Natsu no Arashi - Star Crossed Anime Blog : Star Crossed Anime Blog
Posted on 5 October 2009 with categories: Natsu no Arashi, Some Quick First Impressions

Sora no Otoshimono

Short Synopsis: Our lead character gets his own god-mode android angel servant.
Well hello… fanservice. Well, at least this shows knows its target audience, but it still puzzles me why they don’t just turn these concepts into hentai-series. Here we have a series in which an android angel servant falls from the sky, and the lead character just happens to be at the right time and place to have her bump into him so that she makes a contract with him and fulfills every of his wishes. The guy is your typical teenager, so you can imagine how he ends up abusing these powers. The series has the typical flaws of a harem-series: lots of clichés (he gets woken up by a cute childhood friend, there’s a huge magical sakura tree near where they live, et cetera), pointless fanservice and a male lead of who you wonder why he’s even popular with girls. I think the biggest flaw of this series is the lead character himself. Sure, there have certainly been worse versions of him, but his attempts at being funny just end up as annoying and his voice-acting is pretty annoying to listen to. I liked the white-haired guy, but overall this is just a waste of a perfectly good budget.
ED: I presume that the animation is going to be filled in the next episode. The song is nothing special, but not particularly bad.
Potential: 10%

Miracle Train

Short Synopsis: Our lead character tries to help troubled ladies along with his team of bishies.
Aha, Iyashi-kei! It’s been a while since we had one of those. This episode really had that typical calming atmosphere of the Iyashi-kei series, but at the same time it also has a lot of issues. Most notably, the bishies. I like the idea of personified subway stations helping passengers through their worries, but did they really have to look like a bunch of ugly bishies with ridiculous hairstyles? Most of the time they’re acting like stereotypes as well, especially that yellow-haired guy was obnoxious. Especially the scenes in which they talk to each other are cringe-worthy. Nevertheless, when push comes to shove it does manage to pull off a nice down-to-earth story for the troubled passengers. If the future episodes can focus more on those passengers and less on the bishies, we could have something very interesting here.
OP: Cheesy J-rock. Move on.
ED: Slightly better, but still generic J-rock
Potential: 50%

Natsu no Arashi! Akinai-Chuu

Short Synopsis: Our lead character is surrounded by lots of cute girls.
Like White Album, I’ve been heavily debating whether or not to blog the second season of Natsu no Arashi. Sure, the first season was very good, but this is Shinbo, after all. No matter how good the source material, I have this feeling that he’s going to take its style to extremes again while forgetting what’s really important. And really, it didn’t help that this episode was probably the worst of the entire series. It was a beach-episode, but the thing is that it just wasn’t funny. The whole episode was just a string of random fanservice-jokes, and lacked the wit or subtlety from the first season. Among the rest of the jokes were also lots of recycled ones (the creators are still going on about Hajime vs Jun, the salmon-thing returned yet again and the creators were even desperate enough to recycle a joke from Sayonara Zetsubou-Sensei and the Samurai-Jokes from Pani Poni Dash!). Sure, this series might pick back up, but this episode just showed too many signs that the creativity of Shinbo has run out, and I don’t want to blog this series just for the sake of finding out whether I’m right or not in this. Also, why the heck are the creators hinting at a romance between Jun and Hajime?!
OP: Like expected from Shaft, at least it has a pretty good OP. Creative visuals and nice music.
Potential: 30%

Posted on 29 June 2009 with categories: Anime Reviews, Natsu no Arashi



After all of the shows that he’s been directing and will be directing in 2009, it’s safe to say that Akiyuki Shinbo has been the most prolific director of the past decade: I can’t think of anyone who directed as much series as he did, especially in the past five years. Natsu no Arashi started out as one of the many dark horses of the past Spring Season. At first sight it looked to be full of your usual shounen clichés and all, but it turned into a very interesting and engaging series.

At first sight it’s easy to label Natsu no Arashi as one of those moe comedies around high-school girls, but that’s only half of the series. The other half is a surprisingly serious and deep storyline about time travel, World War II and people who are deeply affected by the past. For once in one of Shinbo’s series, the characters have strong personalities and yet are more than a bunch of paper bags. Hajime may seem like a bit of an oddball here, but his purpose in the series really is to act as the straight man, compared to the issues and stories that the rest of the cast has, and he pulls this off really well as the main character.

On top of that, this series also has a very inspired sense of humour. As this is a series about time-travel, it really makes the most of it by including jokes that can only be shown in this kind of series. This leads to priceless discussions about a rotten fish, among others. It also likes to poke fun at one of its on-going plot threads, in which one of the characters (Jun) is a cross-dresser. A number of absolutely hilarious episodes are centred around all sorts of crazy situations in which she has to try and keep her secret and pretend to be a guy.

Overall, this series is really well balanced, with the serious and silly episodes alternating so that the end result is a very varied series that grabs the best of both. The only downsides are the first and last episode. The first episode really gives a wrong image of what the series is going to be about, while the last is mostly a rehash of jokes (something that the other episodes managed to avoid so well), and carries Shaft’s style a bit too far. nevertheless, if you’re looking for a series that has both light and dark parts with engaging characters, then this is a show you should check out.

Storytelling: 8/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10
Posted on with categories: Natsu no Arashi



Ah, so there’s going to be a second season this fall. That’s a good thing, because this episode pretty much was the weakest episode of this show so far. Especially the first half was just a rehash of already used jokes with all of the characters somehow dressed in swimwear (including Jun in clothing that would obviously reveal her gender to Hajime, yet nobody noticed), while the second half had some new and funny material, it also seemed to be trying too hard.

However, I am also very wary of the “Curse of the Shaft Sequel”. I KNOW Shinbo, and I’m just certain that he’s going to carry this show’s style way beyonds its limits, making it lose its substance like how Zoku Sayonara Zetsubou Sensei and a tale of melodies were ruined. Especially this episode was a very bad sign, if every episode of he second season is going to end up like that. That’s why I’m not going to guarantee that I’m going to blog season 2 as well. It’s all going to depend on how awesome the rest of the upcoming Fall Season is going to be.

And don’t get me wrong, barring this episode, I really loved Natsu no Arashi. I just feel that it would have been better if everything was wrapped up in just these thirteen episodes. The past two episodes would have been much better if they took the stories from the manga that explained why the ghosts came back, and the part where Jun finally comes out of her shell, and combine those into an anime-original conclusion.

Rating: (Enjoyable)
Enjoyable to watch, but mostly just a rehash of previous jokes with some really un-subtle references to other shows.

Posted on 22 June 2009 with categories: Natsu no Arashi



If you consider this episode as a regular episode, it rocked. It closed off the Yayoi and Kanako arc really nicely: in the end all the conflict came from a simple misunderstanding: the two of them simply didn’t know that they can remain in existence as long as they remain close to a person from the current age, and so they decided to steal Arashi’s existence as a means to keep existing. It then proceeds with a little more Jun-jokes when one of her friends protects her secret by claiming to be her girlfriend, and the rest of the episode develops HajimeXArashi by bringing a bit of tension in their relationship by introducing a guy who turns out to have been saved by a future Arashi in the past. All in all, a pretty good episode.

However, this was supposed to be the semi-final episode, and there was no hint of a conclusion in it, or even a build-up for that conclusion, meaning that either the creators are going to stuff the entire conclusion into just one episode, or simply going to end the show by ending with just another manga-chapter without concluding anything. It’s such a shame, really. This would have been a perfect opportunity for the creators to go with an anime-original ending. I know that Shinbo can do it if he wants to, but to do it all in just one episode is really going to push it.

But ah well, who knows whether or not it’s going to turn out awesome or not. Who knows, Shinbo is so unpredictable that he might actually pull it off. In any case, this episode was heaps of fun as usual, and that ending is going to have to be really bad if it wants to completely ruin this series.

Rating: * (Good)
Not the most perfect semi-final episode, but standalone it rocked.

Posted on 15 June 2009 with categories: Natsu no Arashi



I’m really glad that I ended up picking this show back up, because boy, was this episode awesome! For this episode, I feared a bit for Kanako and Yayoi’s lack of airtime, but this episode worked out really well. This episode was full of nice and clever touches. When I watched Tsukuyomi Moonphase about half a year ago, I really was tired Shinbo’s style, and the subsequent Shaft-series of a tale of Melodies and Maria Holic only made this worse for me. But I really have to say, that with Natsu no Arashi, I’m back to being a Shinbo-fan. Of course, I still believe that the third season of Sayonara Zetsubou-Sensei is going to suck unless proven otherwise, but I’m also pretty much looking forward to Bakemonogatari.

Anyway, in this episode we really got the chance to get to know some of the characters better. Since Hajime never got to meet the original Arashi, he of course had to use the chance to check up on her. It’s also a nice touch to see before whatever horrible happened to the foursome, they really were trying to live their normal lives as much as possible: Arashi and Kaaja were still trying to cheer up the mood by singing together, and Kanako was simply in the middle of a fight with Yayoi at the time Hajime and her Yayoi’s ghost version popped up.

It really was cute to see that Kanako, who was built up as such an evil-looking character in the past two episodes, was suddenly portrayed as a shy young school girl who regretted having fought with her best friend. I loved how she got all embarrassed when Hajime called out her name at the performance, in order to get her to come in.

What I also loved about this episode is that the creators put some real thought in what the ghost Kanako must have been doing in the meantime. It’s just too easy to make her stand in one place without having her do anything, but even though we never actually saw her through most of this episode, by the time we saw her again we knew exactly that she had been frantically searching for a way to get Yayoi back, and eventually just jumped on Hideo to get a contract with him. Hideo’s reaction to this was of course priceless.

This episode also nicely used a paradox in order to explain why Arashi chose Hajime of all people: because she saw Hajime when she was still alive, he must have seemed like the perfect guy to become friends with when she returned as a ghost. Speaking of paradoxes: why were there pictures of Hajime hanging in the old mansion of Yayoi?

Okay, so now there are two episodes left, and I really wonder what the creators have planned for that ending. In any case, we can expect to see the event that brought everyone back as ghosts. The past few episodes have shown that this story is planned out really well, but endings and finales are always something different, and even the best shows can trip over these unfinished endings. I’m curious to see whether this show can pull it off.
Rating: *** (Awesome)
Clever, subtle and yet packs one hell of a punch as it closes off the Yayoi and Kanako arc.

Posted on 8 June 2009 with categories: Natsu no Arashi



Well, so my assumption the last episode was indeed wrong: Kanako was simply one of Arashi and Kaja’s classmates. In this episode, Hajime goes to stalk them inside their house (with a little help from Hideo), after which Yayoi tells him about who the two of them are. I’m not really that much of a fan of the fact that they seemed to be the only cute girls in their entire school, but then again just about every anime suffers from this, and the rest of this episode really was as top-notch as ever.

For as little time that has been devoted to her, I quite like Kanako as a villain. She’s got this evil look on her, she is sure what she wants and makes sure that she gets it. I’m curious to see whether the creators can pull off her defeat well. She has deeply rooted motivations for her actions, so it’s going to be a shame if she’s just going to end up being talked out of her actions.

Speaking of Shinbo, I am getting worried about one thing here. In the next season he’s supposed to come with Bakemonogatari, and while I don’t know and don’t want to know what it’s going to be about, there seems to be a lot of hype around it, and how this can be one of his best series so far. But at the same time he also has a third season of Sayonara Zetsubou-Sensei slated for the same series, right after a spring-season in which he churned out Natsu no Arashi, which was right after the winter-season in which he had Maria Holic, and don’t forget that Pani Poni Dash OVA that popped up about a month ago. I mean, is it me or doesn’t this just look like overkill? How many series can one guy direct before being completely burnt out? There’s no doubt that Zetsubou-Sensei is going to be rushed as hell, but it’s going to be a shame if Bakemonogatari would also end up suffering from this.

In any case, I’m at least glad that Natsu no Arashi turned out so well. Now if it only can give a nice conclusion I’m really going to be happy.
Rating: ** (Excellent)
This episode again shows that this show rocks when it wants to get serious.

Posted on 1 June 2009 with categories: Natsu no Arashi



I must say that my big fear for this series would be its conclusion. This show has already proven that it’s good, but even good shows have a hard time with their conclusions (take Kurenai for example). This is a series about the past, and how it can influence the present, but that black-haired woman was really being set up as your stereotypical evil villain. This episode only fueled my suspicions when they portrayed her even more like some overused bad guy who was planning to kidnap Arashi and use her powers in order to help a loved one of her. Yawn. Been there, done that, and it completely doesn’t fit in with the rest of the themes.

Or so I thought…

The end of this episode really pleasantly surprised me.I never imagined that that woman would actually be a grown up version of Arashi! Now this really puts things into a different perspective that’s totally in line with what the rest of the series has built up for. Especially this episode spent a lot of time talking about time paradoxes, which is exactly what happened at the end of this episode. It was some clever foreshadowing that at the same time you really recognize unless you’ve seen the rest of the episode. Especially since they used a rotten fish as example.

So yeah, this episode rocked. There was a lot of talking in it, but it did exactly what it was supposed to: delve into the details of time travelling. This really allows the series to go in-depth into its setting, rather than compared to series with relatively little dialogue. This is also why I’m such a big fan of series with lots and lots of dialogue. On top of that, we also got some very nice development between Arashi and Hajime, which is always welcome. That hug/kiss scene worked really well.

I’m also intrigued by that scar on the bar table. It just keeps returning over and over, and there’s always someone who’s trying to clean it. The obvious meaning is symbolism: no matter how hard you try, that past ain’t gonna erase itself. And yet I have a feeling that there’s more to it. I have no bloody idea how the creators are going to do it, but something is telling me that the origin of that scar is going to be central to the plot.

Rating: ** (Excellent)
Great HajimexArashi chemistry, nice surprises, the beginning of the end that is promising to be very exciting.

Posted on 25 May 2009 with categories: Natsu no Arashi



Well, there you have it: another one of those advantages of having a series directed by Shinbo is that he can be really funny when he wants to. Especially with this series, which is just going to last for 13 episodes, has no chance whatsoever of milking itself out, you can be sure that the comedy is going to be really funny, and that’s exactly the case for this episode. I laughed really hard, and I loved how this episode used Jun’s character to draw out every last bit of comedic potential out of her.

Jun really has been a constant source of laughs, and because of this series’ good development it has yet to feel dull at all, and this episode was probably the funniest episode I watched this season. The idea of switching Jun and Hajime’s bodies was pure comedic gold. I especially loved how Hajime believed that he dropped his balls somewhere.

There’s nothing much else to say with such an episode of course, apart from how I’m pleased to see that the creators are also making good use of the running-joke about salt. This really is the kind of episode you need to watch for yourself.

Rating: *** (Awesome)
The funniest episode I have seen this spring season. With a length > 20 minutes in any case.

Posted on 18 May 2009 with categories: Natsu no Arashi



What started out as a seemingly silly episode in which Hajime and Arashi break the metal bird on top of the cafeteria and muscle guy being ordered to buy women’s underwear, it gradually turned out to be an episode that added even more depth to Kaja and Jun’s characters. I really must say that Jun is one of the most convincing cross-dressers out there, because for once she has a very solid reason to act as a boy, compared to most of the other cross-dressers, who seem to be only there for fan-service.

In this episode you could really see that she feels insecure about regular girls: she doesn’t like their style and fears that she might end up as the same. While the source of it is still unknown, but it seems to be strong enough for her have to endure the other side of the coin: Hajime’s abuse. It’s also strange that Jun’s classmates didn’t feel like stereotypes at all.

And at the same time we learn that Kaja is very uncomfortable among men, due to the way she was raised in her time. She’s probably fine with Hajime because he only has eyes for Arashi, but when those students showed up she really came into a situation she never was in before. The episode then continues as she tells how she believes that she appeared in this time for no reason, and that they’re just there to relive their summer. Jun then however, realizes that they’re both just thinking too much of others, and refuse to think about themselves. Basically, what Hajime and Arashi have been doing all along.

There also was a lot of building up in this episode. We now know that Arashi and Kaja died on the same day. It probably was because of a bombing, but I doubt whether it was that simple. We also know now why Kaja came back, but what about Arashi? We have yet to see what her regrets are, and she’s very good in hiding this. On top of that, there has to be some sort of role for the muscle-guy, has there?

This series will probably be only thirteen episodes long, since Shinbo seems to have yet another show scheduled for Summer, plus the original manga only seems to have released three volumes so far. If this is true, then we’ve just passed the halfway point of this series, and there are actually lots of ways for the creators to settle this series. Let’s hope that everything can come together.

Rating: ** (Excellent)
Very nice episode for Jun and Kaja and the visuals still are very good.

Posted on 11 May 2009 with categories: Natsu no Arashi



Okay, that’s it. With this, you can consider Valkyria Chronicles dropped and Natsu no Arashi picked back up. Not only was the past episode of VC incredibly bad, but the current episode of NnA was also incredibly good. We’re really talking about a wolf in sheep’s clothing here: after the silly first episode, did anyone expect that five episodes later, we’d see the characters in the midst of a sea of fire after a bombing in the second world war? Thought so.

And seriously, before this season started I really didn’t expect that I’d like the next series by Shinbo this much. After Zoku Sayonara Zetsubou-Sensei, Maria Holic and watching Tsukuyomi Moon Phase, I really was through with the guy, and especially that announcement of him trying to regurgitate yet another season of Sayonara Zetsubou-Sensei, which really hit its expiration date long ago made me worried. And yet here he comes, picks out a great manga and adapts it really well so far. The storyline has been getting really interesting in its focus of past vs present, and the filler episodes are a lot of fun to watch (like last episode’s cross-dressing bit).

This episode was much more serious, in which we for the first time see Jun and Kaja go back in time for the first time (making interesting use of the fact that Jun’s actually a girl), and we turn to the place in which she herself grew up, and we get to know her first love right before he died in a bombing. Since Kaja is less confident than Arashi, a large par of this episode is spent on her wondering whether or not to change history.

And poor Jun gets dragged around all the way, but we really get more insight into ‘her’ character in this episode as well as she sees Kaja struggle with her past love. I also like the reason she has for cross-dressing, how she holds some sort of grudge against the average female.

Rating: ** (Excellent)
Wonderful art style, a really dark and deep episode for such a seemingly innocent series.

CHANGE USERNAME
Kaiser-Eoghan
https://manganelo.com/manga/baikoku_kikan I haven't read this yet, but its written by the guy who did Youjo senkai.
Amagi
*exists
Amagi
People also forget that We (Мы) exist. It basically was 1984 before 1984 was written. It's from 1920 or something.
Amagi
Same here. Political dystopias are the best and eastern europe is especially good with creating them.
Kaiser-Eoghan
Golden Kamuy got me all excited about Russo-Japanese war stuff, went off and watched Hill 203 and found an obscure Akira Kurosawa film (which he wrote) called Advance patrol.
Kaiser-Eoghan
@Anon: Might be to my interest, I love political/conspiracy stuff, especially East European.
Anonymous3209354
love how alternate history is getting more attention from mainstream television lately
Anonymous3209354
anyone watch 1983 episode 1 yet?
Kaiser-Eoghan
*about it
Kaiser-Eoghan
I'm actually in the mood right now for adventure stuff like this, there is a manga called It's my life. Also about a guy and a kid going from town to town.
Kaiser-Eoghan
@Aidan: I read five volumes of a manga called Somali yo mori no kami sama and noticed you made a post about it. I generally agree with what you said about. The parts with the witch girl, the chapters with the harpy girl and the bit with the golem actually getting violently angry were my favourite parts.
Kaiser-Eoghan
I have this itch now to watch the original again.
Kaiser-Eoghan
I just want all of the new boogipop phantom to air right now, I genuinely can't wait for it.
SuperMario
@Kaiser: That makes it Promised Mob Psycho Neverland
Kaiser-Eoghan
Promised neverland and Mob are tied in the poll.
Anonymous3208080
@Kaiser-Eoghan - Ok. I just didn't felt like it had much closure in the final scenes. Though I suppose "that scene" was sort of like the climax of the movie.
Kaiser-Eoghan
I remember a lesbian themed comedy film based on a play where an old woman busts her friend out of a care home and they go on a road trip to Canada to get married, picking up some young guy along the way.
SuperMario
@Vonter: I watched 3 recent latin films, each of them rocks in their own ways. Roma is the most critical-darling amongst the bunch. Then I also watcjed Birds of Passage, about the rise (and eventually fall) of an extended family selling weeds in Colombia. The third one, The Heiresses is a favorite of mine. It’s rare to have the leads as 60 something lesbian couple, and the entire cast are women
Kaiser-Eoghan
@Vonter: If you scroll down far enough myself and Mario talked about that film.
Animosh
Overall I still think this season is lacking focus compared to the first season though. It just drifts in all these different directions without really trying to tie them together in any way. And I'm getting a bit fed up with all these near-deaths. How many times has a character been saved (or spared) at the last moment now? It's lazy writing.
Animosh
I love how Urobuchi keeps subverting expectations with his characters. You think the Hunting Fox will be furious over his loss of status? Nope, he just shrugs it off and pisses off Lin as a result. You think the Monk is being controlled by his sword? Nope, he fell in love with her of his own will (I think?), and now he's firmly in control, acting like an obsessive boyfriend and everything.
Vonter
The director is the same as Gravity and the third Harry Potter movie (Azkaban).
Vonter
@Lenlo - Try watching mexican films most of them are very downbeat and tragic. Latest one I watched was Roma. About a neighborhood in Mexico City during the 70s. And the story of the maid of a middle class family.
Lenlo
Thats fine. Endings can largely be personal preference. Im just a bad man enjoy tragedies. <3
Kaiser-Eoghan
Regarding tragic endings, I prefer them to happy ones, largely because, even if the character has had a miserable existence, giving them a crueller ending prevents them being given the storytelling equivalent of a handout.
Kaiser-Eoghan
Actually, this was a season of surprises for me, I expected nothing of bunny-senpai, as far as I was concerned enjoying gridman would be impossible for me and I initially avoid run with the wind cause I know so little about sports. All three ended up being my favourites this season and this site was able to convince me to watch them.
Anonymous3205580
Not only did they simplify the FRANXX's plot, but they even disregarded themes they were exploring, plot threads that were considered, characterizations that were supposed to be more nuanced, in favor of giving us an obviously evil villain who are aliens, no one dies expect for side characters who were rewritten to be antagonized, and an unconditionally happy ending.
Kaiser-Eoghan
Its a miracle I really liked gridman, especially the latest episodes and since the second half started.
Anonymous3205521
Meanwhile, with Gridman, we basically have a subversion of tokusatsu tropes written by an actual toku writer and pulls it off in fact, while being an affectionate homage to the genre at the same time.
Anonymous3205521
It seemed like CloverWorks ended up taking over production late in the game and decided to greatly simplify the plot, disregarding most of the worldbuilding that Trigger previously contributed.
Anonymous3205521
I will say though that Trigger seems to have trouble working with others due to the clashes they had with CloverWorks during FranXX's production. That must've contributed a lot to the huge story problems and inconsistencies later on.
Anonymous3205521
I find it interesting that we got both the best and worst of Trigger in one year. What they're really good at, and what they're really limited at, and the bad habits they can't seem to quit doing, although it's clearly more apparent in the Trigger show that aired earlier compared to the show that aired later.
Kaiser-Eoghan
@Amagi: Back in the day where I was more open to watching everything, H20 tricked me with its first couple of episodes, the ending was insulting as was that middle joke episode.
Kaiser-Eoghan
I feel Natsuyuki sort of takes away the attention from the authors other work, Sekine-kun no koi.
Amagi
@SuperMario: Natsuyuki was kinda good I agree. Josei tend to be pretty good in general since they are often kinda down to earth even while dealing with supernatural elements. Shoujos on the other hand are usually bad and most of them feel like the same series.
SuperMario
We will have to disagree here, Amagi. It’a the drama of the 2nd season that raises the show several notches. For me, every single drama hits and it hots hard
Amagi
Yahari was another one of those weird shows. I enjoyed the first season. Kinda. But the second made me mad. I didn't even get what happened, it felt like the author was suddently trying create drama while knowing absolutely nothing about drama. I think it was one of the worst cases of forced drama I've witnessed and I usually hate using these buzzwords.
SuperMario
... mature romance show. A bit drags in the middle but it has well-developed cast
SuperMario
Also, I finished Natsuyuki Rendezvous the other day. It’s a solid,
Amagi
I think the worst shows I have ever seen were all adaptions of horrible harem VNs or LNs. If someone is masochistic they should give H2O or Myself;Yourself and the likes a try.
SuperMario
But I absolutely agree. In fact, watching Haganai I have more appreciation to Yahari
SuperMario
Apprently Yahari copied the concept of Haganai thou, from what I heard
Kaiser-Eoghan
@Amagi: We can get onto the topic o punishment endings in romance series or especially yuri ones.
Kaiser-Eoghan
@Mario: There's not much point in watching haganai when Yahari exists, haganai grew stale to where I never bothered checking the second season, it ran its course after a couple of episodes.
Amagi
Agree, I like yuri as a concept, but most shows bore me, especially if it's those weird mixes between fanservice, sudden drama and comedy. I actually like Bloom into You because it knows exactly what it wants and the characters don't suffer from the tropes most yuri shows annoy me with.
SuperMario
It’s a rubbish I guiltily enjoy watching haha
SuperMario
Atm I’m doing a little anime marathon of watching shows from early 2010s. Currently watching Haganai. Boy that show is crap
Amagi
@Kaiser: It's always better to drop. If you don't enjoy it, drop it. I even dropped shows that were, IMO, objectively good. But doesn't help if I can't feel it. I rather use the time watching a movie I actually care about
Kaiser-Eoghan
Bloom into you has made me want to go on a binge/bender of reading/watching yuri/shoujo-ai series.
Kaiser-Eoghan
When something isn't even allowed to be good or bad.
SuperMario
Do watch Bloom into You though. I think it’s one of the better yuri shows in recent years
Kaiser-Eoghan
Series with ambition and potential that end up not working on any level are definately some of the worst failings. Though personally its the things I can't say anything about that are often worse.
SuperMario
It has some neat ideas when you get into it. I like the story behind the hireman and his daughter. I like the backstory of Donna the assassin. But most of the time it’s the way the show displays these themes. It’s incoherent and it tries too hard and it’s clunky and stupid
Kaiser-Eoghan
I used to finish out shows I didn't like, well up to 2011, but not anymore, don't have the strength nor care to have the ability to, especially if its something popular I don't like.
Amagi
In the end I think it's one of those many many series that wanted too much and couldn't even get one of their plot themes right.
Amagi
Same, dropped it near the end when I was sure nothing great would happen anymore. I usually dislike dropping series unless it's after/during episode one. The crazy thing is that ReRideD has a lot of elements I am a fan of, elements that look good on paper, which is why I had hope.
SuperMario
Yeah, don’t bother watching it unless you’re a junkie like I am. I was watching it and kept hoping that it could become better later on. It never did
Amagi
@SuperMario: Someone here linked a review of ReRideD a few weeks ago, I read it back then and it perfectly summarized why it is so bad. I actually think that long review didn't mention a single positive thing, he.
SuperMario
Actually, its best moment is the one segment where it has nothing to do with the main plot or Derrida the main character. It’s the beginning of episode 10 where it tackles about identity and the dangerous in advanced technology in the lesser-Kon approach. Of course it’s pale comparing to Kon but at least it has moments of genuine spark there
SuperMario
Ahh Redrided, I finished it yesterday, I absolutely don’t see any good points about it. It’s just so bad in every level
SuperMario
@anon: I haven’t seen the one this week (ep12), will watch that tonight. Ep11 was a game-changer though, but I’m not too sure if it can close up neatly
Anonymous3204976
I honestly think DD could've been better off as just a series of stand-alone episodes with some continuity nods instead of trying to create a connected narrative that goes nowhere fast (and is likely going off the rails). These characters are great honestly but they deserve a better story (or stories).
Amagi
@SuperMario: thanks. Kinda sad it's nowhere as good as Tiger and Bunny it seems. But the problem is that spin offs never work because they take away what made the main series special in most cases. Like with TaB not only the Super Heroes but the sponsors and that whole corruption subplot in the media and entertainment morals.
Anonymous3204976
Did you see the latest episode of DD?
SuperMario
@Amagi: while I didn’t really enjoy the 1st season of Golden Kamuy, the second one is a step up for me. It gets much more goofier but it’s so damn sure of itself. Double Decker you can pretty much take it or leave it. Couple solid episodes here and there but as a whole DD doesn’t leave much impact
SuperMario
Also, apprently they have a staff role just for making those boob-bouncing looks real and all
SuperMario
Regarding ImoImo, yeah the staff using pseudonym because they don’t want their names associated with the horrible animation of the show, but I also heard that thwy haven’t been paid properly either
Anonymous3204976
This probably looks like the case of animators who wanted nothing to do with it, but were required to do it anyways or else they don't get their meager pay. Hence, they end up half-assing their efforts just to get it over with. They don't care if they get laid off as long as they get it done.
Anonymous3204976
Like holy crap, that Imouto show actually has animators who seem to be revolting, or at least acknowledge that they're basically going to be laid off after this finishes airing. One guy even chose not to credit his name, and went by a psudonym that said "Honestly, I'm Screwed".
Amagi
I always forget Doubledecker and Golden Kamui II exist despite liking the first episode/season. Maybe I will pick them up next week, I wasted two hours of my life watching the first episodes of Akanesasu, ReRideD and Slime so could risk watching them instead, they can't be as bad or boring as those.
Kaiser-Eoghan
There is potential to parody dub it I think.
Amagi
Judging by these ranking numbers it seems like it will sell 500 at max but that would be too good.
Amagi
It's some screenshot of mine from /a/. I guess it will maybe sell 1800? Maybe more due to fans who buy everything as long as it has incest so maybe 2400 or so but not more.
Amagi
Take these with a grain of salt since there are quite some fans who only order during the day of release or buy it in shops but I don't think that will change much: https://media.trillian.im/media/?m=aW1hZ2UvanBlZyw4NzQsNTkzLLFrQMLyxCHA9iR8WB5zaoimBGJ4v0LuhUwFALlizLt+
Amagi
I think it's getting the cheap harem treatment in which the produceres themselves barely care and only shit out some garbage to boost the novel sales. It doesn't seem to do well.
Kaiser-Eoghan
It makes me wonder what the sales for it are like or what it outsells so I can despair at the Japanese fanbase.
Amagi
I only see the horrible QUALITY it has, people post screenshots on /a/ to make fun of it.
Kaiser-Eoghan
I know no oe cares/no-one watches it nor should they, but hell Ore ga Suki nano wa Imouto dakedo Imouto ja Nai is a special special kind of absolute failure.
KTravlos
Looking forward to the new Youjo Senki film.
Lenlo
My comments didnt go down, but I am looking forward to this season. Dororo and Mob Psycho are my two big ones, but I think im going to keep up with at least 6
Amagi
It's not just fear that there might be open questions (that usually doesn't happen as long as the series is original) but that you need to SHOW stuff to make it work, not tell. And there is usually not much time to show everything anymore judging by the pacing most anime tend to have.
Amagi
You know I really hate it when directors love to destroy any kind of climax by shoving in some unnecessary episodes near the end of a series and cram all the plot, development and backstories into the last 15 minutes (-5 because series also have an epilogue)
Kaiser-Eoghan
Well yes I suppose I can at least watch dororo because its by Tezuka alongside boogiepop. And run with the wind has its second cour.
Amagi
If I am lucky there are five series that interest me next season. Granted, this one was weak too and the only mentionworthy series were Run with the Wind and Gridman for me.
Amagi
Wow another anime PV, thanks Aidan. Seems like this is coming out bi-monthly now, I bet I will be 90 years old in two (subjective) years from now without noticing. AND I totally forgot Date a Lif/ve was even a thing.
Amagi
Well fug, seems like I was right regarding some specific thing.
Lenlo
Post dooooone. Now I can read the preview! Yaaay
Kaiser-Eoghan
@Mario: I can vote in the poll without issue.
Kaiser-Eoghan
@Mario: I'd like him to do more Spanish language films.
Kaiser-Eoghan
@Aidan: Jesus fuck I hated Magical girl ops so damn much.
Kaiser-Eoghan
Actually every shot in Roma manages to standout.
Kaiser-Eoghan
@Mario : Although it was raunch and smut, nonetheless I liked y tu mama tambien more than other people.
SuperMario
And Cuaron said in the interview that the single image that represents the film is the last shot of her walking up the metal staircase
Kaiser-Eoghan
@Mario: Just like in alien where Ridley Scott didn't tell the cast in THAT scene!
Kaiser-Eoghan
@Mario: Oh, I certainly liked the warmth and naturalism that was kind of there. Handled the class thing decently well too.
SuperMario
For example, the hospital scene was played out without the lead actor knowledge. She didn't know about that *twist*, she just got swept to the moments beyond her and we sense that as well
SuperMario
@Kaiser:I didn't really connect to the film either, but I guess we're the minority here. I do learn that Cuaron keeps most of the script away from the actors, especially the maid. So in many scenes what the character acts on screen are genuine
Kaiser-Eoghan
@Aidan: Did you read the doro manga for the preview or the old anime? Watching an anime episode in black and white must have been odd. Also, when I watched boogipop for the first time years ago I was confused by it initially but didn't reject it, trippy atmosphere and stuff.
Kaiser-Eoghan
I want my youjo senki and bunny-girl senpai movies and I want them now wah, wah.
Kaiser-Eoghan
@Mario: and that later scene with her in the hospital actually did kind of get me even though I knew it was coming. It also never felt un-earnest or manipulative.
Also noticed callbacks to his other films in it sort of.
Thought it was pretty watchable man.
Kaiser-Eoghan
@Mario: I didn’t really emotionally connect with it and probably because I’ve seen so many of these dramas I can predict the whole thing, but it did maintain my interest and I liked how he captured the flavour of the time (such as the riots/political rally/douchebag male characters/talk about people having their land taken off them)
Kaiser-Eoghan
@Mario: I decided to watch Roma by Alfonso Curon, on a visual level this is definitely a beautifully rendered film and the photography is especially impressive just before and during the forest fire scene. I watched it in the highest possible quality and it really does benefit this.
Kaiser-Eoghan
@Mario: Damn democracy =<
SuperMario
I hope that's just me but I can't vote on the poll thing
Anonymous3199261
Uchuu Senkan Tiramisu was definitely my favorite short this year. I found it incredibly amusing since it's basically a typical mecha series if the main character and his arch-enemy (and plot twist brother) were both insecure, self-centered narcissists.
Kaiser-Eoghan
Boogiepop is the show I'll end up watching.
Kaiser-Eoghan
Neverland I fell behind on when they got to the part in the village where the monsters hunt people.
Kaiser-Eoghan
See heres my thing with Kaguya, I never thought I'd find it funny and certainly I doubt I like it as much as others do, but even though after 50 or so chapters of laughing at it, like most comedy manga that are long, I never feel pushed to read every chapter.
Amagi
I just learned to accept Zombieland Saga again after the fuckup since episode three since some of the following episodes were pretty good despite the idol stuff and being rather formularic, both the last two killed my hopes yet again and not hoping for too much considering the problem of the latest episode isn't fully solved yet.
Amagi
I dropped Uma Musume after five minutes
Animosh
@Kaiser: Shoko's arc will apparently be covered in the upcoming movie. The remaining episodes will only focus on Kaede.
Anonymous3197172
Unlike Uma though, Zombieland doesn't have Granblue codes in the BDs this time, so it might not reach those same sales heights. Makes you wonder if Uma did well in Japan solely because of the codes.
Anonymous3197172
Granted, like Zombieland Saga, I didn't hate it. But unlike Zombieland where it became what it purported to parody, this was exactly what I was expecting it to be. Safe and really dull.
Anonymous3197172
And to top it off, they included SSR codes for Granblue with the BDs of the series as a form of cross-promotion. That managed to maximize sales for the series. Not even Zombieland Saga was this obviously safe.
Anonymous3197172
Let's see, it's a sports anime complete with the stereotypes you'd expect, a CGDCT show, a moe anthropomorphism series where the horses are girls, and an idol series with most of the trademarks of that genre (yuri undertones, banal songs, creepy fanservice, etc.) and it's a mobile game adaptation to boot.
Anonymous3197172
Of all the shows I watched this year, Uma Musume was probably the safest, most conservative show that I've ever seen this year which took the least risks, and threw in everything they could in the hopes of maximizing blu-ray sales. It's saving grace is P.A. Works' animation, but that's to be expected with even their worst shows.
SuperMario
I haven’t watched the latest one yet but isn’t it a bit too... quick?
SuperMario
What the hell? Only one episode and BF already wiped out 3 bad men?
Kaiser-Eoghan
Unrelated, but I wish more ecchi/hentai genuinely tried to mix in emotions and sensuality even into the more fetishist stuff. I like everything to be y'know sad and stuff.
Kaiser-Eoghan
Seeing that bastard get it in banana fish is so satisfying.
Kaiser-Eoghan
I still wish this show had 24 episodes.
Kaiser-Eoghan
I don't think there's enough time for Shoko's arc though and this episode was rushed.
Kaiser-Eoghan
*in bunny-senpai
Kaiser-Eoghan
Oh my God I wanna save the sister bunny-sepai =<
Anonymous3196773
All 3 of BF devil trio are out :) Now we have to deal with Foxx as final boss though? Not sure about that
Kaiser-Eoghan
@Vonter: I enjoyed what I read of gunsmith cats but I've only read parts of it, not the whole thing, I also saw its prototype riding bean which was schlocky fun.
Kaiser-Eoghan
@Vonter: I'm honestly not sure. But I'll say this, wasn't there some campaign to get a new gunsmith cats anime out?
Animosh
I wonder where they're going with Yut Lung though. I expected Ash to kill him in a mad fury over what happened to Eiji, but his conversation with Blanca (about finding love instead of being ruled by anger and hatred) suggests that some kind of redemption may lie in store for him.
Vonter
@Kaiser-Eoghan How is it compared to Gunsmith Cats?
Animosh
I knew Banana Fish wouldn't go through with Eiji's death. But hey, at least it looks like Golzine is finally dead! Although I really wish someone with more of a history with him had done the deed. Or you know, someone with some actual personality. Foxx is such a lame blend of villain tropes I wish he would die already. If he really ends up as the final boss of the series I'd be pretty disappointed
Kaiser-Eoghan
@Vonter: Its possibly because its so old. As for myself I've only seen the first series and read a few volumes of the manga, what I followed was largely episodic.
Vonter
@Kaiser-Eoghan - It isn't as heavily marketed, I wasn't aware there were that many. It's this a niche series?
Kaiser-Eoghan
@Vonter: There are several films live action and animated and three anime series based on it.
Vonter
The new City Hunter movie looks great. It seems to have buddy cop vibe. Were there only OVAs or did this manga ever got a TV series? https://www.youtube.com/watch?v=CRFrmaZa1OY
Animosh
Oh right, that makes sense. Heh.
Lenlo
Ha, you merged his names.
Kaiser-Eoghan
Ah, that is the curse of watching an episode a week, forgetting things like that, can't believe I couldn't remember that.
Animosh
Eh, Kurahara. Where did I even get that name from.
Animosh
@Lenlo: he's a reporter. He's one of the people interviewing Fujioka in episode 7 (or more precisely, he's watching him being interviewed). He also seems to notice Kakeharu then.
Kaiser-Eoghan
@Lenlo: Or maybe a washed up former runner from years ago?
Lenlo
Im sad Kaze Fui has a 3 week break, but cant wait for January now. As for the guy at the end, I want to say he is probably a reporter of some kind? Kurahara was a good runner in highschool and seemingly quit, yet is now running for a no-name team. Thats a scoop
Kaiser-Eoghan
It was pretty tense actually.
Kaiser-Eoghan
I didn't cry during that scene in made in abyss, you know the one where riko freaks out, the arm scene. But it was somewhat stressful.
Kaiser-Eoghan
I haven't come across ojisama to neko. Perhaps I'll read a few chapters of it.
Amagi
Hope they will do a first season of it by turning it into a 5 minute anime now. I mean it has an old man who tries to be the best father for his pet and it has a CAT, what else does a series need to be successful in the age of the internet?
Amagi
I didn't know Ojisama to Neko was a hit. The series is so cute that every harmless piece of seriousness makes you feel like crying, it's pretty good but didn't expect it to be popular. Seems like it sells around 350k copies.
Amagi
There are so many movies or anime that kill tons of characters and throw in even more tons of cry scene and I am still unable to feel anything.
Amagi
MIA showed that it is always about how you depict a death scene and not so much about what's actually happening. I usually want to be sad whenever I am supposed to feel sad but it doesn't work. I had to cry during the MiA scene though even though it was "just" about some kind of pet, because that character lost her humanity long ago and suffered, so death was actually a good thing here. But still.
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