-Eoghan
If we're doing the re-incarnation thing, just give me a full please save my earth adaptation or bokura no kiseki or that other re-incarnation thing done by Spirals artist.
Kaiser-Eoghan
Not an isekai, but a LN adaptation, Index keeps popping up again every so often, I fell out of the series a long time ago and got exhausted with it.
Kaiser-Eoghan
I feel the same way about konosuba, I wish I found it funny but I don't because I know it is going for that "fun" thing.
Kaiser-Eoghan
I think, especially with a second season, I'd eventually get fed up with it aswell and that it would get repetitive.
Kaiser-Eoghan
My brother (and probably my brother in law too) seem to enjoy Reincarnated as a slime as a casuals show and find it funny. I saw clips of the dub, the voice actors sounded like they were having fun and I think some people found the slime/dragon interactions at the start amusing. I'm just left thinking that the show is something my younger self might have gone for but I'm indifferent to it now.
AidanAK47
Or the vending machine isekai
AidanAK47
Or the polar bear isekai
AidanAK47
It could be the hot spring isekai
AidanAK47
Well guys it could be worse.
Lenlo
I sense a disturbance in the medium. I fear for the future.
SuperWooper
That's fantastic news, as series set in the real world give me diarrhea. I assume that the majority of Japanese otaku suffer from the same issue, given the number of isekai manga and LNs that are slowly polluting my favorite art form. :^)
Anonymous3556601
As expected, that Slime isekai show has been renewed for a second season.
SuperWooper
@Anon3540676: Hey!
Anonymous3542644
And despite all of these recent announcements lately, IG still hasn't announced a release date and release model for DNT s2 yet beyond theatrical screenings. =(
Anonymous3542320
https://youtu.be/cxjXEIDbBxAInterestingly, seems like Banana Fish (technically not BL) did well enough for Noitamina to consider having an adaptation an actual BL manga on their block.
Anonymous3542320
I would really love to see that Kabaneri film get things back on track after the second half nearly derailed it (pun intended).
Anonymous3542320
Huh, well that didn't take too long for a release date regarding Psycho-Pass 3. It's slated for October.
Meanwhile, Beastars is going to be Netflix-exclusive, and interestingly, the Kabaneri film is going to air simultaneously on Netflix and Amazon alongside a limited theatrical release.
Kaiser-Eoghan
@Amagi: Did you ever read beast complex? I haven't done so yet, it seems like like the beastars authors prototype for it.
Kaiser-Eoghan
@Amagi: Hadn't known that, thanks. Also, I read the most recent 20 or so chapters Amatsuki, all has finally been revealed.
Amagi
Q's (Dorohedoro) new series started, Dai Dark. It's basically Dorohedoro in space (therefore, I am completely fine with it).
Lenlo
This adaptation of Dororo is adding a lot of new content to its story in its adaptation. It's taking what was a much more one-dimensional story in my opinion, and giving it layers.

And yeah, Run with the Wind was great. Sure Kurahara has been the most emotional, he is the lead, but I think everyone in the cast has done a decent job
Kaiser-Eoghan
Although while I did enjoy last week, I didn't think it captured the impact the manga had.
Kaiser-Eoghan
Dororo upped the ante this week to its benefit. This episode also showed how the series can succeed even with the protagonist having a minimized screentime. I don't remember Taromaro going up against a demon in the manga, this is an advantage of this adaptation adding stuff.
Kaiser-Eoghan
...because there will be that sense of saying goodbye.
Kaiser-Eoghan
@Lenlo: And thinking it over, I've been beginning to get the feeling that this will be one of those took me on a journey shows, one of those shows where I felt I really spent alot of time with everyone in it and after it ends/in the last episode, it'll get me feeling something...
Kaiser-Eoghan
@Lenlo: While so far in the series I thi7nk the stuff around Kakeru has been the most emotionally rewarding, the middle of this episode crept up on me , the tension of the race itself was never interrupted by the flashbacks and they were well stitched into the narrative.
Lenlo
Just watched it. I love this show so much. How is a show about running so damn good
Lenlo
I want to read your comments so much but I wont watch it until tonight ;_;
Anonymous3535670
You know,by the end of this month, it feels satisfying and surreal to have a show that's longer than 1 cour, not be a LN/manga adaptation, and have a (hopefully) satisfying conclusion that's also self-contained. And it's based on a novel about running.
Anonymous3535670
2 episodes left. Last episode is likely going to be Haiji's segment and probably the one with the most waterworks in both his running and his past.
Anonymous3535670
Nico's segment was also exceptional too, looking at his past. King's up next, and he's going up against that douche Sakaki. That guy still wants to prove that he's better than these "amateurs". Next episode is going to be King's segment and then Kurahana's as he goes up against Fujioka.
Anonymous3535670
Day 2 of the Ekiden begins and boy, it's just as emotional as the first day. Huge props to Yuki for being able to make it down the slope, but man his feet took a tremendous beating.
Kaiser-Eoghan
@Anon: I actually respect that, him doing it out of spite.
Kaiser-Eoghan
For example, cinema is infuriating politically correct these days, so I'll happily enjoy some old trashy thing that is guaranteed to piss off certain people.
Kaiser-Eoghan
If I really really don't like something, then end up enjoying something oldskool trashy/exploitative, its an even better show of contempt for the thing I disliked.
Kaiser-Eoghan
I've stopped watching trash ironically now though, to unironically enjoying it as trash and cynically as a reaction to modern hollywood and modern anime trends.
Kaiser-Eoghan
And i am largely against doing that.
Kaiser-Eoghan
I guess I enjoyed parts of both seed series but overall I consider them a low point for the franchise, I essentially fastforwarded through parts of both.
Anonymous3532051
The whole thing comes off as a vindictive screed from the show's producer towards Sunrise because they won't let him direct another show after the mess that was Gundam Seed Destiny.
Kaiser-Eoghan
My introduction to anime was in the late 90s through exploitative ovas, can't believe I still haven't seen angel cop or dumb shit like Kenya boy. In the latters case it has the misfortune of being incredibly dated.
Anonymous3532051
But most of the show isn't really like that afterwards apart from the continued bloodshed, and fan service. There's something up with that if they were going to make such drastic tonal shifts. That had to be intentional.
Anonymous3532051
So bam! First three episodes of Cross Ange contains blatant racism, wanton bloodshed and violence, people dying left and right, lesbian sex, and that really disturbing "cavity check" at the end of episode 1. This must've been done on purpose because Fukuda wanted it to prove some point I guess?
Anonymous3532051
I recall he said prior to that show's airing that he was frustrated that TV content regulations had grown even more strict compared to when Seed was on the air back in 2002, and that Seed wouldn't even be the same had he made it today.
Anonymous3532051
God, Cross Ange feels like a dare made by Gundam Seed's director to create a show with the intent of shocking its audience with edgy material since he produced it.
Anonymous3532051
So I guess at this point, Netflix has officially stopped trying to license anime (and delaying their Western premiers by months after the Japanese airing concludes) since they're announcing nothing but original productions lately. As long as they put out good content like they promised to the anime community.
Vonter
I'm a bit baffled by people arguing Cross Ange is good. Since it's hard to make a case of something being soo good at being baad.
Vonter
WatchMojo made a list of the top ten anime so bad they're good. https://www.youtube.com/watch?v=W1HCnZSriig
Kaiser-Eoghan
Also other than that I'm glad that Totsukuni no shoujo is getting an ova which could possibly lead to a bigger adaptation.
Kaiser-Eoghan
I hope bokura no kiseki ends soon too so I can just re-read marathon it aswell, just give both full anime adaptations.
Kaiser-Eoghan
I'm 22 chapters behind in Amatsuki, I didn't know it had ended, only a few volumes left to be scanned/translated, then I can re-read the whole thing. This thing had very slow updates, which made an already complex manga harder to follow.
Kaiser-Eoghan
Didn't think anyone would actually remember/care about spriggan, I remember parts of it when the ova aired in the late 90s/early 2000s. But i can't recall any opinion I had on it.
Anonymous3529312
I wonder how they'll deal with the anti-American themes though that the source material had (and I think the English adaptations needed to tone down)? Granted, it's a lot easier nowadays to paint America as the bad guy given who's running it lol.
Anonymous3529312
Spriggan adaptation coming to Netflix from David Production huh? Haven't heard of this property in a long time. There was a film iirc that came out 20 years ago.
KTravlos
I loved Paranoia agent. It really was a great show
Lenlo
Oh boy. Just watched Paranoia Agent 8. That got weird. This entire show is weird. I like it.
SuperWooper
Yeah, I'm bummed about the Chihayafuru delay. On the upside, I get to treasure my memories of the first two seasons for six more months before they're tainted by S3.
Kaiser-Eoghan
For others like myself who'd been waiting for them , Chihayafuru season 3 and 7 seeds got pushed back to another season instead.
Anonymous3515039
Even still, perhaps a clean slate is probably for the best. At least in my book.
Anonymous3513877
So, they're going ahead with Psycho-Pass 3 then huh? Again no Urobuchi, but IG will handle this one unlike season 2 (please no Ubukata) and it'll feature a new cast. I assume it'll be written by those who did the recent film trilogy. No Akane it seems, but one can hope for a supporting role or cameo.
SuperMario
@Kaiser: yeah, so in love with it right now. I hope the rest of the show can keeps its quirky nature up
Kaiser-Eoghan
@Mario: I watched tsuritama as it was airing, I remember it as you describe it, though I'd argue if I watched again now, I'd have expectations for it to be stranger. But yes, that said weirdness drew me to the show.
Lenlo
My goodness, my poor baby Shindo.
Anonymous3502549
I think we'll be seeing how Haiji got that scar in the first place eventually, now that we've seen more and more parts of his past. It looks like his father overworked him to a point in high school where a horrible accident occurred, requiring leg surgery. Because the experience was so horrifying to him at the time, Haiji was so reluctant to run for several years. At least, that's what I think.
SuperMario
So I decided to watch Tsuritama, 3 episodes in and it’s such a blast. It’s weird to say this on a show about a bunch of boys fishing but it’s refreshing, quirky, oddball and original. Love the music so far as well. I’m just not sure how it can wrap up the story.
Animosh
And yeah, a slow pace is perfect for episodic series. And the nice thing about them is that I don't get lost in a binge watching/reading session ... which quite regularly happens with against my better judgment. :(
Anonymous3502549
Watching Shindo struggle to run in his condition was hard to watch, but it was a relief to see him make it to the end alright, even if the whole team has fallen behind as a result. The next day of the marathon should be an exciting climax for the last three episodes.
Kaiser-Eoghan
Until eventually i finished it.
Kaiser-Eoghan
I've had an issue with really episodic stuff in the past, even the good stuff like mushishi, marathoning it is harder . i just ended up irregularly dipping in and out of the manga.
Kaiser-Eoghan
Having read 50 chapters on Kaguya or so, I had considered skipping ahead or something for the sake of getting to the later ones and following it one month/one week at a time.
Kaiser-Eoghan
One thing that I thought about, if anyone bothered to keep a scorecard of who has the most victories, Kaguya or Shirogane.
Kaiser-Eoghan
I think with these very long ongoing episodic manga comedies, finding them at the beginning of their run is probably better, then following once a week/month rather than marathoning to catch up. I think they're especially meant to be read a one chapter a week/month pace.
Animosh
I do agree with your complaint that it can be a bit gimmicky, by the way. It's a fun show, but it's already beginning to lose some of its freshness. There's only so many times you can make me care about a tiny little bit of progress.
Animosh
...but that's the perspective of an anime-only, so not sure how the manga readers experience it. On reddit they mostly seem to be positive though.
Animosh
I haven't read Kaguya's manga (except for a few skipped chapters), but as an anime-only it seems like an excellent adaptation. The studio is putting a lot of effort in making the manga come alive on the screen, and the characterization seems fine to me. And I don't think re-organizing the chapters is much of an issue for a slice-of-life romance.
Animosh
@Kaiser: I dropped the Quintuplets anime after the first episode, but I definitely think the manga did that part better. It's better paced, has better comic timing, and the anime made the story feel rather generic (the character designs and voices were too distinct, the music too poppy, the visuals too lazy...). But yeah, if you haven't read the manga such flaws are much easier to overlook.
Kaiser-Eoghan
I was unaffected by problems people had with grand blues anime when watched it because I hadn't read the manga first.
Kaiser-Eoghan
The reason I compared go-touban's anime to Kaguya's manga was because I haven't actually seen much of the Kaguya anime and yes, I've never read go-toubans manga.
Kaiser-Eoghan
Though apparently some think the Kaguya anime is messing up the characterization and re-organizing chapters?
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Featured Posts

Kemurikusa – 11

At long last, we have an entire episode in flashback and explains much of its Kemurikusa’s rich settings. Even at the risk of over-informed us with details, all the information we learn this week is both unexpected, and makes total sense. Before we get into the details, (AND WHAT A MAJOR REVEAL), I feel the […]

Winter 2019 Summary – Week 9-10

Another two weeks have passed, and Summer Season is coming in sight. It’s the time where most shows get busy as they reach their final arc. Mob Psycho 100 ventures into its shounen roots,  Run with the Wind does extremely well in its last leg, literally, and Kemurikusa girls part way emotionally. Let’s see how these 4 shows below perform in […]

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Welp, Kotobuki is getting really good. Normally this is the time where shows reach its final overarching arc, and sometimes it loses a bit of it magic because of that (like what I currently have with Gotobun), but with its tongue-in-cheek manner and its main storyline that is totally unexpected but weirdly fit to the […]

Boogiepop wa Warawanai (2019) – 15/16 [Overdrive: The King of Distortion 2/3]

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Kaze ga Tsuyoku Fuiteiru – 22 [Embrace Your Loneliness]

Hello all and welcome to the penultimate episode of Kaze Fui! This week we see King’s struggle, Kurahara takes off and Sakaki becomes a little less hate-able. Lets take off running, we have a lot to cover! In terms of animation and production, Kaze Fui surprised me this week. I didn’t think that, after Yuki […]

Kemurikusa – 08/09/10

Welp, I don’t think I have taken that long break before since I started blogging. My life has been busier than usual lately and I also feel a little bit burnt out from blogging lately. Writing can be a pain sometimes. Hopefully this is just a temporary slump because I’m not intending to stop blogging […]

Dororo – 11 [The Story of Banmon, Part 1]

Lets skip the preamble this week and just dive in to Dororo! On this episode our plucky pair explore Daigo’s city, fight some fox spirits and get in a bit of a pickle. Lets go! Startin off, Dororo had some interesting visuals and colors this week. With the Fox Spirits and the Crazy Woman sticking […]

Mob Psycho 100 S2 – 11 [Guidance ~Psychic Sensor~]

Hello and welcome once more to the Mob Psycho 100 blog, where I gush about Mob Psycho 100! This week see’s an old villains return, multiple defeats and more of Mob’s growth. Lets dive in! Now, at this point I feel like a broken record when talking about Mob Psycho’s animation. But the fact is, […]

Kaguya-sama wa Kokurasetai – 10

There are times when I judge anime series based on the number of screencaps I’m compelled to take per episode. This was one of those times. After closing the video and taking a look at my desktop, I was unsurprised to see it littered with mpv-shot files, all featuring distinct facial expressions, poses, and situations […]

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A quick and dirty review of Garo: Vanishing Line

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In the last few years, it’s great to see P.A Works has slowly created their own studio identity, putting more original works with consistent production values. Just in 2018, they produced 4 shows (quite a good number if you ask me), 3 of them were original: Maquia, Sirius the Jaeger and Irozuku. As I said, […]

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Some days, I wonder what it is with America and anime about organized crime. Baccano!, 91 Days, Blood Blockade Battlefront, all set in America, all involving criminal underworlds. Today, I get to add another to that list in the form of Banana Fish. Much more grounded than the others, it’s story dates all the way […]